Who can't learn suona?

Who doesn't suggest learning to play suona?

Anyone who plays suona is not recommended to learn. Suona is a relatively unpopular instrument. Although this traditional instrument has become less and less popular now, some people still like to listen to the sound of suona. Let's see who plays the suona and related information.

Who doesn't recommend learning 1 playing suona? It is leaking.

The music you play is taboo.

One of the taboos of playing suona is to pay attention to the music you play. There are many suona tunes, some of which are dedicated to playing red things and some are playing white things. We should treat the two separately, because it is very unlucky to say white things about red things, which is equivalent to cursing others. Putting red songs on white things will look ridiculous, because white things are not festive things anyway.

Separate occasions

It is also important to play suona on different occasions. Not every occasion is suitable for playing suona. Even if it's a happy event, there's no need to blow suona. For example, even if someone else gives birth to a baby, it is also a happy event. You have no reason to blow with suona, because the occasion itself is inappropriate. At the same time, when practicing suona, you should also pay attention to what people around you are doing, otherwise others will think you are mocking them.

There is no reason, nothing should be blown.

It's not good to play the suona when you have nothing to do, because there is nothing red or white at ordinary times, and there is no reason to play the suona. Moreover, the sound of the suona is very sharp and loud, not everyone likes it, and some people even feel uncomfortable. Therefore, when you are free, there is no need to brag about suona, which is unlucky, disturbing people and even being complained by your neighbors.

The above is the taboo to pay attention to when playing suona. Generally speaking, there are not many taboos for playing suona. In fact, the most important thing to pay attention to is not to disturb people, because no one wants to listen to even good songs often.

Those who play suona are not advised to hold a funeral in Xuenong Village, and it is forbidden to play suona. Give three reasons, but farmers can't accept them.

1, spreading bad social atmosphere. In recent years, people's lives have become more and more colorful, and this idea has spread in rural areas with relatively backward economic conditions. Rural customs and habits are also changing, and the wind of comparison in rural areas is becoming more and more popular. In the long run, it is particularly unfavorable to the development of rural areas. This social atmosphere of comparison needs to be banned, and this extravagance and waste is not worth emulating. When doing white things, families will inevitably talk about which suona band is luxurious and which band is shabby, which makes the meaning of the funeral itself lost.

2. Formalization is too serious. Funeral is to entrust the memory and reminiscence of the elderly to relatives, to make the deceased great and to let the elderly rest in peace. Since ancient times, funerals like to pay attention to excitement. Without suona, I always feel something is missing. This matter has to be done slowly. The form can be bigger, the mourning for the elderly can be heavier, and those laborious suona and unnecessary ostentation and extravagance can be saved.

3. It is not conducive to the construction of spiritual civilization in rural areas. Farmers' friends pay a lot of money to invite the suona band, which will destroy the atmosphere of the suona band and put forward higher requirements for the suona band. In the long run, the suona band will also sit on the ground and the price will be higher and higher. Those farmers who really want to be lively can no longer afford a suona band. Don't cause trouble and trouble to most people just because you are happy for a while. This behavior is also extremely unfavorable to the atmosphere of the funeral.

Obviously, farmers' friends are not convinced to implement this policy in rural areas with traditional concepts. It is still difficult for them to accept these ideas from the heart, but the policy has been introduced and farmers' friends can only abide by it. If you don't follow these policies, you are likely to be punished. It can only be said that changing the concept of farmers' friends is gradual, not overnight.

Who doesn't suggest learning the playing skills of 3 suona?

Law:

The eight sound holes of the suona need to be filled with your fingers. If the sound hole is not tight, it is easy to make noise or produce inaccurate sound when blowing. How can I press all eight sound holes tightly? The correct grip method is: the fingers of both hands are naturally straightened and pressed to the complete eight sound holes, the upper four fingers are the first three and the last one (usually with the left hand), the little finger does not press the sound hole, that is, the thumb presses the back hole (that is, the seventh hole), and the other three fingers press the eighth, sixth and fifth holes in turn; The thumb of the lower four fingers (usually with the right hand) does not press the sound hole, and the other four fingers press the fourth, third, second and first sound hole in turn.

(2) Mouth shape:

Mouth shape is the most important when playing suona, which plays a very important role in pitch control, volume change and performance skills. If the mouth shape is wrong, not only the timbre is not beautiful, but also the intonation will be affected. The correct mouth shape should be: when not playing, the mouth is full without gaps, and the labial muscles and buccal muscles are in a relaxed state. When playing, the lip muscles contract and close together with the whistle as the center.

At this time, the mouth is oval, but the mouth should not be pushed forward too much, that is to say, the upper and lower lips should be placed on the whistle naturally, loosely and beautifully, and the whistle-containing position should be in the middle of the lips, basically not touching the air disk, and the lips should be flush with the whistle seat.

The control of the two lips on the whistle should be coordinated with the flow control of blowing, and the control of the lips and the flow of blowing should be determined according to the different requirements of pitch, volume, timbre and certain skills. In the process of playing music, the pronunciation head of each sound plays a decisive role in the quality of the sound.

(3) Breathing method:

Mastering breathing is the basic skill of playing wind music. It is often said that "full breath" means that full breath is the basis of "full voice". The better breathing method is "abdominal breathing", that is, "chest-abdomen breathing". When inhaling, the lower abdomen contracts inward and the chest and ribs expand outward; When exhaling, you don't just exhale with your lungs as usual, but basically use the movements of your lower abdomen to control the urgency of exhaling. Practice breathing should pay attention to three points:

1, when breathing, relax where the whole body has nothing to do with breathing, and inhale more and faster; Exhale less and slowly.

2. Keep the continuity of exhalation and inhalation. Don't wait until the first breath is completely exhaled before you start inhaling the second breath. Instead, you should start inhaling the second breath before the first breath is completely exhaled, so that it can continue.

Generally speaking, people breathe in through their noses. Only when catching air or inhaling through the nose is not enough can they inhale through their mouths and noses.

(4) Tuning:

A breeze is an airflow through a whistle. The strength of suona pronunciation is mainly controlled by tone: the tone is urgent, and the sound is strong; When the tone is slow, the voice is weak. When playing different high and low notes, the tone is different.

Playing high notes is more urgent; Play the bass and speak slowly. Tone has a great influence on intonation. If you don't master the tone quickly, you can make the sound deviate from the correct pitch, such as high, low and even a whole tone. So the tune is very important, it is one of the basic skills of playing suona. Long-term training can achieve strength, flexibility and flexibility.

(5) Ventilation method:

There are two kinds of ventilation methods, namely "natural ventilation method" and "circulating ventilation method" (also known as keel ventilation method). Natural ventilation is like natural ventilation when you need to change your breathing at the end of a sentence or during the pause of your speech or singing. But playing suona needs more air, because you can't make a sound without enough air, especially when playing high notes, you should inhale enough air. According to the needs of music, we sometimes have to breathe in a very short interval, which is called "grabbing gas". Only by playing more and practicing more can we master it skillfully.

(6) Full-tone and semitone blowing methods:

When the suona presses all eight holes, it blows out a drum sound with a drum sound of 5. Let go of the first hole (that is, the hole at the bottom), and the sound blown out is 6 tones higher than the simple sound. Let go of the second hole again, and the sound will increase by a whole note of 7. If the third hole is also released, the generated sound can only be raised by a semitone L. This is because the distance between the sound holes of suona made according to the specifications is not equal.

The distances between the second hole and the third hole and between the sixth hole and the seventh hole are relatively small (equivalent to semitone). When a series of sounds are continuously blown out in the above order, it conforms to the interval relationship required by the major scale, and is arranged as nine sounds of 567 123456 in the major scale. In addition, there are ways to control breathing. For example, increasing the blowing intensity or decreasing the blowing intensity can raise or lower the sound by a semitone. When there is no time to blow quickly, you can only control it by breath.

(7) Flat blowing and over blowing:

Speak slowly and play the bass, which is called "flat blowing"; Think quickly and play higher notes. Usually, notes with higher octaves are the easiest to blow, so the blowing method is called "super blowing". If the over-rendered sound is separated from the usual sound by a small octave, it is called "blowing through the hole", which is only used occasionally when special effects are needed, and is generally not used much.

To sum up, suona control technology can only be mastered skillfully on the basis of mastering theory, practicing hard in playing practice and gradually understanding and understanding.