What color is the riverside scene on Qingming Festival?

The Riverside Scene at Qingming Festival was written by Zhang Zeduan. The color of this painting is dark yellow.

The Riverside Scene at Qingming Festival is his masterpiece, which was once collected by Xuanhe Neifu. The Riverside Scene at Qingming Festival still exists today, which is the best example of Dream of China in Tokyo, Ode to Monuments and Ode to Borderland, and is of great historical value. It not only inherits and develops the long-lost China ancient genre painting, but also inherits the fine tradition of historical genre painting in the early Northern Song Dynasty.

Zhang Zeduan and The Riverside Scene at Qingming Festival

At the beginning of the Southern Song Dynasty, the painting style changed greatly, and genre painting had a wide range of subjects.

Master, Zhang Zeduan, Riverside Map, Growth Volume.

In the northern song dynasty, the grain city was the most prosperous;

People, front and back, chariots and horses, all concentrated.

There are restaurants, tea sheds, blacksmiths and carpenters;

Flower girl, fortune teller, under the bridge, everything goes well.

Buildings and floors are bustling with clear strokes;

Miscellaneous but not chaotic, step by step, the ancient city, into the eye.

From the end of the Northern Song Dynasty to the beginning of the Southern Song Dynasty, figure painting has undergone new changes, that is, genre painting and historical painting have made new development. The subject matter of genre painting is quite extensive, involving all aspects of citizens' lives, such as city streets, city walls, vendors, baby plays, ladies, chariots and horses, agricultural weaving, village studies, village animal husbandry, water transportation, navigation and so on.

Zhang Zeduan, who studied in Bianjing in his early years, later studied painting. Hui Zong works in Hanlin Painting Academy and is good at painting chariots and horses, streets, bridges and city walls. In addition to painting The Riverside Scene at Qingming Festival, he also painted Bidding for the West Lake, both of which describe secular life.

The Riverside Scene at Qingming Festival is a typical representative of genre painting in the Northern Song Dynasty and the result of the long-term development of figure painting in the Northern Song Dynasty. The Riverside Scene at Qingming Festival takes Bianhe River as a typical environment, and depicts people's activities, buildings, tools and other secular human feelings at that time, which is of great historical value. On the basis of careful observation, the painter faithfully and meticulously described the bustling scene of the gates, streets and lanes of Bianliang City in the Northern Song Dynasty and the Bianhe River outside the gates. There are various commercial activities, handicraft activities, water transport activities on the river and various people's sightseeing activities on the screen. In addition to restaurants, pharmacies and other large shops, there are incense shops, bow shops, small tea shops or wine shops at the crossroads, as well as pawn shops with "Jie" signs hanging in front of them. Carpenters who make wheels, blacksmiths who sell knives and scissors, flower sellers, fortune tellers and various vendors can all be identified one by one. There are all kinds of people in the street, officials riding horses, surrounded by waiters passing through the crowd; Some women ride in small cars. In this noise, some people carry loads, some people drive cars, and the styles of cars are different. Some people are making boats on the river, some are wandering around, and some are leaning against the fence at the door. This lively scene, the painter arranged in an orderly way, mixed but not chaotic, fascinating, and the ancient capital reappeared in front of him. In terms of composition, there are always points, main points, fine points, thick points, tension and relaxation; Mainly in rural areas, rivers and cities, it is gradually spread out and has a lot of layers. The countryside is introductory and relatively simple. When I entered the river, I focused on describing the ship freight until the arch bridge, which formed the first climax. On the bridge, under the bridge and on the boat, people were in a hurry, noisy and very nervous, and then gradually turned away, ending the most important part of the center. From restaurants and bridges, streets lead directly to cities and various vehicles. Shops, all kinds of people, etc. Step by step, one place is tight, forming the second climax. From the city to the second street, the picture ends. There are many copies of The Riverside Scene at Qingming Festival in the Southern Song Dynasty, including one or two volumes of gold, which shows the significance of southerners' nostalgia for the bustling feelings of their old capital.