Fortune Telling Collection - Comprehensive fortune-telling - Fortune-telling Chen Qiaoen _ Fortune-telling Chen Qiaoen border king star map set can buy what role?

Fortune-telling Chen Qiaoen _ Fortune-telling Chen Qiaoen border king star map set can buy what role?

What kind of looks can a girl be called classical beauty?

First, young. Youth is beautiful, and youth is probably the most beautiful: some people argue that different ages have their own advantages.

Second, the appearance is good. In ancient China, beauty was the most important thing. The hair is black and shiny, very beautiful; The eyebrows are slender and curved for beauty; Beautiful eyes, with a curved smile; Beautiful mouth; Teeth are neat and white, shaped like flat shells. The face is beautiful in the shape of a goose egg; White and tender skin is beautiful. The so-called regular facial features, thin eyebrows, red lips and white teeth.

Third, the posture is light. From the pre-Qin Dynasty to the Tang Dynasty, beauties were generally tall, and the so-called beauty was beauty. Song to Qing, mostly for the beauty of moderate figure, "moderately trimmed, moderately fit", "neither fat nor thin, the right length" is the most ideal figure. The waist is beautiful with tenderness, the so-called "willow waist"; The beauty of hands is slender and delicate; Small enough to be beautiful.

The whole posture, slim and plump, light and graceful, beautiful. In the ancient standards of female beauty in China, the curvaceous beauty of the body and the contrast of various parts of the body were generally ignored, while the graceful posture was regarded as the beauty.

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Four beauties

What is the story of the four beauties in ancient China, namely, Wang Zhaojun, Diophantine and? . The four beauties enjoy the reputation of "sinking fish and falling geese, closing the moon and putting flowers to shame".

"It's a historical allusion composed of wonderful stories to sink a fish and fall into a wild goose and close the moon and feel ashamed of flowers". "Sinking Fish" tells the story of stone's yarn-washing. "Wild Goose" refers to the story of Zhao Jun's departure from the fortress, "Closed Moon" refers to the story of Diusim Yue Bai, and "Shame on Flowers" refers to the story of Yang Yuhuan's imperial concubine enjoying flowers while drunk.