What impressed you most about the role of China in Japanese film and television dramas?

? The role of China that impressed me the most in Japanese film and television dramas is 20 16 Naomi Dong and Li, a client from China, who is played by this old drama bone. Aunt Li is resolute, loves to take advantage of petty advantages and is pragmatic, but she is willing to do anything for her friends. Naomi confided to her that her best friend was suffering from her husband's domestic violence, and the fierce aunt Li believed in the life creed of eating anything, so she directly threw out the word "kill him", which made Naomi kill her instantly and promoted the development of the plot. Later, the aunt also intentionally or unintentionally protected Betty and Kanako.

? Naomi and Kanako didn't directly attack the topic of women's rights, but Naomi and Kanako carried out the spirit of the American film thelma and louise to some extent by resisting domestic violence. In the plot, Zhimai and Kanako put a bright Japanese shell on the wild American road film, and combined with reasoning and delicate psychological description, they told the story of using coincidence to create a scam to save their relatives and friends in college. Without Lin Longhui, who just looks exactly like Hattori Dalang and Naomi's customers just have a series of coincidences such as cognitive impairment, Naomi's plan to save Kanako from suffering will never be successfully completed.

? Thelma and louise is a passionate mistake, while Brain Wheat and Kanako is a well-planned feat of the Virgin Mary. Although it is not a road film like thelma and louise, the whole process of Naoko and Naoko planning her husband's murder is like a "road trip". The journey was full of their nostalgia for their school days, and the fond memories of the past gave birth to the mood of saving Naoko from suffering as soon as possible. Naomi and Kanako chose the right direction in life on this irreversible "road".