Who knows the relationship between lonely Hong and recluse in Su Shi's Homestay in Dinghuiyuan, Huangzhou?

Operator, Huangzhou Dinghuiyuan Residence, Operator, Huangzhou Dinghuiyuan Residence, ①

Sparse paulownia hangs in the place where there is no moon. It is quiet at the beginning of rain leakage. When I see you alone, I see a lonely shadow. I was shocked, but I came back.

Head, hate no one to save (4). Pick up all the cold branches and refuse to live. Lonely sandbars are very cold.

(Note) (1) According to historical records, this word was written in Huangzhou, southeast of Huanggang County, Hubei Province in the sixth year of Zongshen Yuanfeng (1083), and Su Shi wrote another article, You Ding Hui Yuan Ji. It can be seen that this word was written by Su Shi in Huangzhou (now Huanggang, Hubei) when he was demoted to assistant Ying Yong because of Wutai poetry case.

About the author:

Su Shi (1037 ~110/) was born in Meishan, Northern Song Dynasty. He is a famous writer, one of the eight masters in Tang and Song Dynasties. He is knowledgeable and versatile, and has high attainments in calligraphy, painting, poetry and prose. His calligraphy is called "Song Sijia" with Cai Xiang, Huang Tingjian and Mi Fei; He is good at painting bamboo and strange stones, and also has outstanding opinions on painting theory and calligraphy theory. He is a literary leader after Ouyang Xiu in the Northern Song Dynasty, and his prose is as famous as Ouyang Xiu. Poetry is like the name of Huang Tingjian; His poems are magnificent and bold in style, and his graceful words have been changed. He and Xin Qiji in the Southern Song Dynasty are also called "Su Xin", and they are both bold poets.

In the second year of Jiayou (1057), he was a scholar, and was appointed as the master book of Fuchang County, and the bookmaker of Fengxiang Prefecture was called the History Museum. In the second year of Yuanfeng (1079), when Zongshen knew Huzhou, he was appointed as the censor. In the third year, he was demoted to Huangzhou Yong ying ambassador, built a room in Dongpo, and was named Dongpo layman. Later, the money was transferred to the United States. In the first year of Yuan You (1086), Zhezong returned to Korea, where he worked as a calligrapher in China and obtained a bachelor's degree in Hanlin. Know the patent. He was dismissed in nine years and exiled to Huizhou and Danzhou for three years (1 100). He was recalled to the north and died in Changzhou. The existing Complete Works of Dongpo 1 15 volumes.

[Interpretation of Inscription]

[Textual research] The word method quoted Shi Mao as saying: "Luo Yiwu's poems use several names, which people call divination operators, so they are named brands." Another cloud said: "According to the word" Gu ",it seems to sell divination with branches, covering the people who sell divination today." Because there is a sentence in Qin Guan's ci: "A hundred feet of smoke", the [operator] was deleted from the picture and named as [Hundred Foot Building]; However, the name of [operator] was known earlier.

[Exercise] This tune is 44 words, with two strokes before and after, and four sentences and two rhymes; Perfect, the first word of every sentence is flat and informal. The first two sentences are all three sentences with a mezzanine in the middle. The third sentence is the same as the third sentence. The five words in the last sentence are even, just like the last sentence of [Rain Bell]. The second half and so on.

(1080) Arrived in February, lived in Dinghuiyuan first, and moved to Lingaoge in May. This word is considered to be in this period. Dinghuiyuan: A work called Dinghuiyuan, located in the southeast of Huanggang. 2 leakage: refers to late at night. In ancient times, time was calculated by dripping pots. Hermit: It means both a hermit and a prisoner. This is when Su Shi refers to himself. Four provinces: knowing and understanding. ⑤ In the Song Dynasty, Huang Tingjian commented on Dongpo Yuefu, saying: "The meaning is high, like eating fireworks and eating words, there is no thousands of books in the chest, and there is no dust in the pen. Who can do this? " The text expresses the author's lonely mood. Or think it is a reference to the works of Thorn, such as Selected Poems in Zhang Hui dialect in Qing Dynasty: "No moon, the thorn is faint. Leak, even in the dark. Withdrawn and unable to aspire. Lonely and helpless. When you are surprised, the sage is uneasy. Looking back, I love you and will never forget it. If there is no one to save you, you won't look,' pick up all the cold branches and refuse to live', and don't steal the heights. Lonely sandbar is cold', which is not safe. " Accordingly, its predecessor is the so-called "the author is not necessarily, why should the reader be otherwise" (Tan Xian's Tang Fu Thorn). Its experience has exceeded its original intention.

[Appreciation]

This is Dongpo's work in Huangzhou. Write two sentences about a quiet night. The sentence "Who has seen you" echoes itself, saying that no one has seen you alone at this moment, but you are lonely and ethereal, just like a person wandering in the night. This sentence is very impressive. In the next film, people will see Hong, and if they say Hong, they will say people. Pun is a pun, which is extremely wonderful. It is natural that the valley is called "like a cannibal language unrelated to fire".

The first two sentences of Uptown create a lonely atmosphere in the dead of night, and the moonlight hangs on the tree, paving the way for the appearance of you and peace. These two sentences are extraordinary, rendering a realm of loneliness. In the next two sentences, first of all, I pointed out the image of a lonely person with many worries, and then the image of the lonely person flew from the lonely person to the lonely person, which made the two images correspond to each other and fit each other, making people think: Isn't the lonely mood of the lonely person just like the shadow of the lonely person? These two sentences are not only true writing, but also through the correspondence and grafting of human and bird images, which greatly strengthens the transcendence of "wandering" and has symbolic significance and poetic beauty.

Xia Kun wrote about Gu Hong's misfortune, and he was deeply resentful and fearful. He refused to live after picking up all the cold branches, so he had to stay in a lonely and cold sandbar. Here, the poet uses symbolism and ingenuity to look back, hold a grudge and choose a place to cross the loneliness of Hong, expressing the lonely situation of the author during his relegation to Huangzhou and his noble and confident state of mind that he does not want to go with the flow. The author and Gu Hong appreciate each other, personify Gu Hong's psychological activities and objectify their subjective feelings, showing superb artistic skills.