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Drama fortune telling _ drama fortune telling
Because Jiro was once regarded as a drama god.
Many people think that Erlang God is a god related to water conservancy, farming and flood control, and even a water god. Before the Qing Dynasty, he was regarded as the drama god, hunting god, cuju god, Raytheon and Dionysus god.
According to scholars' research, The Story of Dragon City was written by Wang Luo, a poet in the Song Dynasty, in the name of Liu Zongyuan in the Tang Dynasty. The story about Zhao Yu going down the river and chopping jiaozi should have been circulated in the Five Dynasties, but Wang Luo only made a summary and record. According to the third volume of "Three Religions' Origins Seeking Gods", before Emperor Taizong, the local people had built a temple for Yu Zhao in Guanjiangkou, commonly known as Guankou Jiro.
When I was in the north, Yizhou was in chaos, so Zhang Guai Duck was ordered to rule Shu. Yico Zeng went to the temple to pray for God. Afterwards, he asked the emperor to honor the holy name and said, "Clear the source, wonderful, true gentleman."
Since then, the reputation of this "Erlang God" has increased day by day. The Erlang God in novels, operas and folklore in Song and Yuan Dynasties is basically the image and "miracle" of this Zhao Erlang God, and it has had an important influence on the shaping of the image of Erlang God in later novels such as The Journey to the West and The Romance of Ghosts and Ghosts.
Extended data:
A summary of textual research on Erlang God;
The image of Yang Jian in the Romance of the Gods seems to be related to the above Erlang God. "Romance of Gods" narrates Yang Jian's appearance, saying that he was "sanctified in the flesh and sealed the source of wisdom and truth", obviously from the title of Zhao Yu.
Back to the 47th Yang Jian War, "the roaring dog was released in the dark, shaped like a white elephant". This roaring dog is one of the symbols of Erlang God, which is mentioned in The Journey to the West's novels and plays. It is related to Xu Meng and Zhao Yu. Of course, this may also be due to the unique health of the golden mouse, as Zhang said.
In the fifty-fifth chapter of Romance of Gods, it is said that Yang Jian went into a cave to chase monsters, got a three-pointed double-edged knife and a pale yellow fairy robe, and took two blond teenagers as disciples, which is also a symbolic feature of Jiro. In the novel Journey to the West, Erlang holds a three-pointed double-edged knife, and the refined dog and the three-pointed double-edged knife are also mentioned in the drama "Erlang Lock Monkey King".
The pale yellow fairy robe borrowed the image of Xu Meng; There is a lyric cloud in the sixteenth play of The Journey to the West's Zaju: "Guo presses the soap eagle straight, and the golden head slave attracts the fine dog. Carrying a crossbow and carrying a projectile. " Golden boy is the golden slave here; Even when Yang Jian chased the monster into the cave, there seemed to be ice and the shadow of chopping jiaozi in the water.
Liu Yisheng wrote that the description of Yang Jian in the Romance of the Gods became clear gradually. At first, the author didn't regard Yang Jian as Erlang God. This is a very insightful point of view, but I want to point out that this does not mean that all descriptions of Erlang God are later supplements. Maybe the author is about to write a history of Emperor Wen of Sui's life growth.
In addition, the Romance of Gods describes several people with strange eyes (for example, Wenzhong, Yin Jiao, Liang Wen, Mashan and Lu Yue all have three eyes; Gao Ming is clairvoyant; Yang Ren has hands in his eyes, so he can see through the ground), probably to avoid too much repetition, or just because the author is biased when mixing various versions of Erlang God.
Therefore, Yang Jian's three eyes didn't stand out in the Romance of the Gods (this is the most important feature of Erlang God), but Yang Jian's statement "Looking at it carefully, Yuan Hong turned into a strange stone" (the 92nd time) showed traces of three eyes, which further confirmed that Erlang God was the main source of Yang Jian's image.
As for the Romance of Gods, Yang Jian is regarded as Erlang God. In addition to the theory of "Yang Erlang" in the early years of the Northern Song Dynasty, it may also be influenced by the legend of Yang Shen, most likely the legend of the general.
As for the name "Jian", it probably comes from "Jian". In other words, the name "Yang Jian" is probably a combination of two legends of Erlang God. The image of Yang Jian was created by the author of Romance of the Gods on the basis of adopting various legends of Erlang God, so many of his characteristics can be explained.
Baidu Encyclopedia-Erlang God (Taoist immortal)
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