Fortune Telling Collection - Comprehensive fortune-telling - Introduce Xia He and Liu Zongyuan to me.
Introduce Xia He and Liu Zongyuan to me.
. His ancestral home is Hedong (now Yongji, Shanxi). Han nationality. He was born in Chang 'an, Kyoto (now Xi 'an, Shaanxi) in 773. Advocating the ancient prose movement in Tang Dynasty with Han Yu. The world is called Liuhe East or Liuliuzhou.
Liu Zongyuan was born in an official family, with little talent and high aspirations. In his early years, he was a scholar in the exam, and his writings were mainly flowery rhetoric. In the ninth year of Zhenyuan (793), he was a scholar, and in the fourteenth year, he entered the learned poetry class and was awarded the orthography of Jixian Hall. He was a lieutenant in Lantian, then became an official in the DPRK, actively participated in the political reform of Wang Group, and was transferred to Danielle as foreign minister. In September of Yongzhenyuan (805), the innovation failed, and the history of Shaozhou fell. In November, Sima of Yongzhou (now Lingling, Hunan) was demoted. During this period, he wrote the famous Eight Chapters of Yongzhou (at the beginning, Travel Notes of the Western Hills Banquet, The Story of Guniujiang, The Story of Guniujiang, The Story of Guniujiang, The Story of Xiaoshitang and The Story of Yuan Jia's Thirst). In the tenth year of Yuanhe (8 15), he returned to the capital in the spring and served as the secretariat of Liuzhou (hence the name Liuzhou), with outstanding achievements. Xian Zongyuan died in Liuzhou on the eighth day of November in the 14th year (819165438+1October 28th). He is very friendly. Liu Yuxi and Bai Juyi are his good friends.
Liu Zongyuan left more than 600 poems in his life, and his achievements in writing were greater than poems. There are nearly a hundred parallel essays, which are argumentative, sharp, sarcastic and spicy, full of fighting, and travel notes are written about mountains and rivers, which are mostly entrusted. Philosophical works include Tian Shuo, Shi Tian and Feudalism. Liu Yuxi preserved and sorted out Liu Zongyuan's works in the Tang Dynasty. There is Liuhe East Collection.
commemorate
In memory of Liu Zongyuan, Liuyuan Park was specially built in yongji city. Liuyuan Park is located in the west of yongji city City, east of Hedong Avenue and south of Fuqiang Road, adjacent to Century Garden Community of Yongji Electric Machine Factory. 1 The picture on the right shows the local map of Yongji Liuyuan.
Liu Zongyuan's writing style is sharp and his opinions are incisive all his life.
Liuzongyuan statue
Yongji liuyuan
The picture on the right shows the statue of Liu Zongyuan in Liu Hou Temple (formerly Liu Hou Park) in Liuzhou, Guangxi Zhuang Autonomous Region. [Edit this paragraph] Life and family background
In the Northern Dynasties, Liu was a famous scholar-bureaucrat, and he was also called "Hedong Three Surnames" with Xue and Pei. Liu Zongyuan once proudly said: "The division of Liu nationality is higher in the north. It is filled with stones, and the world is heavy. " Liu Zongyuan's eighth to sixth ancestors were court officials, and the fifth ancestor was the secretariat of Sizhou. After entering the Tang Dynasty, the Liu family had a close relationship with the Li royal family. During the reign alone, 23 members of the Liu family lived in Guanshu at the same time. However, during the Yonghui period, the Liu family was repeatedly persecuted by Wu Zetian. By the time Liu Zongyuan was born, his family had declined, and Liu Zongyuan's great-grandfather and grandfather were only small officials like county magistrates. His father, Jin Ryu, served as a Taichang doctor in the last years of Tianbao of Xuanzong, and continued to be an official after the Anshi Rebellion, with a lower rank. Liu Zongyuan's mother, Lu, was born in the famous Lu family, but her family has declined. She has two daughters and one son, and Liu Zongyuan is the youngest. His two daughters, Cui Shi in Shandong and Shi Pei in Hedong, are both declining old aristocrats.
Liu Zongyuan said with emotion that by his generation, Liu had "studied for nothing since May and June". The Anshi Rebellion caused another great impact on the Liu family. During the war, Jin Ryu sent his mother to the King of Wu for refuge, and she and her family fled to Wudi. In the south, it was once hard to make a living, and sometimes there was no salary. Liu Zongyuan's mother often starves herself to feed her children.
Liu Zongyuan's family background has made him yearn for the "virtue" and "success" of his ancestors. He often narrates the status and glory of his ancestors in a proud tone, showing his strong desire to revive My Clan and his pursuit of fame.
one's early years
When Liu Zongyuan was born, the "Anshi Rebellion" had just been put down for 20 years. Although the short-lived peace existed for 20 years, the Tang Dynasty had already passed its peaceful and prosperous times and gradually declined. Various social contradictions in the Tang Dynasty developed rapidly, and various social abuses after the middle Tang Dynasty, such as the separatist regime in the buffer region, the eunuch's exclusive power, and the clique's struggle for power, were taking shape.
Liu Zongyuan's family is a family with strong cultural atmosphere. At the age of four, his father went south, and his mother Lushi led him to live in Jingxi Manor. Lushi is a Buddhist, intelligent, virtuous, knowledgeable and has a certain cultural accomplishment. She taught young Liu Zongyuan to recite fourteen ancient poems. It was his mother's enlightenment education that made Liu Zongyuan interested in knowledge. Lushi is diligent in housekeeping and educating his children. When he fled to the south in his early years, he would rather starve himself than feed his relatives. Later, Liu Zongyuan offended the relegated official, and his mother followed her son to the South Emperor in her later years without complaint. She is a typical wife and mother, who embodies many virtues of ancient women in China. Liu Zongyuan was influenced by his mother's good personality since childhood.
In the first year of Zhenyuan (785), Jin Ryu went to Jiangxi as an official. After that, Liu Zongyuan went on a business trip with his father and traveled all over the vast area from Changsha in the south to Jiujiang in the north. This experience brought Liu Zongyuan into direct contact with the society and increased his knowledge. From then on, he began to participate in social activities and make friends widely, and was valued as a gifted scholar and teenager [note: Liu Yuxi's preface to Mr. Hedong] "Zi Hou had a strange name for a teenager since Zhenyuan." See the appendix of Liu Zongyuan's Collection. Soon, he returned to Chang 'an.
Liu Zongyuan spent his childhood in Chang 'an. I have heard and felt about the corruption and incompetence of the imperial court and the social crisis and turmoil. When he was nine years old, that is, the second year of Jianzhong in Tang Dezong (78 1), another large-scale separatist war-Jianzhong Rebellion broke out after Anshi Rebellion. The direct cause of the war was that Li died in Chengde Town, and his son Li, with the support of two other towns in Hebei Province and Liang Chongyi, the envoy of Shannan East Road, made a follow-up attack in an attempt to establish a hereditary tradition in the buffer region. Tang Dezong, who was newly succeeded to the throne, disagreed, so the four towns united against the imperial court. Four years after the founding of the People's Republic of China, Liu Zongyuan came to his father's office in Xiakou (now Wuchang, Hubei) to escape the war. However, as Xiakou is a military stronghold, it has become the target of fierce competition between rebels and government troops in Li Xilie. Liu Zongyuan, who was only 12 years old, also experienced the separatist war in the buffer region at this time.
Besides his mother, his father Jin Ryu's personality, knowledge and articles have a more direct influence on Liu Zongyuan. Serina Liu is proficient in Confucian classics. "The group of poems, the politics of books, the straightness, square and macro of the Book of Changes, and the punishment and persuasion in the Spring and Autumn Period are planted inside and written outside, hanging for a while." We can see that he believes in traditional Confucianism, but he is not a pedantic Confucian scholar. He has worked in the county for a long time, and he has some knowledge of the real social situation, and has developed a positive attitude towards life and integrity. He is also good at poetry and prose, and once sang with the famous poet Li Yi at that time. Li Yi admires him very much. Father and mother gave Liu Zongyuan the dual influence of Confucianism, Buddhism and Taoism, which laid the foundation for his later thought of "the integration of Confucianism and Buddhism".
be an official
In the spring of the ninth year of Zhenyuan (793), 20-year-old Liu Zongyuan was admitted to Jinshi, and at the same time, his good friend Liu Yuxi was also admitted to Jinshi. In the twelfth year of Zhenyuan (796), Liu Zongyuan was appointed as the secretary of the provincial school, which was regarded as stepping into the officialdom. This year, he married Yang Ping's daughter in Chang 'an. Two years later, he learned a lot of words and changed it to the orthography of Jixian Temple Academy, which allowed him to read widely and broaden his horizons. At the same time, he began to contact courtiers and bureaucrats, understand the situation of officialdom, care about and participate in politics. In the first year of Jixian Temple Academy, he wrote "Love Monument in Yangcheng, Ye Si, Guo Yi" and praised Dr. Yangcheng who had the courage to stick to his own opinions on major political affairs. In the second year, I wrote "Debate and Invasion", which showed my strong desire to persist in unity and oppose separatism.
In the seventeenth year of Zhenyuan (80 1), Liu Zongyuan was transferred to Lantian Wei, and two years later, he was transferred back to Chang 'an, where he served as the army supervisor in Li Xing. At that time, he was 3 1 year old and was an official with Han Yu. Although his rank is very low, his authority is no less than that of Shi Yu. Since then, he has made more friends with the upper echelons of officialdom, gained a deeper understanding of the dark corruption of politics, and gradually sprouted a desire for reform.
Wang He and Wang Lai's Yong Zhen innovation failed only for half a year, but it was a progressive movement that shook the whole country. The measures taken dealt a blow to the autocratic eunuchs and separatist forces in the buffer region at that time, benefiting the country and the people and conforming to the historical development. Liu Zongyuan and his good friend Liu Yuxi are the core figures of this innovation. They are called "Two Kings Liu Liu". Young Liu Zongyuan had a sharp struggle with eunuchs, aristocratic families and old bureaucrats on the political stage. His innovation and spirit of struggle are very valuable.
Yongzhou
With the downfall of Shunzong, Xian Zong came to power, and the innovation failed, the reformists such as "Two Kings Liu Liu" were immediately demoted. In August, Xianzong ascended the throne, and in September, Liu Zongyuan was demoted as the secretariat of Shaozhou (now Shaoyang City, Hunan Province) and Sima of Yongzhou (now Lingling City, Hunan Province). This time, seven people were demoted to Sima at the same time, so history called this incident "two kings and eight Sima events."
Yongzhou is located at the junction of Hunan and Guangdong. It was lonely at that time. It was a terrible place with few people. Liu Zongyuan went to Yongzhou with his 67-year-old mother, cousin Liu Zongzhi and cousin Lu Zun. After they arrived in Yongzhou, they didn't even have a place to live. Later, with the help of a monk, they boarded in longxing temple. Because of the hard life, his mother Lushi died before he arrived in Yongzhou for half a year.
After Liu Zongyuan was demoted, his political opponents still refused to let him go. Gossip and personal attacks turned him into a "strange man", and after several years, he kept cursing. This shows the extent to which conservatives dislike him. In Yongzhou, cruel political persecution and hard living environment made Liu Zongyuan sad, angry, depressed and miserable. Coupled with several ruthless fires, his health was seriously damaged, even to the point where his knees trembled when he walked, but he was paralyzed as soon as he sat down. Liu Zongyuan's political ideal was not shaken by all kinds of persecution and hardships he suffered in his relegation career. In his letter, he clearly stated: "Although everything is excluded, it is nothing more than this."
The fall of Yongzhou 10 year was a major turning point in Liu Zongyuan's life. When he was in Beijing, he directly engaged in innovative activities. After arriving in Yongzhou, his struggle turned to the ideological and cultural field. Ten years in Yongzhou is a decade in which he continued to struggle. He has extensively studied some important issues in philosophy, politics, history and literature since ancient times, and has written articles and books. Most of his masterpieces, such as Feudalism, Unofficial Dialect, Heaven Pair and Six Contradictions, were completed in Yongzhou.
The right picture of Liu Hou Temple in Liuzhou shows Liu Hou Temple in Liuzhou, Guangxi.
Consistent wood
Liu Zongyuan died in Liuzhou in the 14th year of Tang Yuanhe (AD 8 19). The following year, the coffin was transported back to Yuan Qifeng, Wannian County, Jingzhao (now Xi, Shaanxi Province). "Liuzhou County Records" records: "Zongyuan was originally ruled by Guzhou. Although it was restored, it still closed the land." This soil is now Liu Zongyuan's clothes tomb. The original tomb of Mao was rebuilt in the Qing Dynasty. The tombstone is entitled "Tomb of Liu Zongyuan in Tang Gaozong" and has a couplet "Wen Neng can live a long life and benefit the people". This tomb was destroyed in the Cultural Revolution. 1974 restoration, Guo Moruo wrote an inscription: "Tomb of Liu Zongyuan in Tang Dynasty". (As shown on the right, located in Liu Hou Temple, Liuzhou City, Guangxi Zhuang Autonomous Region) Liu Zongyuan's dressing tomb.
For Liu Zongyuan's life story, please refer to Han Yu's Epitaph of Liu Zihou, Biographies of Old and New Tang Books, and Biography of Mr. Liu in Wen 'anli (containing 500 biographies of Liu Zhuji, excluding Crescent Hall Series). Modern works, Shi Liu Zongyuan Chronicle (Journal of Wuhan University,No. 1 issue, 1957, published by Hubei People's Publishing House), and the first draft of Liu Zongyuan Chronicle of Chinese Department of Shanxi Normal University (No.3, 1974) can be used for reference. Regarding Liu Zongyuan's research works, Zhang's Liu is a great discussion about Liu Zongyuan's works based on detailed materials, but it emphasizes Liu's theory of restraining the DPRK. [Edit this paragraph] Literary Achievements Although Liu Zongyuan lived less than 50 years old, he created brilliant achievements in literature and made outstanding contributions in poetry, ci, prose, travel notes, fables, novels, essays and literary theories.
Liu Zongyuan left more than 600 poems in his life. Most of his poems are about expressing depression, grief, homesickness and friendship, which makes him unique. What is most praised by the world are those leisurely and meaningful, simple and clean landscapes. Wen's achievements are greater than poetry. There are nearly a hundred parallel essays, which have not broken away from the habits of parallel prose in the Tang Dynasty, but there are also masterpieces like Yunsuiyang Temple Monument in Antarctica.
The anthology of Liu Zongyuan, edited by Liu Yuxi, is called the anthology of Mr Hedong, which was published by Mu Xiu in the early Song Dynasty. There are 45 volumes of Liu's Exegetical Collection of Song Dynasty collected in Sikuquanshu, including 2 volumes, and the newly compiled volume 1, which is the earliest extant Liu Collection. There are 43 volumes, 2 of which are collected by him and 2 of which are collected outside. The Collected Works of Mr. Song Tongzong, Zhang Dunyi and Pan annotate 1 volume, and there are four copies, which are the earliest photocopies at present. Song Tongzong said that the 45-volume New Collection of Liu Tang's Works was printed by Song Jianzhou and is now in the Beijing Library. In Song Dynasty, Wei Huaizhong edited and annotated 500 Collected Works of Mr. Liu, including 2 volumes of Waiji, 65,438+0 newly edited Waiji, 2 volumes of Longcheng Record, 8 volumes of appendix, and a photocopy of Wenyuan Pavilion. The Collection of Mr. Hedong compiled and annotated by Liao in Song Dynasty consists of 45 volumes, with 2 volumes outside, with addenda and appendices. , is the last annotation of the Song Dynasty. There was a rare edition of Song and Tang Dynasties, which was printed by Shanghai Editorial Department of Zhonghua Book Company and reprinted by Shanghai People's Publishing House. Forty-five volumes, five volumes, legacy notes and appendices of Liuhe Dongji compiled by Jiang in Ming Dynasty, although the old notes were adopted, were mostly Jiang's own notes. There are three classics of Ming dynasty, and four sets of typography.
Liu Zongyuan attaches great importance to the content of the article, and advocates that the text should be used and the Tao should benefit the country and the people, which is practical. He attaches importance to the social function of literature and emphasizes that literature should be beneficial to the world. He advocates the perfect combination of ideological content and artistic form, points out that writing must be serious and emphasizes the importance of writers' moral cultivation. He admired the articles of the pre-Qin and Han Dynasties, and proposed to learn from Confucian classics, Zhuangzi, Laozi, Li Sao and Historical Records. And learn from it, thinking that it can be used by me, but don't give up eating because of choking. In terms of poetic theory, he inherited the tradition that Liu Xie advocated Bi Xing and Chen Ziang advocated Ji Xing. It is consistent with Bai Juyi's proposition about satirical poems in the Yuan zaju Jiushu. His theory of poetry and prose represents the progressive tendency of the literary movement at that time.
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