Qian Qian blind fortune-telling Zou Zhongxin _ Qian Qian class blind fortune-telling lyrics

Sichuan Shadow Play is also called Lantern Shadow Play.

The changing face of Sichuan opera

Mou Qingyun, a master performer of Lianxiang and Roulian in Sichuan, Lu Guohua, a master performer of Xiangshu in Sichuan, and Tamia Liu, the only inheritor of Feidao Huagu.

Sichuan Opera Sichuan Opera is also called Sichuan Opera. Representative operas in Sichuan. Distributed in Sichuan, Guizhou, Yunnan, Hubei, Taiwan Province and other provinces. It is divided into four "rivers" (regional school): Shangba River, Ziyang River, North Sichuan River and East Sichuan. Chengdu is the center of Shangba School. Sichuan opera has a long history. During the period of Yongzheng and Ganjiang in Qing Dynasty, the "Flower Department" drama flourished. Later, Liu Ziqiang, Pi Huangqiang and other places gradually merged with Sichuan pronunciation, local folk customs, local folk tunes and yangko, and evolved into Kunqu Opera, Gaoqiang Opera, Huqin Opera, Tanxi Opera and Dengxi Opera of Sichuan Opera, forming a Sichuan local opera with a unified style. In the early years of the Republic of China, the Sanqinghui Drama Club brought five-cavity operas together in one class, formally forming a five-cavity Republican performance form. Sichuan Opera has thousands of plays, especially comedies. Traditional performance programs have their own systems, which are often borrowed and absorbed by other operas. There are also a variety of stunts such as changing face, hiding knives and kicking eyes. After 1949, the art of Sichuan Opera has further developed, and it has been performed by groups from all over the country and several countries in Europe and Asia for many times, which has been appreciated by the audience and is known as the "flower of abundance". Famous actors Jing Hua, Xiao Fei, Xiao Zhou, Lan Laiguan, and Wang, a famous drummer, all enjoy a high reputation among the audience. ?

shadow play

Puppet Show Chengdu Puppet Show was formed in the Tang Dynasty, and since then it has spread all over urban and rural areas. At that time, the puppet was called boutique puppet, which was about 0.3 meters long, short and capable, and easy to operate. Performances such as Yinfeng Tower, Jinshan Temple and Qunxianhui are all traditional plays of Sichuan Opera. Class associations include Xiangrui class, Ruile class, Zijun class and Ronghua class. Most of them perform in various gods, temple fairs, teahouses, courtyards and other places. Puppet shows gradually declined in the 1930s. After 1949, puppet shows were taken seriously and a professional puppet theater was established. At present, there are large, medium and small puppets in Chengdu, including stick puppets, bag puppets and palm puppets. Puppets are beautifully made and beautifully shaped. It is molded from chemical raw materials and paper patterns. The hand sign of the puppet show is on the outside of the clothes, which is called the puppet show with the stick outside. Its representative repertoires include traditional repertoires such as Good World, Cowherd, Aquilaria Resinatum and the Monkey King Sandao Banana Fans, and modern repertoires such as Old Man Planting Red Dragonflies, Naughty White Rabbit, Liu Wenxue and Lei Feng Joining the Army. Chengdu Puppet has been invited to visit and perform in Germany, Netherlands, Sweden, Thailand, Japan and other countries, and has been well received and welcomed. ?

Crosstalk (popular in Sichuan)

A "humorous drama" initiated by crosstalk performer Wang Yongsuo. Acting alone, without paying attention to costume scenes, the props are extremely simple, and the actor is the only protagonist in the play, that is, the first kind of people in the play-the visible people; Through the support of stage props and the expression of language, expression and action, the second kind of person in the play, the seemingly invisible person, is presented to the audience from different sides. This is a unique expression of comedy. As early as 1939 during the Anti-Japanese War, the founder created more than 20 comedy programs, such as Pickpocket, Driving, Detective Huang, etc. After 1949, he adapted On the Train, Married, Twelve o'clock Exactly, Brother Su, and Hundred Beats, etc. Sichuan People's Publishing House 1985 published Selected Humorous Plays of Wang Yongsuo. From 65438 to 0989, a comedy contest was held in Sichuan Province, and comedies in dialects of various provinces and regions were staged. ?

Sichuan storytelling

Sichuan storytelling, also known as storytelling, prevailed in Sichuan in the early Qing Dynasty, with narration as the main part and action as the supplement, and telling stories in Sichuan dialect. The storyteller uses a table, a piece of wood, a fan and a towel to perform alone, regardless of time and place. The book can be long or short, and the information of the book can be paid by the listener at will. Sichuan storytelling can be divided into two categories: "clearing the shed" and "beating the shed". "Qing She" focuses on writing, focusing on clear speech, favoring literary talent, witty remarks, winning with words and touching people with feelings. "Playing the shed" is mainly based on martial arts, mainly shouting and imitating descriptions. The storyteller beats the table with awake wood, paddles with his feet, dances happily, and strives for realistic modeling. Among them, it is divided into "one book" and "one ink book". "A book" has no bottom, and storytellers make up stories; "Ink Book" has a copy, and the storyteller processes and polishes it according to the copy. A book can last for three to five months or even a year. The traditional jokes in Tiaoshu, such as Two Precious Pictures and Ten Beautiful Pictures, are always based on unofficial history, chivalry, case-solving, myths and wonders, such as Romance of the Three Kingdoms and Water Margin. Modern bibliographies include Red Rock, Lin Yuan, Gunfire in the Plain, Flying Tigers and so on. ?

Sichuan bamboo harp

Zhu Qin, Sichuan is also called Daoqing or Daoqing. Quyi singing popular in Chengdu in the early Qing Dynasty. Originated from Taoism's theory of encouraging goodness, the tunes are "Xuanmen Tune" and "Nanjian Tune". During Guangxu period, Quyi artists used it to sing historical stories such as Countries of the Eastern Zhou Dynasty and Romance of the Three Kingdoms. The instrument used is a bamboo tube with a length of about 1 m and a diameter of 6.6 cm. One end of the bamboo tube is wrapped with pig's heart oil skin (now small intestine skin), and then two pieces of bamboo with a length of 1.7 m are used to ring the bell or play and sing. In the early years of the Republic of China, it was called Zhu Qin. Singing forms include "group singing" and "solo singing". "Group singing" means singing in groups of five people. 1953, the first Southwest Opera performance was changed from "singing in groups" by Yang Qingwen, a famous zhuqin artist, to a standing solo performance. Zhu Qin's "provincial tune", also known as "bazi tune" and "Shanghe tune", is very popular in Chengdu. Jia Shusan, a famous old artist of bamboo piano, combined Sichuan opera, dulcimer and bamboo piano to create the "Jia School" bamboo piano. Zhu Qin, a "Jia Pai", is good at speaking different dialects in different places and describing different characters, with clear pronunciation and mellow voice. Playing the piano can make a sound of thousands of troops and horses, which is magnificent. The repertoire is represented by Lu Bu and Huarong Road in the Third World War. ?

Currency board

The Golden Money Board, once called "Golden Sword Board", "Three Talented Boards" and "Golden Signboard", is a popular form of folk quyi singing in Chengdu and Sichuan. Formed in the early Qing Dynasty, it mainly ran in the countryside, pulled the ground circle, and then sang in the teahouse bookstore. When a person performs, the lyrics are mostly stanzas or cross sentences, which are sung in dialects and dialects, and the lyrics are easy to understand. Its vocals are based on some Sichuan opera qupai and Sichuan folk songs. The money board is made of Phyllostachys pubescens or Phyllostachys pubescens, and there are 3 pieces in total, each piece is 30cm long, 3.3cm wide and 0.5cm thick, two of which are embedded with small copper coins or metal sheets, hence the name "money board". It can reach nine different rhythms and storm sounds. Its schools are divided into "Flower School", "Miscellaneous School" and "Qing School". The "Flower School" plays with flowers, live and play, with flexible eyebrows and eyes; "Miscellaneous brand" can freely use the length of lyrics, not bound by rhythm, singing a paragraph and saying a paragraph, with singing in the middle; "Qing school" attaches great importance to the articulation of Chinese characters, and its pronunciation is clear, round, delicate and accurate. There can be no empty suffixes such as "la", "ha" and "ya" in the line cavity, and the performance action is not great. The repertoire includes Song Wu's Fair, Fortune-telling for the Blind, Salesman's Son, Tongue Twister, Eighteen Labs, Honesty and Small Dish Wars. Zou Zhongxin, a famous money board artist, absorbed the strengths of various art schools after 1949, constantly reformed his creation and performed Two Helpers and Trap.