A long film review season

"The Long Season" is a suspenseful but not scary movie, in which the performance goes straight to people's hearts, starting with a taxi deck collision, which triggered an old case 20 years ago, and the story jumped back and forth around 20 years ago.

There are many references to "fate" in the play, whether Wang Yang's mother thinks that he is driven out of his mind to tell fortune, or Wang Xiang repeatedly emphasizes "not believing in fate" at first and finally has to say "resignation", and of course, other characters in the play repeatedly mention "fate". In the small town of Hualin, life is very monotonous.

A sudden taxi accident broke the quiet life of Wang Xiang (Fan Wei) and his brother-in-law Gong Biao (Qin Hao). Bodies. Is the driver who caused the accident the real murderer? Can the mystery of son Wang Yang's death be solved? Ma Desheng (Chen Minghao), a retired policeman, was also worried about handling the case at that time. He joined the "investigation team".

Ban Yu, a famous writer who won the award of "Most Potential Newcomer of the Year" in China Literature and Media Festival on 17, is responsible for the long-term copy design. Growing up in Tiexi District of Shenyang, he has a unique background advantage in telling such stories. He is good at humor "expressing sympathy carefully in the noisy life", and his introverted and realistic writing style will also give the play more humanistic connotation.

The Creative Background of Long Season

This play is an original script. Initially, due to Hanazono Sakura's creation, Xin Shuang got the script in the fourth draft. He and his team spent nearly a year making adjustments. Focus on strengthening the part of life texture in the original script, then balance the life part and suspense part, and then enlarge some good characters in the script to make the theme more clear. Xin Shuang is a native of Northeast China, and he wants to present a "particularly beautiful image of Northeast China" in his own impression through the play.

In the past, many film and television dramas that the audience saw were about the northeast, mostly cold and snowy, with a cold feeling. In fact, people there are very humorous and optimistic, and he wants to emphasize this part. In plot design, the play features several elderly people. Screenwriter Pan still said that there are few TV dramas featuring the elderly, but many new things can be done from the perspective of the elderly, and most viewers have emotional resonance with the elderly.

Therefore, the creative team used the unique persistence and concentration of the elderly to construct the personality characteristics of different characters in the play. Xin Shuang said that what this drama wants to talk about is not a case, but a person, a group of people and a generation, discussing how people should face difficulties. The theme I want to express is that once one day my life becomes a ruin, or one day I find myself trapped in the ruins, I will get up and move on.