Is the Peking Opera sung by Deyun Society an authentic Peking Opera or a crosstalk performance? Even a long sketch?

Deyun Society has both Peking Opera and Crosstalk Drama, which are two different forms of artistic expression and cannot be confused. The Peking Opera of Deyun Society, on the basis of tradition, has made great innovations and formed its own system, which has nothing to do with sketches.

Peking Opera with the Characteristics of Deyun Society

Degang Guo began to study art at the age of 6 and has been in the pear garden for many years. He has a wealth of knowledge about Beijing opera. Although not trained, the level is still quite high.

Degang Guo wanted to sing Peking Opera, but she happened to talk about crosstalk. Later, she started her own business for so many years, mainly crosstalk.

Now, with the success of Degang Guo and the healthy development of Deyun Society, he has time and energy to realize his childhood dream, so he started Kirin Theatre Society and invited a group of professional Peking Opera actors to sing Peking Opera.

Rainbow Meng Ting. Wang Mengting is a Peking Opera performer of Mei Lanfang Troupe of Beijing Peking Opera Theatre. She studied Peking Opera since she was a child and became famous in the industry. But it is because of the Kirin Drama Club in Degang Guo that she really let the audience know about her.

Wang Mengting, Yang Tao and Degang Guo can often be seen singing Peking Opera together in Qilin Drama Club, in which funny elements are added, which is an innovation of traditional Peking Opera.

Tao Yang studied Peking Opera for many years, and then studied under Degang Guo, who is known as the "little prodigy of Peking Opera". After studying in Degang Guo, I have improved a lot, which is equivalent to the professional level.

There is a "learning" in cross talk, and Degang Guo and others learn to sing Peking Opera. They founded the Kirin Drama Club to express traditional Peking Opera in their own way, which can be said to be sui generis.

Deyun Society has a special cross talk drama.

Crosstalk drama is completely different from Beijing opera. Crosstalk drama is a new form of artistic expression, which is based on cross talk and sitcom and expresses the essence of cross talk in the form of drama.

Crosstalk drama is a kind of cross talk performance, with stories, characters and stage background. It reflects the real life of the public and brings laughter to the audience in the form of speaking, learning and singing.

As a professional cross talk performance group, Deyun Society has performed many classic cross talk dramas since its establishment, such as Lighting the Autumn Fragrance of San Xiao, Tang Bohu, Yang Naiwu and Chinese Cabbage, The Story of the West Chamber, Exploring the Clear Water River and so on.

The most typical is Zhang Yunlei's "Exploring Qingshui River", in which he plays the spoony little sixth brother. When he reaches the emotional place, he falls into tears and is deeply touching.

The cross talk drama of Deyun Society is much better than the sketch, and it is also better than the traditional Peking Opera.

For example, in the Spring Festival Evening of Oriental TV on 20 19, the comic dialogue drama Nineteen Generations of Ancestors performed by Degang Guo, Yu Qian, Yun-peng Yue, Guo Qilin and Zhang Helun was good, hilarious and refreshing.

As long as the audience likes it.

Whether the Peking Opera sung by Deyun Society is authentic or not, as long as the audience likes it.

Traditional Beijing opera has been passed down for many years, but it is still tepid. Despite the vigorous promotion of Wang Peiyu and others, the effect is minimal.

There are still so many Peking Opera theaters, and the amount of government subsidies is not small every year. These Beijing opera actors are very professional, but there is still no way to revitalize Beijing opera. Unexpectedly, Peking Opera was saved by a layman from Deyun Society.

The reason is that, on the one hand, Deyun's cross talk has accumulated a high popularity; On the other hand, their Peking Opera is brand-new, combining tradition with modernity, which is more in line with the tastes of young people now.

From this point of view, if traditional Beijing opera wants to be passed down well, it must take the road of Deyun Society. The market is the only criterion to test the quality of Quyi, and what the audience likes is in line with the mainstream.

Therefore, Beijing opera should be innovative and not as rigid as before.