Shuangfeng cultural history

1. Famous historical scholars in Shuangfeng Town (1) According to the "Shuangfeng Story" in the light years of the Qing Dynasty, there are 28 scholars from Shuangfeng, including 50 scholars. The list of scholars is as follows: Zhu Chang, Tang Shao, Fan Lun, Cai Kun, Gu,,, Gu.

They all had a good reputation when they were away from home. ⑵ Xu Zhenqing, one of the four gifted scholars in Wuzhong, recorded in Phoenix Legend: Xu Zhenqing, the word Guo Chang, the word Changgu.

My ancestors moved from Luoyang to Shuangfeng, and my father lived in Suzhou, the county seat, because he was a student in Changzhou County. Xu Zhenqing, together with Zhu Yunming, Tang Yin and Wen Weiming, was called four gifted scholars when he was young. Comment on Dali Temple by Jinshi.

He befriended Liang and Xinyang He Jingming and devoted himself to poetry creation. His poems are concise and alert, and he is the best poet in Wuzhong. (3) Chen Ji Chen Ji, the president of Yongle Grand Ceremony, was born in Bozai. He is Chen Qia's brother and praised by You Chunfang.

In the early Ming Dynasty, Chen Ji was an unknown scholar (who did not take part in the imperial examination). He is knowledgeable and knows everything by heart, so he is called "two-legged bookcase". When his brother Chen QIA was appointed as Dali, Taizong said to QIA, "I heard that you have a brother who is knowledgeable and can write articles, so he can be appointed as a history editor. You can tell me! " So Chen went to Beijing to study history.

Chen Ji is kind and cautious, and the Crown Prince respects him very much. The grandchildren of the five emperors followed him to study Confucian classics.

During the Yongle period, Chen Jiying compiled Records of the High Temple, which was edited by him and Jie Jin, a bachelor. During the Yongle period, Judy of Ming Taizu wrote a letter to compile the Yongle Grand Ceremony, and the president officers were Hu Guang, Yang Rong and Jin Youzi.

However, Chen Ji was recommended to be the president of the editorial office. When he didn't know anything about editing, he asked him for advice, so everyone called him Chen headscarf (leader). (4) Gu Menglin and Gu Mei Gu Menglin, famous literati in Loudong in the late Ming Dynasty, were called curtain weavers and lived in Shuangfeng. Later, because of avoiding chaos, he lived in Tang Cheng, Changshu, and became friendly with Yang Yi, a local celebrity. At that time, people called them "Yanggu".

The two men sincerely thought about the shortcomings of the times, distinguished the difficulties with lectures, and made clear the knowledge of Confucianism in front of them. There are no fewer than hundreds of disciples near and far. In the next four years (1624), Gu Menglin, Yang Yi, Zhang Qian, Zhang Cai and others will get together in Tang Shi, Changshu, and agree to set up a film club (the predecessor of Fushe).

Gu Menglin is the author of 20 volumes of Four Books, 28 volumes of The Book of Songs, 20 volumes of General Examination of Four Books and Eleven Classics, 4 volumes of Weaving Curtain Poems, 4 volumes of Rousseau in Zhong 'an 1, 4 volumes of Yun Zhu and 8 volumes of The Story of Twin Phoenix. Gu Mei, a native of Iraq, was born in the county seat.

Adopt a son for Gu Menglin. Less able to write poetry, inherit family studies, worship (actually for Ann) and Wu (Meicun) as teachers.

Wu Zeng selected Ten Poems by Lou Dong, ranking third after Huang and Zhou Dynasties, and wrote books such as Huqiu Lu, Ancestors Collection, Water Villages Collection, Taicang Poetry Collection, Poetry Collection of Things, Ancestors Collection and so on. 5] In the twenty-seventh year of Kangxi (1688), the famous Jinshi and Tang took Wu Chenke's Chinese as the champion.

Lu Yi, Gandy, bandits. Lu, a native of Pingyuan, moved from Pudong to Shuangfeng in Taicang in the Yuan Dynasty and became the first 12 generation of the Qing Dynasty.

Lu Zengxiang was the champion of Daoguang Chen Geng in Qing Dynasty and the 18th founder. In the thirty-third year of Kangxi (1694), Lu Yi was appointed as the magistrate of Xinjian County, Jiangxi Province, and was promoted to the post of the Minister of Household Affairs for "being diligent in political affairs, repairing water conservancy, stressing righteousness, catching thieves and inspecting unjust prisons".

Soon, the official went to Shaanxi Daodu to suggest that he assist Shanxi Daoshi and was ordered to be the governor of Beijing and the Middle East. Lu Yi has written a lot, including 2 volumes of Self-knowledge Record, 2 volumes of My Occasional Pen in Taiwan, Notes on Traveling to the City, Poems at the North Foot and so on.

Tang, a real gentleman, is also known as Dongjiang. At the age of 55, he was a scholar. He once "selected the magistrate of Chaoyi County, Shaanxi Province, called for a trial of poetry and fu, moved the country, and transferred the official department."

In the thirty-fifth year of Kangxi, he served as an examiner in Zhejiang and resigned by mistake. When he was a child, he was a child prodigy, slim, knowledgeable, with a strong memory, and his speaking style was once the same, and he was particularly familiar with historical events. He wrote thousands of words for ancient poetry and "Dongjiang Poetry".

[6] One of Mr. Taicang Four, the word Xia, whose real name is Zhen 'an, Chongzhen Juren, a beginner in the late Ming and early Qing Dynasties, was one of Mr. Taicang Four. Mr. Wang studies Neo-Confucianism intensively, and his theory is profound and profound, taking the world as his own responsibility.

The word "respecting heaven" was first mentioned in Shi Yi's Gezhipian. Mr. Wang devoted himself to research and thought that as long as moral cultivation is strengthened, "everyone can think of Yao and Shun". After the Ming Dynasty, he lived in seclusion in Shuangfengwei Village. Mr. Wang led the villagers to build dikes to protect water and make the farmland harvest. Mr. Wang advocates filial piety and love, and rural customs are one of the new ones.

In the early Qing dynasty, he lived in seclusion by imperial edict. After his death, his master took care of Mr. Daoan privately, and his former residence was established as Daoan Academy.

(7) Miao Ding, the descendant of Miao (a water conservancy expert in the Northern Song Dynasty), whose real name is the descendant of Song Sinong Miao. His great-grandfather surnamed Xuan was born in the Liu family in Shuangfeng, so he is from this village.

Yong Ding is smart, handsome and hardworking. After he became a scholar, he is now in charge of the Ministry of Industry. He taught Jiading, an official, to change Chaling, and later he was promoted to doctor of the Ministry of Industry, and later to the right Senate of Zhejiang Province. Li was dismissed from office and Fan Chunpu was founded. Two officials (1) Chen QIA, the minister of war, are uncles.

During the Hongwu period of the Ming Dynasty, Chen Qia was recommended by local authorities and was recommended as a military attache by provincial officials. Zhu Yuanzhang appreciated him very much and gave him a gold woven luoyi. At the beginning of Yongle, Annan used troops, and Judy ordered Chen Qia to go to Guangxi military affairs. Soon, Annan was pacified, and then he followed Ming Chengzu's Northern Expedition for nine years, participated in military aircraft, and awarded the Minister of War.

When Chen died in battle, posthumous title in the imperial court was called "Shao Bao", posthumous title was called "Jie Ben Guan", and the people called it "Jie Ben Gong". In Yongle 13, the government built the Shangshufang for Chen QIA in the south of Yingxian Bridge in Shuangfeng.

In the fourth year of Xuande in Ming Dynasty, a ancestral hall was built for Chen Qia in Shuangfengying Xiantan. (2) Huzhou Prefecture sentenced the old man named Chun,No. andNo. Qi Gang later.

During Jiajing period, because Gong Sheng was elected to Beijing, Guan Hu was awarded general punishment by the state government. He is honest and upright, both civil and military, and dares to speak out. Censors are afraid of him, writing books for 30 years.

There are works such as "Preparing to mine in LAM Raymond". In "Preparing to Mine in LAM Raymond", it is rare for Zhou Xi to dare to attack the national doctors for the people, and he suggested that "virtuous ministers" should "plan for the people first" to encourage those who are left behind, which is really commendable. (3) Fujian participates in politics. Liu Chang, whose real name is Zhao Meng, was originally named Andrew West. Because Jinshi served as a doctor of punishments, the judgment of the lawsuit was fair and clear.

Because of his good writing, he became a staff officer in Henan and Shanxi, and was promoted to Fujian to participate in politics and inspect coastal defense. In the past, pirates in that area robbed and killed people, but they couldn't solve the case. Often behind the land, the horse.

2. What are the names of traditional classical patterns in China? In ancient Yun Leiwen, China, the rulers often formulated a set of regulations or legal provisions to determine the usable building form and scale according to people's status differences in social and political life, which is what we call the building hierarchy.

During the long development of ancient architecture in China, the hierarchical system also left a unique mark. Whether it is the organizing principle of China's cities, settlements and living spaces, the development and evolution of ancient architectural forms, or the formation of building materials, decorations and some architectural features, we can find traces of the participation of architectural hierarchy.

1 the development of architectural hierarchy-from religion to secularism According to archaeological excavations, in the early slave society of China, different architectural services were different, not only in scale, but also in using rammed earth to lift the platform and lime to plaster it. This difference indicates the emergence of building hierarchy in the future.

By the Zhou Dynasty, the hierarchical system had become one of the fundamental systems of the country, and it was manifested in the form of "ceremony". Buildings are generally defined according to type, size, quantity and color.

These regulations are determined according to the requirements of the supreme ruler. Failure to comply with these regulations is a challenge to the authority of the son of heaven. The provisions of the architectural hierarchy in the Zhou Dynasty were basically based on the requirements of religious activities.

For example, Tang Ming is a unique place for emperors to rely on the power of heaven. Some of its symbolic components, such as "Four Ah", are just to show the world its special "ability". Another example is the use of color. Because of its relationship with fire and blood, red has been a color with special witchcraft power since ancient times, so it is called "Ying, Tian Zi Dan".

The Warring States period is an era of "the ritual collapses and the music is bad" and "there is no way in the world", but it has not abandoned Zhou's architectural hierarchy. It can be known from the literature records that the architectural hierarchy at this time changed from the form of etiquette to the form of etiquette, and was implemented accordingly.

But its content has changed to some extent, mainly in two aspects. First, the provisions have not changed, but the specific buildings have changed.

For example, the ancestral temple in the Zhou Dynasty needed several independent buildings, while the Warring States only needed one main building. Second, due to the emergence of new situations, new regulations have been made.

For example, the "Que" in the Zhou Dynasty was only used by emperors and princes, and ordinary officials in the Han Dynasty could also use it, but in different forms, ordinary officials used one Que, while the emperor used three Que. The documents and regulations of the architectural hierarchy in the Tang Dynasty were well preserved, which also reflected the attention of the ruling class at that time.

Different from the Zhou dynasty, the Tang dynasty required the imperial palace system to have different degrees from beginning to end, which is very different from Zhou's "no less than courtesy" In the architectural hierarchy of the Tang Dynasty, the religious meaning weakened, and it began to change to secularization, paying more attention to the volume and related aspects of buildings, and paying more attention to the control of building groups, showing the importance of forms and neighborhood relations between buildings.

During the Song and Yuan Dynasties, the Tang system was basically followed, while the Ming Emperor Zhu claimed to be the orthodox Han nationality and emphasized the Confucian etiquette system. Therefore, shortly after the founding of the People's Republic of China, a more detailed and strict building hierarchy was stipulated, and it was constantly revised and supplemented. The architectural hierarchy in the Ming Dynasty intentionally increased the difference between the royal family and ordinary people, and the architecture in the Ming Dynasty tended to be more secular. Although it was stipulated in the early Ming Dynasty that dragons, phoenixes, moons and moons were not allowed in general buildings, if we study these patterns carefully, we will find that even these patterns gradually changed from miraculous surprise to approachability, from extensive to delicate, from stalwart to graceful and restrained, and lost the all-powerful spirit.

It can be considered that at this time, people pay more attention to the artistic value of these patterns than their original mysterious religious significance. The architectural hierarchy in Qing dynasty can be considered as a supplement to the system in Ming dynasty.

It pays more attention to and determines the proportional relationship between all parts of the building group, and the image of the building group is more fixed. The Forbidden City in Beijing has reached the peak of art in this respect, and the relationship between volume and space has been thoroughly scrutinized.

Generally speaking, the development of ancient architecture in China has experienced many changes from rough to meticulous, from emphasizing religion to secularism, from multiple symbols to paying more attention to artistic effects. These changes have greatly affected the development and changes of ancient architecture form and space. On the other hand, this strict regulation limits the creativity of craftsmen to a certain extent and stifles their enthusiasm for flexible creation, thus making the overall development of architecture stagnant and stepping into the road of conformism.

This is also one of the reasons why the classical architecture in China is rigid and lacks innovation. 2 The cultural core of architectural level-the pursuit of the unity of goodness and beauty. It can be seen from both documentary records and textual research that the contents, shapes and standards of various ancient buildings in China are derived from the basic norm of "ceremony".

The imperial examination in Qing Dynasty said: "If you learn etiquette and don't know the system of ancient court, you can't know your rank and the rise and fall of your husband, and you have to take an examination of the Forbidden City." This shows the connection between the two.

So, what is a "gift"? "Book of Rites Ji Fang" said: "The husband is a courtesy, and don't think that the people are imitators." So nobles are equal, clothes are different, the court has a position, and * * * has also made some concessions. "

Patriarchal etiquette affects people's behavior in living and the construction of living space, and is the core of graded housing. In ancient China society, Confucian ethics had the greatest influence on later generations. It has always been the basis of the overall orientation of China's culture, and its thoughts of benevolence, righteousness, propriety and righteousness have been relied on and utilized by the rulers of past dynasties, and have become the guidelines guiding the social life and behavior of the country.

This point has also been fully reflected in architecture, which is obviously manifested in the ritual of architecture. China is called "the state of etiquette". In the long feudal society, the rulers of past dynasties took the established etiquette system as the ruling criterion, and architecture was no exception.

The hierarchy is strict and meticulous, so based on the hierarchy of etiquette, it is not difficult to understand how the order and clarity of the layout of the Forbidden City are formed. The structure and image of the building itself are linked with political and interpersonal norms, which is considered to be based on the sky. Therefore, the architectural level is not a dispensable thing, but an "internal" requirement of the building, which cannot be violated.

The layout of ancient buildings in China is based on Confucianism.

3. The names of the classical patterns in China, such as double phoenix morning lotus pattern, cover lotus pattern, cover lotus pattern, tied branch flower, folded branch flower, dark eight immortals and eight treasures pattern, Yun Leiwen, dragon and phoenix, dragon playing with beads, fish dragon changing, pine crane prolonging life, turtle and crane being the same age, the Goddess Chang'e flying to the moon, goddess scattering flowers, Vientiane's birthday, birds flying towards the phoenix, three to nine, and happiness to the soul.

Extended data:

Chinese traditional patterns refer to patterns with unique national artistic style handed down from generation to generation. Chinese traditional patterns originated from painted pottery patterns in primitive society, with a history of 6000~7000 years. It can be divided into primitive social model, classical model, folk model and minority model.

There are many heritages of China's classical patterns, which are divided according to historical periods, mainly including: bronze patterns in Shang and Zhou Dynasties, lacquerware, gold and silver misplacement and embroidery patterns in Warring States Period, tile, portrait brick, stone carving and brocade patterns in Qin and Han Dynasties, grotto decoration patterns in Southern and Northern Dynasties, tricolor, bronze mirrors, inscriptions, gold and silver lacquerware and brocade patterns in Tang Dynasty, and printing and dyeing patterns in Song Dynasty. They all have their own characteristics in art.

References:

Baidu Encyclopedia-Traditional Chinese Patterns

4. The history and culture of Chonglong Town has a long history. Chonglong Town is a shallow hilly area with beautiful rivers and mountains and fertile land. It has been the county seat or county seat of Zizhong (Zhou) since the Han Dynasty. It turns out that culture is prosperous and celebrities come forth in large numbers. Historically, Luo, the champion of Guangxu B, Zhao Kui, the champion of Southern Song Dynasty, Yu Peilun, one of the seventy-two martyrs of Huanghuagang, outstanding communist fighters, Di, Fan Changjiang, etc. all studied in Chonglong Town, which is known as the "land of many scholars". There are Confucian Temple, Wu Temple, Dong Prison Temple, Street in Qing Dynasty, Dadongmen Ancient City Building in the urban area, and Chonglongshan Park, a provincial scenic spot in the north. Ancient streets, temples, temples and houses have made countless literati linger, and Chonglong Town has thus become the only provincial-level historical and cultural city along Chengdu-Chongqing in Sichuan Province.

5. What is the complete history of jade culture in China? Without understanding jade, it is impossible to have a real understanding of Chinese civilization; What is the golden key to solve the mystery of world cultural development?

First, the gentleman has no reason, and the jade does not leave. 1863, French geologist Demol conducted a physical and chemical experiment based on the jade of Qianlong dynasty in China in Qing dynasty, which was spread to Europe. The results show that there are two kinds of jade raw materials, namely amphibole and pyroxene. Hornblende, also known as nephrite, has a hardness of 6-6.5 Mohs and a specific gravity of 2. 55-2.65. Its main component is fiber mineral calcium silicate, which belongs to amphibole.

The color of amphibole is close to the solidification beauty of oil, and the pure one is white, commonly known as suet jade, which is delicate and moist, very precious and of high economic value. Because amphibole contains a small amount of oxidized metal ions, it appears blue, green, black, yellow and other colors or variegated.

Pyroxene, also called jadeite, has the best texture because of its green color, and is also called jadeite in China. The hardness is 6.75-7 degrees and the specific gravity is 3.2-3.3.

Pyroxene is mainly composed of sodium silicate and aluminum silicate, with dim crystal structure, hard texture, high density, glass luster and crystal clear. Emerald green, apple green, snowflake white and delicate lavender are typical colors of pyroxene.

Pyroxene (jadeite, such as jadeite) was widely used by jade artisans in China after18th century. Therefore, most ancient jade articles in China are hornblende (nephrite, such as Hetian jade).

Hetian jade is mainly composed of tremolite-actinolite, and contains minerals such as serpentine, graphite and magnet, forming different colors such as white, turquoise, black and yellow. Most of them are monochromatic jade, and a few have variegated colors.

Jade is translucent, greasy and shiny after polishing, and its hardness is 5.5 to 6.4 degrees. This is mineral jade.

Jade has a wide range of connotations in the study of China culture. Xu Shen of Han Dynasty said in Shuo Wen Jie Zi that jade and stone are both beautiful and good things.

The so-called five virtues refer to the five characteristics of jade. All beautiful stones with tough texture, crystal luster, bright colors, dense and transparent organization and far-reaching soothing sound are considered as jade.

According to this standard, jade in the eyes of the ancients includes not only real jade (hornblende), but also colored stone jade such as serpentine, turquoise, malachite, agate, crystal, amber and ruby. Therefore, when appreciating ancient jade, we should not only use modern scientific knowledge to identify the pros and cons, but also have a historical perspective.

China is a jade-producing country in the world, which not only has a long mining history, but also has a wide geographical distribution and abundant reserves. According to Shan Hai Jing, there are more than 200 jade producing areas in China.

After thousands of years of development and utilization, some jade mines have dried up, but some famous jade mines are still being mined in large quantities, which provides a steady stream of raw materials for the development of jade carving art in China. The most famous jade producing area in China is Hotan, Xinjiang.

Hetian jade has the richest quantity, the brightest color, the best quality and the most expensive price. It is an important source of raw materials for jade in ancient China, and the royal family in past dynasties loved to use Hetian jade grinding machine. Besides Hetian jade, there are Jiuquan jade in Gansu, lantian jade in Shaanxi, dushan jade and Yuxian jade in Henan and xiuyan jade in Liaoning. It is also a common raw material for Chinese jade.

China has a wise saying that "stones from other mountains can attack jade", which tells the true meaning of cutting jade. In fact, the outstanding jade in nature is not carved, but is polished into a designed finished product with emery, timely, garnet and other "jade-solving sand" with hardness higher than that of jade, supplemented by water.

Therefore, in jargon, making jade is not called carving jade, but treating jade, or cutting, grinding and grinding jade. The skill of cutting jade is superb, but the tools for processing jade are simple.

Until modern times, China people have been using traditional tools, such as wire saws, disks made of steel and wrought iron, round wheels, drilling machines, semi-disks and wooden lathes to make jade articles. In the Neolithic Age and Bronze Age before the invention of iron, most tools were even made of wood and bamboo, bones and sandstone.

It's a miracle that such primitive tools can make such exquisite jade articles. Mr. Lin Zhong summed up a good jade article into four elements: material, shape, craft and theme. These four elements make jade surpass its natural attribute of "mountain essence" and contain humanistic spirit: the essence of mountains and rivers and the essence of humanity.

The elites of mountains and rivers talk about the beauty of materials. Every piece of jade should be made clear whether it is hornblende or jadeite, or colored stone jade such as turquoise, agate, serpentine and crystal, and further explore its source. Exquisite humanism refers to the beauty of modeling, carving and theme of jade, as well as the technical and social factors that affect the beauty of modeling and carving.

Due to the different materials, tools and skills of carving jade, different aesthetic tastes and customs, the uses and functions of jade are also different, and the styles and themes of jade in different periods are also different. Chinese jade has a long history with a glorious history of 7000 years.

7,000 years ago, in the process of selecting stone utensils, our ancestors consciously made beautiful stones they found into ornaments, dressed themselves up and beautified their lives, which opened the curtain of jade culture in China. In the middle and late Neolithic Age four or five thousand years ago, the dawn of Chinese jade culture shone everywhere.

At that time, Zhuoyu had separated from the stone industry and became an independent handicraft department. The jade unearthed from Liangzhu culture in Taihu Lake basin and Hongshan Culture in Liaohe River basin are the most striking.

Jade ritual vessels are symbols of kingship and rank, and burying them with jade is a means to pray for eternal life. There are many kinds of jade articles in Liangzhu culture, such as jade cong, jade bi, jade yue, three-pronged jade articles and string jade ornaments.

Liangzhu jade, which is proud of its large size, appears profound and rigorous, and its symmetry and balance have been fully utilized, especially the decorative technique of bas-relief, especially the line engraving technique, which has reached the point where it is almost beyond the reach of later generations. The description of jade cong and animal face feather, which can best reflect the level of jade carving in Liangzhu, is various and huge, and the characters are inscrutable.

Compared with Liangzhu jade, square jade in Hongshan Culture is rare, but it is characterized by animal-shaped jade and round jade. Typical vessels are jade dragon, jade animal-shaped ornaments and jade ring vessels.

The biggest feature of Hongshan Culture's jade carving skills is that jade carving craftsmen can skillfully use jade materials with only a few knives, grasp the modeling characteristics of objects, and portray the image of objects vividly. "Spirit likeness" is the biggest feature of Hongshan ancient jade.

Hongshan ancient jade, not big, but exquisite. From the analysis of Liangzhu and Hongshan ancient jade, most of them come from large and medium-sized tombs and Neolithic tools.

6. What are the legends, stories, history and culture of fengyangshan-Jiudong, the first cave in Jiangbei?

Jiusan, named after the wild leek with warm floor. There is a natural cave at the foot of Shandong, which was a tourist attraction as early as the Tang Dynasty. The length of the main cave of Jiu Cave is1.472m.. The whole cave is ups and downs, abrupt changes, or like a tiger sitting on a dragon plate, or a faint path, or like heaven and earth, or a deep canyon. In the light of the mapping, just like a fairyland, beautiful. In the last section, the ship came out of the hole in the underground river. The boatman pulled the rope at the top of the cave, and the boat meandered out in panic, which was quite interesting. Different from the caves in the south, the nine-cave stalactites are dominated by stone mantle, which has the characteristics of "deep, large, dangerous, strange and ancient". It is the only well-developed cave in the north of the Yangtze River and is praised by experts as "the first cave in the north of the Yangtze River".

Zhu Yuanzhang, the Emperor Taizu of Ming Dynasty, took advantage of the dangerous terrain in jiusan, enlisted the rebels to capture Dingyuan, went south to Chuyang, occupied Nanjing, owned his own base area, and embarked on the journey of reunifying the whole country. Nine caves is the place where he discussed the hidden soldiers. The "Mopan Ancient Road" and unearthed cultural relics in the cave were all left by Zhu Yuanzhang, and the "Millennium Ganoderma lucidum", "Eagle" and "Shuangfeng Chengxiang" were also named by Zhu Yuanzhang.

Due to the good ecological environment, a large number of extremely dangerous creatures-peach jellyfish will appear in the cave every June 9. Their appearance is like the water sprite given to fengyangshan by the ancient land, which adds vitality and aura to the wonderland of jiusan. At the beginning of June, 2007, the peach jellyfish was first discovered in jiusan Scenic Area. CCTV 10 set "Into the Science Column" also sent a film crew to Fengyang to explore the "Peach Jellyfish" in detail, showing the original ecological environment of jiusan National Forest Park and the magical scene of breeding peach Jellyfish to the world.

-Woniu Lake-

Woniu Lake comes from the deep forest of fengyangshan.

Woniu Lake, also known as fengyangshan Reservoir, is named after a hill near the lake that looks like a lying cow. It is the source of life in Fengyang Fucheng and other important towns. The lake is as clear as a mirror, and a bird's eye view is like a whole piece of flawless jade. Yacht on the lake is like a shuttle, with a little fishing sail; The mountains and water by the lake set each other off; The Bamboo Island in the lake attracts hundreds of species of birds and constitutes a paradise for birds. When you look at it, the bamboo forest is dense and beautiful, and hundreds of birds jump and sing. It is a rare green island on the land of Jianghuai. Woniu Mountain is surrounded by water on three sides and stands by the lake. The mountains are rugged, the rocks are rugged, and the trees are lush. You can get a panoramic view of the lake when you climb up. Every evening, the sky is full of sunshine, and the distant mountains are green, such as in the smoke, which is the twin peaks in the lake.

In fengyangshan Scenic Area, there is also such a village, with green mountains and clear waters, green bamboos and trees, which is simple and mysterious. This is a thousand-year-old village-Wuyao, which "people who stay in boudoir don't know". According to archaeological and historical records, Wuyao ancient village has a long history and was inhabited at the latest in the Han Dynasty. Li Daoyuan, a geographer of the Northern Wei Dynasty, has also been to this village and described the caves around Wuyao in Notes on Water Classics. Wu kiln is built on the mountain and surrounded by water on three sides. The stream around the village originates from Nanshan District of the village, flows through the village and flows northward into fengyangshan Reservoir. The river around the village is very clear, and you can clearly see the fine sand at the bottom. It is rare to have such pure and natural water around the hut.

7. Delicious Shuangfeng Mutton Noodles 450 words Shuangfeng Mutton Noodles

Shuangfeng mutton noodles (also known as Shuangfeng fat sheep noodles) is one of the characteristic varieties in Taicang food culture, which is famous for its crisp, thick, fragrant and fat. According to legend, 100 years ago, a master named Meng opened a noodle restaurant at the western end of Shuangfeng ancient town, which has a history of 1600 years. "Shuangfeng Mengjia Mutton Noodles" is famous for its attention to cook the meat, good at making soup and refined noodles, and has become a local winter specialty.

Shuangfeng mutton noodles stand out among many mutton noodles, and there are a set of secrets: First, choose goat varieties, and the store pays attention to choosing "Taicang goat" with big skin and tender meat. Rams and freshly slaughtered female goats are the best choices. Second, pay attention to slaughter and repeated cleaning. Third, put a tray at the bottom of the pot to shell the new straw core to prevent the pot from burning out; The sides of the pot are stuffed with white radish to remove the odor. Fourth, after slaughter, put the meat into the pot in different grades, put the old meat in the lower layer, put the tender meat in the upper layer, and then add seasoning to simmer. Its noodle soup is boiled with the original soup of boiled sheep, which should be thick but not turbid, oily but not greasy. Its noodles are made by hand, commonly known as "jumping noodles", which are characterized by thin, soft, smooth and tough noodles, boiled in water, not rotten for a long time and excellent taste.

Taicang goat with double-peak mutton noodles eats a hundred herbs long, unlike pigs, chickens and ducks who eat additive feed containing hormones, so it is known as "green food". In addition, while tasting Shuangfeng mutton noodles, you can also appreciate and feel the unique connotation of "sheep culture", so it is favored by customers.