The Weaver Girl and the Seven Fairies are fairies, but why are they willing to risk breaking the dogma to marry a mortal?

There is no solution to this question, but a thousand years later, Mr. Qian Zhongshu's Fortress Besieged has a standard answer.

Love knows no borders, and there are many fairy-tale examples.

There are two cases in The Journey to the West alone, both men and women.

One is the jade emperor's sister, Fairy Yunhua. She can't stand the bondage of heaven, sneaks into the world, falls in love with the kind mortal Yang Jun, and gets married and has children.

Fairy Yunhua is Erlang's mother, and the Monkey King said it to her face.

The other is the spoony seed Kuimu Wolf in heaven. He fell in love with her at first sight, but he didn't dare to fall in love in heaven, so he reincarnated her as a princess of Baoxiang country.

Eighteen years later, the Kuimu Wolf took advantage of the gap between Tang Priest's scriptures and secretly ran to the lower bound and married Baihuazhai. Although Jade Girl has no memory of her previous life and has always regarded him as a monster, he has lived with her for thirteen years without any regrets.

These two are predecessors and role models. Because I have never experienced love, I am full of longing and yearning for love, and so are the Weaver Girl and the Seven Fairies.

They are outside the besieged city, so they always want to go in and see the scenery inside.

God can't fall in love, not if you don't go down.

There are strict laws and regulations in heaven that prohibit immortals from talking about love, and offenders will be prosecuted.

Kuimu Wolf pursued the jade girl, but was punished for lighting the fire for the old gentleman.

Pig Bajie tried to talk to Chang 'e directly in the sky, but he was beaten and sentenced to reincarnation as a pig.

The cost and risk of celestial love are too high, so we have to go to the lower bound.

Besides, in the Journey to the West, the gods and monsters in the sky respect their strength and don't care about their looks. For example, Twenty-eight Nights still retains obvious animal features, which is too strange for fairies to despise.

There is also that most immortals still insist on practicing. Even the famous three immortals of Fu Lushou still insist on "nourishing essence, refining qi, nourishing spirit, harmonizing with dragons and tigers, and grasping the bar to fill it in. I don't know how much effort it took." Without self-cultivation, death is inevitable.

Moreover, practice pays attention to meditation, abstinence, giving up everything, especially children's affair, and it is easy to get possessed and give up all previous efforts.

As beautiful fairies, the Weaver Girl and the Seven Fairys are definitely not interested in this boring practice, but just go to the world for fun and regard it as a trip.

Human warmth is everywhere, so it is understandable to see those carefree, hardworking and kind-hearted handsome guys.