What is the relationship between the change of six hexagrams and the original hexagrams?

This is a causal relationship. Change the divination before to divination, and change the divination after.

Among the six hexagrams obtained after divination, one is the change of the old Yin Lao Yang. The divination before the change is the original divination, and the divination after the change is the change. If you shake it dry as a divinatory symbol, you will find that it is Shao Yang, with Lao Yang at the beginning. When Lao Yang turns Yang into Yin, you will get a divinatory symbol. Here, the divination is a heavenly wind divination, and the heavenly wind divination will change.

The hexagrams of six hexagrams, the original hexagrams and the change of mind have their own functions. Relatively speaking, the original hexagrams are read more, and the influence of heart changes will be considered when the palace involves heart changes. Changing one's mind is a new divination caused by the change of the motivation of this divination. This motivation means that there has been a change in this respect.

Changing one's own thoughts is a process of constantly adjusting one's thinking, and it can also be regarded as a symbol of the continuous diffusion and proliferation of thinking, which is even more important to nothingness.

In the case of unsatisfactory results, the expectation of uncertainty is usually greater than the acceptance of the facts that are about to happen or have happened. In the face of the consequences of sudden artistic financial trauma, changing one's mind may be manifested as an unspeakable but full of expectations for the future.

For art itself, it should not be orderly after adapting to a temporary order. Changing a person's mind means that there may be more possibilities in the future. Just as art requires not only skill and precision, but also mystery and meditation.

In the progressive concept of modernism, it is more thought that only by constantly denying the existing existence can we surpass it. Therefore, thinking and seeking change is a cliche that all so-called "creative" industries often face.

However, the logic of art development does not only mean that it is divorced from the reality of predecessors or present people, but today it is more manifested that art needs to constantly return to history to chew and ruminate on the past and present. But people don't need to get a unified conclusion, on the contrary, they will get more messy diversity. It's like divination has become a new divination.