Fortune Telling Collection - Comprehensive fortune-telling - Appreciation of Chen Weisong's Poem He Xinlang to Su Kunsheng in Ming Dynasty
Appreciation of Chen Weisong's Poem He Xinlang to Su Kunsheng in Ming Dynasty
Wu is embroidered. Laughing at wild old men, spending money and getting angry with wine, everything. I've been reduced to half my life, and I don't have many intimate friends except blowing my dick and killing dogs. Besides, who is my friend? Suddenly I heard the river full of children, but it didn't close. My tears were wet and blue. It's cuckoo blood.
Wuchang Wandiege boat roared. Remember the sun, sign the sail, and cover the mouth of the fan. The faint song of the tower sounded, and the Sixth Army scratched its head under the moon. When birds fly south. Nowadays, the scenery of Huaqing has changed, leaving a bleak and prosperous new century. Me, too. People are past middle age.
Chen Weisong.
The title of this poem is To Su Kunsheng. Su Kunsheng and the technique of this poem are described in detail in the preface of Wu's "Two Dwelling in Chu": "Suzhou Su Kunsheng, Weiyang Pavilion, whose land is divided into Chu, is also a guest in Chu. Zuo Ningnan (post-Zuo Liangyu, Ningnan) was stationed in Wuchang, and Liu talked and Su sang for good luck. Ningnan was not on the Jiujiang ship, and millions of people fled. Willow has gone down to the east in advance, and Su Sheng wept bitterly at Jiuhua Mountain. For a long time, he came out of the Wulin Wang Ranming. However, Ming Ming died and entered Wuzhong. " Zuo Liangyu, a general in the late Ming Dynasty, was in charge of Wuchang. He was at odds with the powerful ministers Ma Shiying and Ruan Dacheng. In March of the first year of Hong Guang (1645), he was negligent and denounced Ma Shiying's seven deadly sins. The soldiers were transferred to the east, on the edge of Jun Qing, and the warships were connected from Hankou to qi zhou for 200 miles. At the beginning of April, after crossing Jiujiang, he suddenly became seriously ill and vomited blood and died. Seven days after Liangyu's death, he went east to take Hukou and other places. Huang Binqing and Huang Degong fought against Zuo Jun, but Zuo Jun was defeated. Yumiko Meng Geng led the others to the Qing Dynasty. The Biography of Chu Er Cheng is Wu's masterpiece Mei Cun Ti, which was written after the seventeenth year of Shunzhi (1660). The word Chen Weisong was written in the Kangxi period.
Ci was written in Suzhou. The first one was about making friends with Su Kunsheng, and the second one was about Zuo Liangyu. The sadness of the old country runs through it.
"Wu Ruxiu. Laughing at the wild old man, getting upset by the wine, all kinds of things happen. "The Fifth Courtyard" refers to Suzhou, the "wild old man", and Du Fu's "Ai Jiang Tou" has a sentence "Shaoling wild old man swallowed his voice and wept". Here, the author claims that "flowers are upset by wine", crazy about flowers, troubled by wine, "all kinds of things" At the beginning of the last movie, the author reflected his bored mood with the brilliant spring scenery of Wuyuan, and the word "laugh" and self-deprecating expression came to the fore. Then I wrote about my desolate wandering life with emotion. "Reduced to a half-life confidant, in addition to blow jobs and kill dogs. Besides, who is my friend? There are not many confidants except the first-class people who kill dogs. " Playing the flute "is a story of Wu Zixu in the Spring and Autumn Period. Zixu's father and brother were killed by King Chu Ping. Zixu went out to play the flute and begged for food in Wucheng. See Biography of Historical Records and Fan Ju. "Killing dogs" is a story of Jing Ke in the Warring States Period. Biography of the Assassin in Historical Records records that Jing Ke went to the State of Yan and made friends with Gao Jianli, a dog who slaughtered the warrior in the State of Yan. Jing Ke is a heavy drinker, drinking with Dog Tu and Gao Jianli in Yan City every day. "Suddenly listen to" boundless hone red "none, tears wet blue. "These two sentences are different from each other. From listening to songs to writing, I went straight to Su Kunsheng, and there was a wonderful pen to attract people. " He Manzi, a singer from Cangzhou, was sentenced to death during the Kaiyuan period of Emperor Xuanzong of the Tang Dynasty, and went to Yuefu to make atonement. The song sung, namely He Manzi, can be found in Duan Anjie's Yuefu Miscellanies. He Manzi, the son of a man on the river, Tang's "Gong Ci: A Thousand Miles from Home", a young lady in the palace lived here for twenty years. ""A river full of children ",see how hard she tried to hold back her tears. Here, Zhang Hu's poem is used, which hints at the cause of tears and leads to the next sentence. "Tears wet the sky" refers to Bai Juyi's Pipa Trip. "But who among them cries the most? ? This Jiujiang official. My blue sleeves are wet. " But the author's tears are obviously different from Bai Juyi's. Bai Juyi's "Blue Wet" is caused by her self-feeling, which resonates with the pipa-playing businesswoman "We are all unhappy-to the end of the day". The author's tears when he heard Su Kunsheng sing today are due to the hatred of national subjugation brought about by the collapse of Nanming. The word "non-customs" here is extremely heavy. "It's cuckoo blood, sleeve setting" and "cuckoo blood". It is said that the ancient Shu emperor became a cuckoo after his death, and the blood of cuckoo is the blood that cuckoo cried out. In ancient poetry, this is often used to express grief and indignation. Li Shanfu's "Wen Zi Belongs to the Article": "Heartbroken thinking of the old country, tears of blood splashing fragrant branches." Take a break. Tears are condensed from the blood of cuckoo, and the infinite pain of national subjugation is deeply contained in them. From here, the upper part is collected and transferred to the next part.
The next movie, The Roar of Ships in Wuchang, abruptly changed its head and directly wrote the majestic momentum of Zuo Liangyu from Wuchang to the east of the Yangtze River. "Gechuan", a kind of ancient warship, has a spear on the tree. The whole sentence is written with the word "roar", which shows the prestige of the warships descending along the river. Remember the day, set sail, and cover the mouth of the fan. The word "remember" here is a guiding word. It is worth noting that it not only leads to the sentence below "Day", but also leads to the sentence above "Wuchang". Writing in this way makes the scene of "warships heading east" more prominent. Fankou is near the Yangtze River in the northwest of Shou Chang, Hubei. These two sentences write a spectacular scene of multiple sails simultaneously. A word "chaos" describes the messy and dense scene of sails. "The tower sings faintly, and the six armies scratch their heads under the moon", "Tower", double-decker stern; "Six armies", the Zhou Dynasty emperor had six armies, see "Li Zhouxia Guan Sima", which is the collective name for the army in later generations. These two sentences continue the previous one, describing the scene of Su Kunsheng singing Kunqu opera in Zuo Liangyu's military account: among thousands of troops and horses, there are faint songs and flutes coming from the tower, and under the bright moon, the soldiers can't help scratching their heads when listening to the songs. The touching details of "The Six Armies Scratching their Heads" show Su Kunsheng's touching singing skills from the side. "When birds fly south", Cao Cao's "Short Songs" said: "The moon and stars are sparse, and birds fly south. Turn around the tree three times, what branches can I rely on? " The main idea of Cao's poem is that the black magpie is looking for support, but where does it live? The argot here saves a lot of pen and ink, suggesting that Zuo Liangyu, regardless of the fate of the country, sent troops south out of personal grievances, resulting in infighting in the southern Ming Dynasty, benefiting the fishermen of the Qing army in the north, and Jiangnan was in danger of opening the door. Really not an honest teacher, Sergeant Zuo Liangyu has a feeling of being surrounded by trees and having nothing to rely on. These two seemingly ordinary landscape paintings are actually very profound and important. They pointed out the deeper reason of "the Six Armies scratching their heads" and used it to end the memories of that year. "Now, the scenery in Huaqing has changed, leaving behind desolation, and cranes are blooming in the new century." The two sentences turned sharply, and the encounter between the author and Su Kunsheng in martial arts today should have started from a distance. Huaqing, the name of the palace, is located in Lishan Mountain, Lintong, Shaanxi Province, where Emperor Xuanzong and Yang Guifei visited the banquet. This refers to the imperial palace of the Ming Dynasty. Just like the Huaqing Palace in the Tang Xuanzong era, the former Ming Palace is now completely different, leaving only the white-haired Su Kunsheng, an old singer left over from the Kaiyuan era in the Tang Dynasty. "Crane hair lifts the crane to open a new century", in the meaning of Dong Li's poem Embroidered Ridge Palace, "Crane hair lifts the crane in front of Embroidered Ridge Palace, and still sings Kaiyuan Song Taiping" and "Crane hair", with white hair and white crane feathers, so it is a cloud; "Kaiyuan" is the title of Li Longji, Emperor Xuanzong of the Tang Dynasty. Here, Su Kun's identity as a singer is interpreted, which is extremely appropriate. "Me too, after middle age", at the end of the whole word, I tied it myself. In ancient times, middle-aged people were forty years old. When the author wrote this word, he should be over forty-five or six years old. According to "Shi Shuo Xin Yu": "Xie Taifu (An) said in (Xizhi):' Middle-aged people are sad and happy, and they will be evil for a few days, saying goodbye to their relatives and friends." Wang said, "1998 When I was in Sang Yu, I came naturally because I could write silk books, bamboo books and pottery. I am always afraid of my children's feelings, which destroys my happiness. "Dark knot this code, send myriad regrets in it.
This word, with its tight structure, vigorous brushwork, majestic and colorful, is freely used and not piled up, which fully shows the author's long skills. Chen Tingzhuo's "The Thorn of Baiyuzhai" called Chen Weisong's ci "The God Xiong Junshuang, whose boldness of vision is unparalleled in ancient and modern times", which can be regarded as the representative of this kind of works.
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