As the quintessence of China, why are there so few young people in Beijing Opera, Henan Opera, Yue Opera and Shaanxi Opera?

First, the rhythm of plot performance of ancient Peking Opera, Henan Opera, Yue Opera and Shaanxi Opera is too slow.

Secondly, young people have learned and understood the story knowledge in these plays when they are at school.

Thirdly, since the emergence of television, computers, especially smart phones, a large number of attractive news, songs, dances and other information videos have flooded into the eyes of the younger generation.

Fourth, the pace of life of modern people is accelerating, especially young people, who still have to earn money to support their families and do business. They want to learn a lot of knowledge after work, such as ancient opera, traditional Chinese opera and Shaanxi opera. One word is played for a long time, and one story is told for half a day. When can we fully master and understand these knowledge and new things?

Therefore, most modern young people don't like watching costume dramas. I estimate that even after a few years, young people are old now, and few people go to see costume dramas. Their ideas are different from those of the old people now.

But Beijing Opera, Henan Opera, Yue Opera and Shaanxi Opera are the quintessence of our country, and we can never abandon them. We can keep these knowledge treasures and play and perform them irregularly in the future, so that our descendants will always know and remember that our ancestors left us a beautiful cultural heritage!

How did you come to this conclusion? Did you watch it in the theater or do you usually investigate the society? Where are the findings?

Other places, other operas, I don't know, but I know the Peking Opera in Kunming, Yunnan best.

At present, there are almost no elderly people over 70 in Kunming cinemas, and I am an exception.

Because now most old people have bought new houses and moved out of the city center. It's far from the city, so you can't drive by yourself, so it's inconvenient to move. Children are not at ease when they go out at night.

Traditional theater tickets cost only one or two yuan, but now they cost dozens to two or three hundred. Old people, rich or poor, are unwilling to spend so much money to go to the theatre. Moreover, the number of theater tickets in previous years was as high as hundreds of thousands, and many people lost interest as soon as they heard it. As a result, I didn't go to the theatre for several years to decades, and now I don't even know if the ticket price has come down.

There is also the emergence of TV sets and later computers and mobile phones. Playing mobile phones, computers and watching TV is cheap and convenient, which greatly enriches people's cultural life. Almost everyone has no motivation to go to the theatre!

So these are the people I saw in the theater.

First, people who really like drama are mostly young people.

Second, the staff of the cultural authorities and their families, they never buy tickets and other invoices.

Third, some people with good economic conditions are tired of playing other things and want to explore the charm of drama.

So there are so many young people in the theater now!

As for listening to the radio, unless you like it very much, you also know the drama. Most people are not interested at all, because there are no subtitles and no visual enjoyment, which leads to young people listening less. And young people are too busy to listen. So, of course, many old people are going to the opera!

So most people who go to the theater now are young people. Most people who go to the opera house to use the radio are old people!

Some people watch dramas on TV, but because they can't communicate on stage and off stage, they find it boring to watch too much. Looking at it with a mobile phone computer, the screen is small and the sound quality is worse than the scene. So I can't appreciate the charm of drama! So not many people use mobile phones and computers to watch dramas!

As a national quintessence, it is true, but the contents of these four operas are mostly traditional plays, with relatively simple plots and slow pace, which are not attractive to young people. Although it has improved in recent years, it is not strong enough. To carry forward the quintessence of Chinese culture, we should not only carry forward the historical tradition, but also reform, innovate and develop, and integrate modern elements into traditional plays. The popular TV program Huayin Laoqiang in recent years is an innovative attempt to traditional repertoire, and whether it can be used as a path can be studied.

Drama is a bit slow for young people;

Young people are under great social pressure and have no leisure to appreciate taste.

Henan Henan Opera is full of vitality. In difficult times, people will feel hungry when they are not full. Now people have food, eat enough, go to parks, yards and rivers for a walk, and sing songs to help digestion; Normally, nothing will happen. Singing is entertainment. It is a toy. I just want to have so much energy.

Seeing everyone discussing the future and destiny of Henan Opera online, I was moved by everyone's sense of mission and crisis. I read the opinions of many netizens and admire them very much.

However, many netizens are positive and optimistic about the future of Henan Opera, and I totally agree! There are facts to prove:

Because Henan has a large population base of 65.438+0.3 billion people, it is the largest audience base; Many provinces around Henan have municipal Henan Opera Troupes. Why? I am fascinated by Henan opera, which is so beautiful. As far as I know, many builders in Xinjiang have a large audience of Henan Opera, and even the Henan Opera Troupe has worked really hard. There are also a large number of Henan opera lovers in Bao Dao. As soon as they sing, they think of Henan and the Central Plains. "Don't forget to tell Naion about Julian Waghann's Central Plains Day!" Even overseas has a large audience!

Don't forget your innovative consciousness, Henan Opera is innovative. Judging from my age, new works appear almost every year. Many famous artists such as Li Shujian, Jia Wenlong and Wang Quanzhen have been writing instead of "resting on their laurels".

There are only a few passages in Beijing opera, and the singing on holidays will be ruined. Some people have done statistics, as we all know. There are only a few famous jokes. These jokes were used in the Spring Festival Evening and various festivals, and were sung by several famous artists, completing this year's task. Despite its harsh words, Beijing opera has not really spread to the public.

There is no worries about the inheritance of Henan opera. I'm afraid that there are too many descendants, too few books and not enough books expressed by newcomers in Henan Opera.

The veteran of Henan Opera is still active. Ma Jinfeng centenarians are still active on the stage; She still teaches students, leads a group of disciples, and strives to promote the art of Ma School. What she said on 20021new year's day was "keep healthy and be brave in innovation", which shows all the "young ambitions" of the elderly.

Many famous Henan Opera artists are over 80 years old, and they still work on the stage or backstage in the pear garden. The old couple "Shuabao" and "Yin Huan Ma" in Chaoyanggou are 90 years old, and they are still teaching nonstop, busy behind the scenes.

Li Shujian, chairman of Henan Dramatists Association, is "smart". He calculated an account for the TV audience and explained why he wanted to promote Henan opera with the help of the online platform: "If I sing once a day, the big deal is that 2000 viewers are listening; However, if you look at the internet, more than 10 million viewers click on it every day. In this case, how many people will benefit if you stick to it! "

As far as I know, 30 or 50 famous artists have opened Tik Tok, and a large number of fans are inheriting art while enjoying it.

Famous artists in Henan have their own fan base. Almost every famous artist has held a national fan concert, and there may be other interactive activities.

Go to college, go to primary school. I have seen many news reports that Henan opera masters should carry out the spirit of "starting with dolls" in art when they go deep into the community, enter the campus and enter the classroom.

I don't quite understand whether Henan is also putting on a show, but I hope that the villagers in Henan can really learn a little and sing a few words with Henan accent and Henan accent, so that I am from Henan!

It is said that the annual advertising fee is very large, which can be seen. "Liyuan Spring" has run for more than 1000 issues, breaking the Guinness Book of Records and constantly refreshing its own new record.

Li Yuanchun is not only novel in form, but also has done the basic work of popularizing the knowledge of Henan Opera. Being able to do this is enough to show that Henan opera is not only singing, but also "teaching", which shows that the audience in Henan and even the whole country is deepening their desire for Henan opera.

Li Yuanchun has gone abroad! You won't believe it. Liyuan Spring is bringing together China people and foreigners from all over the world, bringing together Central Plains art, and letting this Henan Opera touch their artistic cells.

An era has an era of entertainment. It's not that this thing is not good, but in this era, it may not be liked by everyone, just like Nokia. Nokia's mobile phone is not bad, but it has been abandoned by the times, so the good ones are not necessarily kept, and only those suitable for the times can be carried forward.

In addition to writing, China has thousands of years of cultural heritage, and the influence of drama is unimaginable to ordinary people. The emergence of this art form stems from the demand for cultural life from all walks of life. Politely speaking, it is called spiritual life, and it is also called an activity that loses pleasure. It has created a reputation for literature and art for the working people.

It is true that before the birth of modern contemporary film and television, the bottom people only enriched their spiritual world through drama art, and reading and literacy were only reserved for a few wealthy families. Most people can only create food in the soil all their lives and be served by others. Drama, the most intuitive form, is a spiritual compensation for boring work. The most important thing is that the content of the drama comes from life, which is philosophical and connects the past with the future. The positive part is in line with the kindness of good people, which can promote social harmony and stability and clarify the bottom line of being a man and doing things. Word of mouth is an effective and simplified cultural popularization and dissemination.

The progress of human material civilization and the birth of video production have pushed the midday stage, an ancient performing art, to a new climax. While people happily accept this new thing, the new generation's feelings about traditional drama art are no longer as profound as their predecessors. In addition, the humanization and openness of modern performing arts can stimulate people's senses, be more interactive, and have unlimited clothing, and so on. Drama is different. The gradual development of the story is full of ups and downs, and the ending of the story is also time-consuming and laborious. The singing form is fixed, unlike music. In short, the enlightenment of the younger generation has been far away from drama and the freedom to choose a variety of arts, which also determines that drama cannot have the advantage of occupying the lives of young people from generation to generation. They are the marks of old men and old women's youth. They have accompanied the passionate years, and each generation has the imprint of the times. I hope this ancient art, although no longer brilliant, should be inherited and carried forward as a treasure of Chinese culture!

As the cultural treasures of the Chinese nation, local operas such as Beijing Opera, Henan Opera, Yue Opera and Shaanxi Opera are the products of the development of culture and art in a specific historical period and have distinctive characteristics of the times. At present, the appreciation group has degenerated to almost only the elderly, for many reasons:

1. Drama has been severely impacted by modern culture and art and foreign culture and art, and its dominant position has been gradually replaced. For example, foreign dramas, operas, dance dramas and other arts have also crowded into the elegant halls of China literature and art, and modern cultural and artistic forms such as pop songs, TV dramas, movies, sketches and various dances are highly sought after by people.

Second, the content of drama art is seriously lacking in innovation, and the main content is still reflecting the old feudal society, which is old, boring and unattractive.

Third, the lack of attention to drama in cultural education leads to the shortage of existing drama talents and the lack of successors in drama art. From kindergarten to high school, drama has no place in major cultural education. Young people don't understand.

Fourthly, with the development of the times, drama has been seriously divorced from people's real life interests, and it is no longer a popular, easy-to-learn and easy-to-understand art form. Its elegance has become rustic, and its profound artistry has become an arrogance and obscurity.

Only by starting with children, attaching importance to our national quintessence, excavating its literary value, carrying forward its artistic strength, constantly innovating and keeping pace with the times, can it become the literary protagonist in the new era again.

Because young people don't like it, there are many other cultures, such as foreign cultures, new entertainment projects and the Internet. Before the 1960 s, there was nothing but movies, either going to the theatre, watching acrobatics or listening to Quyi.

I loved watching it when I was a child, because I didn't. I have too many social parties now. I went to the theater and felt the pace was too slow. Of course, listening to some cheerful music will make you feel better. Young people, when they are young, have a lot of pressure to study, and when they work, they have time to watch slow-paced dramas. [yi tooth]