The story of One Hundred Years of Solitude is probably

The novel "One Hundred Years of Solitude" describes the bumpy fate of seven generations of Buendia family full of magical colors, and depicts the rise, development and prosperity of Macondo, a Colombian rural town, from a barren swamp, which was finally swept away by a whirlwind and completely disappeared 100 years.

It reflects the historical evolution and social reality that Colombia is the whole of Latin America for nearly a hundred years from the beginning of 19 century to the first half of the 20th century. Macondo is a microcosm of Colombia and Latin America as a whole.

The novel begins with the marriage of Jose Aquadior Buendia and his cousin Ursula. Relatives and friends are opposed to this marriage, because before that, an aunt of Ursula married an uncle and cousin of Buendia and gave birth to a child with pigtails.

Ursula herself was afraid of giving birth to such a child and refused to share a room with Buendia after more than a year of marriage. As the story spread slowly, the villagers began to laugh at Buendia's incompetence as a husband. Once, Buendia defeated his neighbor Ajlior in a cockfight.

Aquile became angry and humiliated him in public. In a fit of pique, Buendia stabbed Acer to death with a spear in a duel. Since then, the family has been haunted by the ghost of aguirre for a long time. In order to avoid disaster, I had to fly away.

Buendia led his family and villagers over mountains for more than two years, and finally stopped at an abandoned river. Buendia has a dream. A vibrant city stands here and hears a loud and beautiful name: "Macondo".

After waking up, he decided not to move forward, and built a village with the villagers, named "Macondo". Since then, Macondo has gradually prospered, and his family has lived here for more than 100 years, and the incense has continued to the seventh generation.

Many years later, Buendia suddenly went crazy. People tied him to a chestnut tree in the yard, and it took him more than half a century to die. His wife, ursula, was in good health. She lived for over 100 years and gave birth to two sons and a daughter.

Jose Aquadior, the eldest son, was born on the road. When he grew up, he had sex with a woman who often helped his family and used cards to tell fortune. He gave birth to a child named Acadia, who was arrested and shot by government forces during the civil war.

Buendia's youngest son, Aureliano, was Macondo's first child. He later married Remé dè s Mocot, the mayor's little daughter sent by the government, but before he got married, he also had a relationship with Pila Tenera, and their son was named Aureliano Jose.

One night, Ramides Mocot died suddenly. The daughter of the Buendia couple is Amaranta. They also adopted an orphan girl, who is said to be their relative named Rebecca, but the old couple never remembered this relative.

Rebecca has a quirk of eating dirt and limes. When she grew up, she was very unhappy in love and later married Jose Aquadior. The third generation except pilar Tenera's Acadiano Jose.

There is also 17 aureliano, who was born to women according to ancient customs during the civil war 17. The fourth generation are all descendants of Acadia who were shot by government forces. My daughter is very beautiful. Her name is beautiful girl Medus.

Two twins, the second named Jose Aquadior and the second named Aureliano. The two brothers are the same in appearance and debauchery, both fooling around with a woman named Petra Kurt. The fifth generation of this family is Aureliano's second child.

The son's name is Jose Aquadior, and the daughters' names are Renata Remides (Mei Mei) and Amaranta Ursula. There was only one person in the sixth generation, Mei Mei's son Aureliano Buendia. He fell in love with his menstruation Amaranta Ursula.

They got married and gave birth to a baby with a pigtail, which is the seventh and last generation of this family. After the child was born, the mother died of postpartum hemorrhage. The child soon became "a swollen and dry skin".

Aureliano Buendia came back from the outside and found that the child had been dragged into the hole by ants and eaten. He usually likes to delve into the manuscript of "sheepskin book" about his family history written by Melgar Des, a gypsy in his early years, in Sanskrit.

He didn't understand it all the time, and then he suddenly understood. The key word is: "The first person in this family will be tied to a tree, and the last person will be eaten by ants." At this time, a breeze blew, full of the rustle of ancient geraniums. ...

He went on reading. "At this time, Macondo has become a terrible whirlwind, wrapped in dust and rubble rolled up by hurricanes in the Bible. Afraid of being delayed by well-known historical facts, Aureliano jumped to 1 1 page and began to read the moment he was experiencing.

He read this history while experiencing this moment, and he predicted the secret of the last side of sheepskin himself, just as he told himself in the mirror. "He jumped up and missed the last date and his own death.

"But haven't read in the end, he has learned that he will never leave the house. He has foreseen that the mirror city will be completely swept away by the wind and will disappear from people's memories ..."

Everything written here will not be repeated, because "the race destined to be lonely for a hundred years will never appear on the earth again." The town is gone, the home is gone. This is the end of the novel.

Extended data

One Hundred Years of Solitude is known as "a masterpiece to reproduce the historical and social picture of Latin America", which is the representative work of Garcia Marquez and also the representative work of Latin American magical realism literature.

The book is nearly 300,000 words, with complicated contents, numerous characters and bizarre plot twists and turns. In addition, fairy tales, religious allusions, folklore and the writer's original novel flashback technique of recalling the past from a future perspective are dazzling.

However, after reading this book, readers can understand that the author wants to reflect the historical evolution and social reality of Colombia and even Latin America through the mysterious bumpy experiences of seven generations of Boondia family, and ask readers to think about the causes of Magondeau's loneliness for a hundred years, so as to find the right way to get rid of his fate.

During the 70 years from 1830 to the end of last century, dozens of civil wars broke out in Colombia, causing hundreds of thousands of deaths. This book describes the historical facts in this respect in a large space, and it is condensed through the legendary career of the protagonist in the book. The hypocrisy of politicians, the cruelty of rulers, the blind obedience and ignorance of the people and so on. They are all very vivid.

With vivid brushstrokes, the writer created many characters with distinct personalities and described the lonely spirit of this family. In this family, there is no emotional communication, lack of trust and understanding between husband and wife, father and son, mother and daughter, and brothers and sisters.

Although many people have made arduous explorations to break the loneliness, they all failed in the end because they could not find an effective way to unify the scattered forces. This sense of loneliness not only pervades Buendia family and Magondeau town, but also permeates narrow thoughts, which has become a big burden that hinders the progress of the country and the nation.

The author wrote this point in the hope that Latin American people will unite and work together to get rid of loneliness.

Therefore, the loneliness immersed in One Hundred Years of Solitude, its main connotation should be resentment and protest against the exclusion of the whole suffering Latin America from the modern civilized world, and it is the stubborn self-confidence formed by the writer's unique research on the history of Latin America for nearly a hundred years and the unique vitality, living conditions and imagination of the people on this continent.

Garcí a Má rquez follows the creative principle of magical realism of "turning reality into fantasy without losing its truth", and through ingenious conception and imagination, he combines shocking reality with fantasy originated from myths and legends to form colorful and unique pictures, so that readers can get a sense of deja vu in the "specious" image.

Thus arousing the desire to trace back to the source and pursue the true meaning of the writer's creation. Magic realism must be based on realistic power, but this does not prevent it from taking extreme exaggeration. For example, the invasion of Magondeau by external civilization in this book is realistic, but it is also magical: Gypsies drag two magnets "... and walk door to door ... iron pots, iron pots, iron tongs and small iron stoves all fall from their original places.

The board creaked because the nails and screws broke free desperately ... rolling behind two magic irons "; Another example is the silence of the night. People can actually hear "the cries of ants in the moonlight, the loud noise of moths eating and the persistent and clear screams of weeds growing".

For another example, after the government killed a large number of strikers, it put the bodies on the train, transported them to the sea and threw them away. The train has 200 carriages, with three locomotives in the front, middle and rear! The writer seems to be constantly changing mirrors, telescopes, magnifying glasses and even microscopes, so that readers can see a series of pictures that are difficult to distinguish between true and false, thus enriching their imagination and receiving strong artistic effects.

The use of Indian legends, oriental myths and biblical allusions further strengthens the mysterious atmosphere of this book. For example, if the ghost of Providenciao haunts the Buendia family day and night, it is based on the Indian legend that the ghost has no peace of itself and does not let the enemy have peace; The flying carpet and the beautiful girl recalled that the description of grabbing the sheets and ascending to heaven was an extension of the Arabian Myth "Arabian Nights".

The continuous rainstorm in Magondeau for four years, eleven months and two days is a transplant of the story about flood disaster and Noah's Ark in Genesis. Folklores in Latin America are often superstitious, and writers sometimes describe them as reality when adopting them. For example, the protagonist Francisco "once sang against the devil and defeated his opponent."

Amaranta chatted to death while embroidering in the gallery and so on. Sometimes it is used in the opposite direction. For example, writing that Father Nicanor can leave the ground after drinking a cup of chocolate 12 cm proves that "God has infinite power", which is obviously a satire and mockery of religious superstition.

If symbolism is used successfully and meaningfully in this book, the description of insomnia should be the first. Soon after the village was built, all the residents of Magondeau contracted an insomnia. In severe cases, people will lose their memory if they get this disease.

In order to make a living, they have to label things. For example, they labeled the cow: "This is a cow, which needs to be milked every day; You have to boil milk and add coffee to make milk coffee. "Such sample books abound, and the author intends to remind the public to remember the history that is easily forgotten.

In addition, the writer also created a novel flashback technique to recall the past from the perspective of the future. For example, at the beginning of the novel, the writer wrote: "Many years later, facing the firing squad, Colonel Aureliano Buendia will recall the distant afternoon when his father took him to see the ice."

A short sentence actually contains three time levels: the future, the past and the present, and the writer is obviously hidden in the narrative angle of "the present". Then, the author turns to lead the reader back to the initial period of Magondeau. This time structure appears repeatedly in the novel, one after another, interlocking, constantly causing new suspense to readers.

Finally, it is worth noting that the book's dignified historical connotation, sharp critical vision, profound reflection on national culture and huge mythological metaphor system are all permeated with a refreshing mysterious language. Some critics think that this novel was written by an 8-year-old child, and Garcí a Má rquez is quite gratified. This is a very profound judgment.

Because this intuitive and simple language really effectively reflects a new perspective, a backward nation (human children) self-awareness. The wry smile of the parties replaces the tears of onlookers, and the pain of self-expression of "fools" replaces the seemingly fair criticism and analysis of "wise men", which can better receive the objective effect of arousing the profound reflection of the fooled group.