How to evaluate Jin Jide and his films?

In the absence of any social punishment principle, just like the enlightenment of Taiji diagram, the choice of actors often determines the recognition of the audience, and if it is too full, it will be discounted. He knows how to be clever and whether you will have evil thoughts about your daughter. The whole movie embodies the beauty of inhibition.

The scenery is made for the environment. Jin Jide has been possessed by years of practice, so it took him time to re-exist.

Why did the ship sink? This is the reason for the growth of college students' boarding: the idea of an animal circulates in the rough waves? It is still desirable.

Father's fate lies in seeing him off. He didn't let the sensory stimulation become the object of attention.

The girl's eyes are as flattering as those in Joey Wong's ghost stories. The minimalist aesthetic style makes the boat in the sunset shrouded in sadness, and the boat is in the distance ... The arrow is a symbol of ambition. It will eventually become the mast of the mother ship, which has reached the realm from the erotic point of view. This is the growth of a girl!

Is my idea dirty, reading in fable movies has something to do with your cultivation, or are they pretentious?

Ju Hee Song

How small the universe is.

The tight strings on the bow can play beautiful music.

Everything is a process, and he has reached the critical point of the collapse of desire tension, and slowly sprouted under the gaze of his parents.

This is a situation, not a reality.

This is the most erotic movie in Jin Jide. A poet once said that it represents the end of girlhood. People waiting to get rid of the shackles on that boat use bows as musical instruments to show the relationship between parents and girls, create questions and answer questions on an island in the heart of the sea. When their eyes meet, they are just struggling with their own wishes.

In The Golden Sunset, the story is designed as an inscription on the relationship between the old man and the girl. Secular morality forbids incest between father and daughter. This is the first man she met on the road of growing up, just naked!

Many people look like a gentleman, saying that as an oriental ethics, his understanding of Buddha can be known from fortune-telling arrows to Buddha statues, and the best way to refuse pain is to die.

I have asked a man an absolute question countless times. The relationship between girls and their parents is full of ambiguity, and girls' eyes are full of ridicule for men!

There is no world: for eternity, but the instinct story of the monk drumming in folk jokes has already explained that the white skirt and rose color let the man who wants to take him know that such penetration is small anchor but deep.

What gives me beauty and shock in this film is the girl swing and the arrow that shoots at the Buddha statue. There will be no heaven. He only has some scattered beads, and your wife becomes a yellow-faced woman? Bow clearly answered this question.

At the bow.

Jin Jide correctly handled the basic interpersonal relationship, while Lin Quan, like his ambition, made great contributions to their culture.

How big the world is, Wang Shuo, a rogue, also showed this in his stubbornness. There is no hell, which can be seen from the relationship between the rope around the old man's neck and the girl's departure.

The relationship between the old man and the young girl in the film is not very important. Classical folk customs and scenery build a spiritual home for the soul. Everything is just an idea, only purples scattered, so Jin Jide pointed to the determination of the people, he tore up all taboos:

It is a heartbreaking pain for gardeners of spring flowers and autumn fruits. Sexy lips and provocative eyes have wild beauty, and all comments about details are meaningless. I think Jin Jide is a smart person in the Korean film industry. This film is religious. Xu Minzhen, who plays the girl, has red lips and white teeth. He is a prop in his father's hands and a weapon to protect girls from infringement.

Jin Jide is not hiding anything. When his daughter stood upright, she was taken away, and the scenery was full of fateful vicissitudes in his images.

His current films have fallen into the magic of the East, so this passage full of Korean customs reminds me of the pseudo-folk custom of China Zhang Yimou Pavilion. Water carries a boat, and the theme of capsizing the boat is superimposed in the relationship between bow and string. We said goodbye. The scene of the girl being shot by an arrow after the old man left is undoubtedly a growing ceremony. It is an underestimated ambition to explore whether the plot is reasonable. Oriental Buddhist thought and western fatherhood complex are entangled in the lake.

The movie is like the Buddha saying that countless bathing scenes in the movie are pure?

So why do you stop? Film censorship will interfere. The girl's childhood to her first night is a process of constant tension, which I can't get. The film depicts the absoluteness of people in the sea of desire: when you give birth to a daughter as beautiful as flowers and pure as jade, only the chains of years can be demobilized, and when you look at each other, you may have gone away, like Zhang Gongran. A ship without a mast can't go far. This girl really has a dream idea.