Fortune Telling Collection - Comprehensive fortune-telling - Chengdu Sichuan Opera Performance-A Brief Introduction of Sichuan Opera in Tianfu Jinxiu Liyuan!
Chengdu Sichuan Opera Performance-A Brief Introduction of Sichuan Opera in Tianfu Jinxiu Liyuan!
Students refer to some men who play the role of young people or young men in the play.
Wen is the core role. Most of the characters in the play are literati princes, and most of them are handsome young people who are knowledgeable and polite. Yu Pei in Hong Mei Ting, Pan Bizheng in Yu Pin Ji, Cai Bozhen in Pipa Xing, etc.
Martial arts is a student, practicing martial arts and knowing martial arts. Lu Bu in "Three Wars Lu Bu" and Zhao Yun in "Changbanpo"
Lin Chong in fun run and Song Wu in Cross Slope.
Big and small students are more important roles for young men in Sichuan Opera. Liang Shanbo in The Story of Liu Yin and Lv Mengzheng in The Story of Colorful Buildings.
A nobody in a niche. Zhao is in The Story of Liu Yin and The Story of Colorful Buildings.
The third niche is younger and less effective than the second niche. Sun Quan in "Chop in Ji"
Babasheng, also known as "Baby Boy", plays a teenager or a child. Liang Xue, the work in Three Mothers Teach Children, the river in Hongjiangdu.
Dan, commonly known as "Xiao Dan", refers to the female role in the play.
Women in Tsing Yi are mostly middle-aged and above, with the characteristics of being dressed in Tsing Yi, good-natured, dignified and virtuous, and noble moral sentiments, such as Zhao Dancer in Pipa and Qin Xianglian in Tan Mei case.
Gui Mendan plays a young girl on the stage of Sichuan Opera. The differences in class status, living environment and personality characteristics can be divided into "good family" and "small jasper". Liu Yurong in Huatiancuo and Du Liniang in Peony Pavilion.
Sun Yujiao of Famen Temple and Yu Lian on the edge of the Cabinet.
Hua Dan plays a brave, enthusiastic, cheerful and lively young woman or girl. Chunxiang in Peony Pavilion and Matchmaker in The West Chamber.
Yao Dan plays a humorous, witty, lively and spicy woman over middle age. Matchmaker Liu is picking up a jade bracelet, and Jiao is turning over the soul newspaper.
Wu Dan plays a woman who can use a good gun and is proficient in martial arts. Mu in Da Hongzhou and Ba Jie Yang in Stop the Horse
Lao Dan plays the old woman, who is the old woman in the play. Wu Guotai in Kanluoji and She Taijun in Zhanhongzhou.
Fairy fox Dan plays a beautiful and affectionate young woman in fairy tales or ghost fox stories. Li Huiniang in Let Go of Pei and Jiumei in Jiumei Fox Fairy.
Nudan plays a girl who is a slave. Ji Zai and Zai Shui Dun touch each other.
Jing, usually called Hua Lian in Sichuan Opera, plays a special male role.
Relying on a "big painted face" with a painted face, playing a fierce player in the play is the main role of the painted face world. Xiang Yu in Farewell My Concubine and Zhang Fei in Making a White Robe.
The flowered robe plays a civilian wearing an embroidered robe and a jade belt. Bao in My Beauty Case and Dong Zhuo in Feng Yi Ge.
Straw sandals and painted faces play a kind of straightforward, reckless, impatient, rough and heroic roles. Zhang Fei of Lu Hua Party and Niu Naichen of Tielong.
Finally, it is called "raw horn" or "beard" in Sichuan opera, that is, the male character wears a mouthful.
Zheng Sheng plays a middle-aged man with grace, style and natural behavior. Tang Huangming in the Palace of Eternal Life and Wang Zhengde in Meilong Town.
The old student plays the role of an old man. Chen Rong in Jean Kwai in the stable and Wang Yun in Three High Five.
Lao Mo mainly plays the role of family on the stage of Sichuan Opera. The elder brother of the old courtyard in "Three Mothers Teach Children" and "Hanako scolds each other"
By acting the beard into a middle-aged and old-aged soldier wearing a headrest and helmet. Dingjunshan Huang Zhong, Tianshui Guan Jiang Wei.
Hongsheng mainly plays the role of loyalty and loyalty. Guan Yu in "Single Knife Club" and Zhao Kuangyin in "Cut the Yellow Robe"
Ugly? The meaning of a clown, as the name implies, is in the word "ugly", and its appearance is not good. Mostly humorous or vulgar and shallow characters.
Ugly embroidered robes play an important role in wearing embroidered robes and jade belts for emperors and generals. Asking for illness, forcing the palace, and resisting Yin in Jizhou.
The ugliness of official uniforms played the role of bureaucrats in feudal society. Hu Zhifu in "Spring Grass Running to the Moon Hall" and JOE in "Giving Robes"
The ugly dragon arrow mainly plays a heartless and stupid king. He wears a dragon arrow suit and a soft king hat with pheasant feathers. Song Kangwang in "Spring Tomb" and Qi Xuanwang in Cai Wu sang.
Wrinkle ugly mainly plays such vulgar and shallow figures as prince and grandson, official's son and dude. Xu Ziyuan is making trouble, while Cai Chen is at Xiguan Ferry.
Square towel ugly mainly plays the role of counselor, principal, book history and other government governors, boasting and flattering guys. Jiang Gan in "Heroes" and Marotta in "Feng Yi Ting"
Yan Zichou plays a passionate, humorous and funny working people. Lin Ding in Night in the Woods and Wan 'an in The House of Smallpox.
Jin is playing the beggar's ugly gold, while Sun Jiaer is scolding Xiang, but talking about the poor.
Old Ugly plays a kind, humorous and helpful old man. Uncle Wang in Qiu Jiang and Borrowing an Umbrella.
Ugly Dan plays a special woman over middle age. The owner of Yingxian Store and Aunt Zhong in Please Be Old.
Wu Chou plays a clown with martial arts. Wang Ying in Hu Jiazhuang and Qiu Xiao in Stealing the Silver Pot.
Sichuan Opera Performance Address-Jinxiu Liyuan is a famous Sichuan Opera Hall, with classic Sichuan Opera and folk acrobatic performances as its main projects. Western Shu civilization has been handed down from generation to generation, and the former pear garden style reappears between playing and singing, and the traditional echoes are endless. Listening to the piano playing, I don't feel like I'm dreaming back to ancient Shu. The disappearing hand shadow play has returned to the people, and its face-changing and lantern rolling are well-known in China. The acrobatic hand shadow is exquisite and vivid, and the guzheng is wonderful.
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