Fortune Telling Collection - Comprehensive fortune-telling - Help check Bian's information and works, thank you!
Help check Bian's information and works, thank you!
[Edit this paragraph] Bian Zhilin's life
/kloc-When I was 0/4 years old, I bought a book of poems named Stars by Bing Xin for the first time and became interested in new poetry.
1929 graduated from Shanghai Pudong Middle School and was admitted to the English Department of Peking University.
1930 began to write poems, and since then he has published new poems and translated articles.
Sanqiu Grass was published in 1933.
1935, Fish Collection was published.
1936, Li Guangtian and He Qifang published Hanyuan Collection, so the three poets were collectively called Hanyuan Three Poets.
Since then, Bian has been a professor of western literature in Peking University, a researcher at the Institute of Literature of China Academy of Social Sciences, a vice president of the Shakespeare Research Association of China, and a director of the Chinese Writers Association. She is a famous translator of Shakespeare and English poetry. To sort it out, his poems pay attention to syllables and pursue the agility of words, which shows the dissatisfaction and thinking of young intellectuals at that time.
During the War of Resistance against Japanese Aggression period, Bian taught in Sichuan University and The National SouthWest Associated University successively.
1938 ——1939 visited Yan 'an and Taihang Mountain anti-Japanese democratic base areas, and once taught at Lu Xun College of Literature and Art.. This trip prompted him to create a collection of poems, letters of condolence and reportage "772 regiment in Taihang Mountain area", praising the anti-Japanese soldiers and civilians and describing the life of the troops in the anti-Japanese base areas.
1940 teaches at National Southwest Associated University, Kunming.
1942, poetry published in ten years.
1946 to teach at Nankai University. The following year, at the invitation of the British Council, I went to Oxford for research.
1947 went to Oxford University as a researcher.
From 65438 to 0949, he returned to Beijing and worked in Peking University, Peking University Literature Institute and China Academy of Social Sciences Foreign Language Institute successively, mainly engaged in the research, criticism and translation of foreign literature.
195 1 year published poetry anthology, turning a wave. 1979 published the anthology Chronicle of the Carved Insect 1930 ~ 1958.
1949, professor of western languages department of Peking University, 1953, researcher of literature institute of China Academy of Social Sciences.
1964, research fellow, Institute of Foreign Literature, China Academy of Social Sciences. He has been engaged in the translation and research of works by foreign writers such as W. Shakespeare for a long time, and has translated works such as Tracing the Source of Shakespeare's Tragedy and Selected Poems in English. In addition, he also published a collection of poems, Man and Poetry: Recalling the Old and Saying the New.
[Edit this paragraph] Bian: People are in the scenery.
-Wen/Tong Ming Dow
Mr. Bian had never been out of the house for several years before his death. Zhang, an enthusiastic young man, visits him from time to time. When he came back, he told us one of his findings: "Mr. Bian likes to eat potato chips." "Why?" "He likes to hear the sound of potato chips being crushed." I listened to Zheng's words and thought, Mr. Bian is really lonely.
After writing Feng Zhi and Li Jianwu, I want to talk about Bian. These three are old-timers who are good at learning, but young people called them different before the Cultural Revolution. We don't care if Feng Zhi, director of the Institute of Foreign Literature, is called Director Feng, but we affectionately call him Comrade Feng Zhi. Li Jianwu is a non-party member, and we respectfully call him Mr. Li, or Mr. Kengo; Bian Zhi Lin, let's call him Lao Bian, but he is the best among the old-timers to blend in with young people.
Mr. Bian is polite and modest, but he is often unexpected. He is an expert on Shakespeare, but in the early 1960s, he wrote a heavyweight book about the German playwright Brecht-Brecht Impression. He is a poet, but what he sent to Beijing Evening News in the early 1960s was the prose Lost Room. This article, published for two days, tells the story of his bedroom leaking rain. Very humorous, resentful but not angry. Beijing Evening News was the only evening paper in Beijing at that time, with a huge circulation, and Mr. Bian was once quite popular among ordinary people in Beijing. Once I went to the hospital, the doctor saw the name on the medical record and asked, "Did you write Lost Room?" Mr. Bian is in distress situation.
Mr. Bian is very old-fashioned, honest and frank, but he likes to beat around the bush, so some people think he is wordy, but Mr. Bian said, "Even if he is wordy, he is very cute." This is because Mr. Bian is cute.
As I said, "detour" is Mr. Bian's unique way of thinking. His articles, such as "Brecht Impression" and "Lost Room Inscription" mentioned above, are all deeply wonderful by his "detour". I now feel that even his famous poem "Broken Chapters" seems to have traces of Bian's "Winding".
You are watching the scenery on the bridge, and the people watching the scenery are watching you upstairs.
The bright moon decorated your window, and you decorated other people's dreams.
With the "winding" of "the people watching the scenery are watching you upstairs", the connection between man and nature is tacit, and the people watching the scenery on the bridge have also entered the scenery, so Bian has opened up a new aesthetic space for us. From then on, we read Li Bai's "Never tired of looking at each other, only looking at Tingshan", and we have the association of "people in the mountains and rivers", because the poets who never tired of looking at each other and Jingting Mountain have become our aesthetic objects.
Broken Chapter is Bian's immortal work. When Mr. Bian died, the headline of a newspaper was "The person who wrote" Broken Chapter "died".
[Edit this paragraph] Appreciation of Bian Shi's Broken Chapter
You stand on the bridge and watch the scenery.
The landscape observer is watching you upstairs.
The bright moon decorated your window,
You decorated other people's dreams.
Extract four sentences, exquisite, brief and clear. At first glance, it is not difficult to understand, but after careful consideration, it feels endless. The poet expresses the philosophy that everything in the world is interrelated, balanced, relative and interdependent through simple objects: people, bright moon, windows and dreams.
The broken chapters are written in 1935 and 10. It was originally a fragment of a poet's long poem, and later became an independent chapter, so the title was "Broken Chapter". This is a famous short poem in the history of modern literature in China. Its words are short, but its meaning is rich and obscure.
Mr. Li Jianwu once thought that this poem "contains infinite sadness and focuses on the word' decoration'", while the poet himself clearly pointed out that "I also mean focusing on' relative'". Regarding the difference between himself and the poet, Mr. Li Jianwu added: "My explanation may not make me agree with the author's confession. The author's confession may not hurt my explanation. It is not so much a conflict as a complementary beauty "(Li Jianwu's Answer to the Author of Fish Collection). In fact, both the "relativity" described by the poet and the "modification" pointed out by Li Jianwu are the dissolution of "certainty". "You stand on the bridge and watch the scenery", and the "you" here undoubtedly looks at the "scenery" from a subjective point of view, which has certain certainty or subjectivity; In the poem "Bright Moon Decorates Your Window", the "bright moon" exists for you or for you, and the "you" here is undoubtedly definite or subjective. Obviously, the first sentence of the two paragraphs in the poem shows a certain "happiness". The second sentence of each section is the analysis of "certainty". The certainty and subjectivity you got in the first sentence were made relative and objective by these two poems, and the joy of certainty turned into relative sorrow. And all this, however, fell into the "gaze" of the "poet", and the poem was written with the second person called "you", which made everything in front fall into another "relative". From this poem, we can undoubtedly appreciate the complex feelings of sadness, sentimentality, wandering, emptiness and sadness. On the other hand, if we can understand the philosophical thought that everything in the universe, including real life, is closely related and interdependent from this poem, we can get some comfort from life. The short four-line poem gives us quite rich feelings and inspirations!
In art, this poem mainly expresses abstract and complex thoughts and artistic conception, but the poet does not make direct statements and lyricism, but indirectly expresses the poem through the presentation of objective images and images. Poetry has a prominent sense of picture and space, profound artistic conception, and suggestibility of western poetry, which makes poetry implicit and deep and quite emotional. (Nanjing Normal University He)
The theme out of context caused a vague understanding. Liu Xiwei began to explain this poem, focusing on the meaning of "decoration", thinking that it shows a kind of sadness in life. The poet Bian himself wrote an article and replied that this is not the case. He said: "I don't pay much attention to the meaning of' decoration', just like the phrase' the bright moon decorated your window and you decorated other people's dreams' in Broken Chapters. I also mean to pay attention to' relative'." It seems that the "meaning" of poetry can't be completely captured in a word or two literally. Its deep connotation is often hidden behind images and words. It is true that, as the author explained, expressing the philosophical concept of "relativity" on the metaphysical level is the main theme of this poem "Broken Chapter".
This short four-line poem has a lasting artistic charm among readers and still gives people a strong aesthetic feeling. First of all, because the poet avoided abstract explanations and created a symbolic and beautiful picture. The natural beauty of the picture and the profound philosophy have reached a harmonious unity like a harmonious blend of water and milk. This poem is divided into two independent pictures to show or metaphor the poet's thoughts side by side. The first picture is a complete picture: "You are standing on the bridge watching the scenery,/the people watching the scenery are watching you upstairs." "You" is the protagonist of the picture and the central viewpoint of the picture. Around him, there are bridges, scenery and people upstairs watching the scenery. The author skillfully organizes these seemingly messy people and things into a frame, forming an ink painting and painting sketch or a symmetrical landscape sketch. This painting has no bright colors, but the picture is patchy and clear. When you are attracted by this simple picture, you will never forget to pursue the symbolic meaning behind it, and then you will be surprised to find how the author skillfully conveys his philosophical meditation: everything in this universe and life is "relative" and everything is interrelated. Yes, when you stand on the bridge and look at the scenery, you are naturally looking at the main body of the scenery, and those beautiful "scenery" are the "things" to see; The second line, the same time and space, people and scenery remain unchanged, but the perceptual status has changed. At the same time, another "landscape man" upstairs has become the subject of "seeing", and "you", who was originally watching the scenery, has now become the watched scenery, and the subject has also become the object. In order to strengthen this philosophical thought, the poet immediately introduced the second poem, which is a combination of reality and imagination: "The bright moon decorated your window,/you decorated other people's dreams." This is a picture, but it is no longer in a frame, and the big time and space are still the same. The "decoration" in the two poems is only a unique rhetorical device in poetry. If it is written as "shining in" and "entering", it will not become a poem. It may be someone who came back from watching the scenery, or it may be that the path has nothing to do with another person. In short, this "you" can be "he" or "I", which is not important. What matters is the relativity shown by the exchange of subject and object positions. In the first poem, "you" is the subject of this painting "Moonlight by the window", and the "bright moon" shining into the window is the object. I don't know, at this moment and night, you have entered a friend's dream and become a "decoration" in his dream. The "other" who dreams of you becomes the subject, and the "you" who becomes the dreamer plays the role of the object. In the meaningful picture, the poet conveys the philosophy of life obtained from his intellectual thinking, that is, the poetic experience beyond the poet's emotion: everything can be relative and interrelated in the universe and even the whole life course. In the combination of feelings, a moment can last forever; In the field of metaphysics, as the poet W. Blake said, "A world in a grain of sand" is not absolutely isolated, but relative and interrelated in the fields of life and morality, life and death, joy and sorrow, good and evil, beauty and ugliness. The poet wants to say that if people have an insight into this truth, they will not be bound by some secular concepts, and they will not care about whether they have it or not. They should have a thorough understanding of life and the world and gain freedom and transcendence.
This poem "Broken Chapter" is entirely about common things and outlook, and the philosophy of life expressed is not original by the poet. There is a sense of freshness after reading it. Apart from symbolizing the "meaning and image" of poetry, where is the secret? In my opinion, the key lies in the poet's ingenious arrangement of familiar materials (symbols) with modern consciousness. The poet once said: "Old materials, even rotten materials, are not necessarily unusable, as long as you are creative and properly arranged. As long as it is a new clever arrangement, rags can also be made into white paper. " What the poet calls "novel and ingenious arrangement" is also a novel artistic conception and ingenious language scheduling. Everything out of context is common, even familiar in classical poetry: figures, bridges, landscapes, buildings, windows, bright moons, dreams ... After careful selection and scheduling by the author, they are organized in two pictures, which has an internal connection. The two poems connect unrelated things through "seeing" and "decorating" respectively. In terms of content and time sequence, the two poems can be separated, independent and set off against each other, giving full play to the artistic functions of image superposition and film montage in modern art, and a "broken chapter" is a complete artistic world.
There is a harmonious and inseparable relationship between the arrangement of out-of-context language form and the implication of content. This reminds us of some famous sentences in classical poetry. Zhang's "Moonlit Night on a Spring River" has "Who saw the moon by the river first? Photo taken at the beginning of Jiangyue "; There is a saying in Li Shangyin's "Midnight Suburb Villa": "Look at the mountain and miss me. Listen to the drums and leave the city. I will come to see you." Lv Kun used the term "intertextuality in duality" in the last two sentences. These two poems are characterized by "dual intertextuality", that is, the subject and object of the two sentences are the same in connotation, but their functions are opposite. Bian used this method to sort out the out-of-chapter language. The verbs "you stand on the bridge and watch the scenery" and "the people watching the scenery are watching you upstairs" have not changed, but the subject and object of watching have shifted; "The bright moon decorated your window" and "You decorated other people's dreams" are the same syntax. In this way, sentences are not only connected end to end, but also strengthen the density of language, the exchange of subject and object, the image of subject and object, enhance the effect of artistic conception of poetry and painting, produce an aesthetic effect of sound and meaning gyration in vision and hearing, and the philosophy of metaphor's relative correlation is also profound and concrete in image.
Bian likes the works of Li Shangyin, Wen, and others, poets and lyricists in the late Tang and Five Dynasties. He has a creative absorption and transformation ability of "turning decay into magic". Turning to Yu Pingbo's Selected Readings of Tang Poetry, we read the second half of Feng Yansi's butterfly lovers: "There are willows on the banks of the Kate River, so why worry about new things every year?" The independent small bridge is full of wind sleeves, and the linping crescent people return to the rear. I can't help but be surprised to find that the artistic conception of the two pictures in Broken Chapters, Standing on the Bridge Overlooking and Moonlight Through the Window, is closely related to Feng Ci's "independent small bridges are full of wind sleeves, and the crescent people in Linping return to the rear". However, Bian is, after all, a modern poet, and his creative absorption and transformation have reached the point where no trace can be found. We can't simply judge that the out-of-context is a dilution of the modern spoken language of two poems in Feng Yansi's Dead Hua Lian, just as we can't simply think that Dai Wangshu's Rain Lane is a dilution of the modern spoken language of Jing Li's Lilac Empty Sadness in the Rain. Feng's poem "Die Lian Hua" has no deeper meaning. Break out the chapter and spread it into two artistic images. The characters, bridges, upstairs, scenery, bright moon and imaginary dreams in the painting are not only more colorful than the original two words, but also have profound philosophical thinking beyond the description of these scenes. The composition of natural scenery and characters creates a symbolic and suggestive realm. Every poem or image only plays a symbolic role in the whole organization, and even the topic of "out of chapter" itself has a seemingly broken and connected relative connotation. This deep thinking and pursuit is unique to modern poets. Secondly, Feng's poem "A Bridge with Full Sleeves, Crescent Moon Man Returning Home" still focuses on expressing feelings, leaving friends behind (at the time of Crescent Moon), which contains an unavoidable sadness, while Bian's "Broken Chapters" focuses on it, and the poet crystallizes feelings into poetic experiences. Although it is a lyric poem, poetry does not explain philosophical concepts, but "Broken Chapter" implies a great philosophy in a common picture. It contains the poet's philosophical proposition of thinking about the whole life of the universe, "A single bridge is full of sleeves, and the crescent moon people in Linping return to their hometown", which is exquisite and beautiful, but falls into a narrow personal emotional world and cannot be compared with the artistic conception and ideological realm taken out of context. Thirdly, because the poet "washed away" his personal feelings, he practiced the "impersonality" of poetry and enhanced the universality of poetry. As the author explained, due to impersonality, the word "you" in the poem can represent or be replaced by "I" or "he" (she), making it more intimate with the reader. Because the use of "you" makes readers have a certain appreciation distance, the poet jumps out of himself in the artistic realm, and the ideological realm of poetry itself has a greater openness, leaving readers with a broader imagination space. Once you understand the broken chapters, which imaginative reader will not put forward a "mirage of the soul" in his spiritual space?
Most poets regard Bian's Broken Chapters as a philosophical poem with profound implications. In fact, reading it as a romantic poem is full of poetry! Picturesque artistic conception, rich and meaningful feelings, endless drama flavor and unique theme are really unique in my heart.
This poem is written like this:
You stand on the bridge and watch the scenery. The scenery watcher is watching you upstairs. The bright moon decorated your window, and you decorated other people's dreams.
The last part of this poem depicts a picture of tourists looking at the scenery during the day. Although it is written about "seeing the scenery", the pen and ink do not splash on the description of the scenery, but inadvertently reveal the bridges, buildings, tourists, and the running water, cruise ships and shore willows that can be inferred from it ... It is like a faint ink painting, leaving the vague background to the readers to imagine, and the focus of the picture falls on the people watching the scenery on the bridge and upstairs, which is even more important.
The "you" who "stood on the bridge and watched the scenery" was obviously ecstatic in the face of the beautiful scenery in front of him. From the side comparison, it can be seen that he didn't notice that "the person watching the scenery is watching you upstairs". What is intriguing is that the upstairs man who came for "seeing the scenery" boarded the tall building, but what he saw in his eyes was not the scenery, but the "you" who stood on the bridge to see the scenery. Why don't people upstairs look at you and see the scenery? What deeply fascinated those eyes and touched that heart? This patient and patient "look" is really romantic, which makes the originally peaceful and pleasant picture suddenly rippling and swaying in Chun Qing, and conjures up many interesting dramatic scenes: "You" who is indifferent to the scenery must be a handsome young man who travels around the world, and the person who falls in love with others upstairs must be a lonely, lovesick and affectionate woman who is hard to find a bosom friend. The eyes of a sentimental, stupid, sad person who is ashamed to speak his mind? It's really "falling flowers are intentional, running water is ruthless", and how many such casual encounters, love at first sight, fleeting and unforgettable relationships are there on the journey of life! It is with these two short lines that the poet left a picture of Yongheng Zhang, which, like the spark of calcium carbide, evoked memories and reverie of the indescribable and indescribable scene.
In the first section of the poem, realistic brushwork and songs convey the deep affection of the people on the bridge for the hidden scenery, and the infinite kindness of the people upstairs to the people on the bridge, which constitutes a dramatic scene of "falling flowers intentionally, running water ruthlessly". But affection is always annoyed by ruthlessness. Ruthless scenery and people who are indifferent to the scenery on the bridge can repay those who are passionate and affectionate to themselves with the same kindness? Faced with this common scene in life, it often ends with helpless regret and endless melancholy memories. The poet gives us a wonderful answer full of fantasy and warm feelings with a unique romantic pen in his next poem.
Time moved to the moonlit night. The people on the bridge and upstairs returned to the rest place with their own satisfaction and deficiency. But who would have thought that in this silence, people's emotional investment during the day was unconsciously rewarded.
"The bright moon decorated your window", isn't this the warm return of natural scenery to people who are indifferent to the scenery on the bridge during the day? From the window of "You" decorated with "Bright Moon", we can see what beautiful moonlight scenery will show in the eyes of people on the bridge at the moment! Bridges, water, buildings, boats, willows ... everything outside the window is dissolved in this elegant, soft, misty and ethereal moonlight, which is so mysterious, so wonderful, so sweet and so comfortable compared with everything under the bright sun during the day. Facing the beautiful scenery under the moonlight, how can people believe that the natural scenery is indifferent and incomprehensible? How can we not arouse people's strong love for nature? If you love nature, nature will love you-this is the meaning of poetry!
Natural scenery returns the amorous feelings of people on the bridge in its unique way, and in what way should people on the bridge return the good intentions of people upstairs? The poem "You Decorate Others' Dreams" gives a fascinating answer to this question, thus giving a pleasant vent to the hopeless unrequited love of people upstairs in real life.
This "decorated" dream is undoubtedly a deep dissection of the mystery of the soul for its owner, which clearly shows how intense the secret love suppressed by various external factors is. And the person on that bridge can change from the person in his eyes to the person in his dream, isn't it because he is the right person? Although there is no direct confession of love in the poem, this rosy dream shows how warm and clear the love without confession is, and it is even more exciting to reflect on the "appearance" of the day. Isn't it more exciting to think about how much amorous feelings are wrapped in that bland "eyes"?
If we only use the composition of "thinking day and night, waking up every night" to express the wonder and charm of unrequited love, it would be too mediocre and conventional. The subtlety and novelty of the poem lies in that the owner of this dream is not only the protagonist of the dream, but also retired from the active position of this love contest, and the person on the bridge is no longer an unconscious lover. In his dream, he plays the role of the giver of love as a master. He is trying his best to "decorate" his dream, and he is also "decorating" his dream according to the wishes of the people upstairs. We don't need and can't describe this wonderful dream in detail, but we can say for sure that this "decorated" dream must be extremely sweet, extremely happy, extremely romantic and extremely beautiful. In a word, the fallen petal of the people upstairs finally got a warm and generous return from the flowing water of the people under the bridge, far exceeding the hope value. Here, the motto "Falling flowers are intentional, running water is ruthless" has been accompanied by thousands of years of life, always giving people regret and regret, and has also lost its truth.
But dreams are dreams after all and cannot replace reality; Decoration is just decoration, and there will always be an illusory face. The next day, the sun is shining brightly, and the people upstairs wake up from a deep dream. What kind of mood will it be to "freshen up and lean on the Wangjianglou"? But I believe that people upstairs who have fully enjoyed the sweet dream of "falling flowers are intentional and flowing water is affectionate" will definitely be freed from ordinary people's faint sadness and will devote themselves to a new life with better vision and deeper love.
[Edit this paragraph] Selected Poems
Broken chapter
You stand on the bridge and watch the scenery.
The landscape man is watching you upstairs.
The bright moon decorated your window,
You decorated other people's dreams.
Rain with me
"It has rained every day since you left."
"It has rained every day since you came."
I am happy to be responsible for the rain between friends in the two places.
There is no news from the third place. Send an umbrella?
My sorrow follows the grass;
Are the birds in their nests? Are people satisfied with the guest pillows?
Want to put a glass in the yard,
It rained several inches tonight in the Ming Dynasty.
fall asleep
Imagine that you have a minor illness.
(On an autumn afternoon)
Look at the glass window
Gray sky and sparse tree shadows.
Sleeping with people far away.
Old pillows left behind,
Thinking about what I can vaguely recognize on the pillow
Blurred lakes and mountains.
Like traces of an old master's dream.
It seems to be drifting away.
A faint trace of an old friend,
As if the past were written on faded white paper.
Just as the traces of history are under the lamp.
In the dim old book in front of the old man ...
Won't you get lost?
Smoke and water in the dream?
Lamp worm
The poor eat glitz,
The midge fell under the lamp,
Not content to be as light as water, but also drunk,
Leaving an exposed green body.
How many ships will be launched together,
The white sail fell in the wind and waves,
The heroes begged golden fleece,
Finally turned into Haihua's hair.
Praise, drunken fairy,
I had a dream in the light,
And drew a circle on the top of the Buddha.
Look at the bright window after the dream,
When I blew you up,
Like the wind sweeping the red footsteps.
ichthyolite
I want the shape of your arm,
I tend to dissolve in the waterline.
You really love me like a mirror,
You and I are far apart, but we have fish fossils.
Grass swaying in the wind on the wall
Post the sunset at five o'clock.
Hang half light at six o'clock.
I hope someone spends all their time.
Just dreaming. Look at the wall.
The swing grass has grown and turned yellow.
Dream of an ancient town
There are two kinds of voices in town.
The same loneliness:
During the day, it was Gong, a fortune teller.
Bangzi at night.
You can't break other people's dreams,
Dream like a dream.
Blind people walking in the street,
Step by step.
He knows which stone is lower,
Which stone is tall,
How old are the girls?
Broke other people's dreams,
Dream like a dream.
The night watchman is walking in the street,
Step by step.
He knows which stone is lower,
Which stone is tall,
Which door closes the most tightly?
"Listen, it's midnight.
The cat's father,
The child is so noisy that he can't sleep.
Always crying in my dreams,
Will you tell his fortune tomorrow? 」
It is late at night,
Another cold afternoon:
Knocking on the bridge,
The drummer crossed the bridge again,
The sound of running water under the bridge is constant.
[Dressing table (old meaning new)
The world has enriched my dressing table,
Now the fruit shop surrounds me with fruit,
Even if there is no exhaust gas,
Loss of appetite can you sleep?
The balance spring should be tied at the left shoulder angle.
Catkin, don't fall into my basin.
Mirror, mirror, you are disgusting,
Let me draw two eyebrows for you first.
But from the joy of every honeymoon.
I know about the roof, so do i.
Green leaves and a big tree-
Look at a bird with a beak on the branch!
Give that new robe a little charm.
"The meaning of decoration is to lose yourself."
Who wrote it to me? Forget it-
Damn it! "I'll finish. I'll finish you."
Bian: Seeing the scenery from life and death bridge.
You stand on the bridge and watch the scenery.
The landscape observer is watching you upstairs.
The bright moon decorated your window,
You decorated other people's dreams.
65438. On February 2, 2000, as his 90th birthday approached, another historical old man, Mr. Bian, died suddenly. Amid the noise of "Mao Ning scandal", this news stood quietly in a corner of the newspaper, as if Mr. Wang's calm and wise eyes were examining the "scenery" of people coming and going.
Perhaps among the new generation of young people, Bian is a completely strange name, and only students of Chinese Department will read his short lines in textbooks. But I always remember the ecstasy when I accidentally read his poems from Poetry Exploration when I was still a "literary youth".
Many years have passed. I have long forgotten my ecstasy, but when I heard Mr. Bian's servant say that those dreams and passions abandoned by reality came to my memory bit by bit. ...
Bian saw the scenery of heaven for the last time.
Dear Mr. Bian, please go.
Respectable character
Mourning poem
A wonderful poem.
Heat flow surges in the bottom of my heart
In memory of Mr. Bian Zhilin, this way, please.
Bian (191012.8—200012.2):
Born in Tangjia Town, Haimen, Jiangsu Province.
/kloc-When I was 0/4 years old, I bought a book of poems named Stars by Bing Xin for the first time and became interested in new poetry.
1929 graduated from Shanghai Pudong Middle School and was admitted to the English Department of Peking University.
1930 began to write poems, and since then he has published new poems and translated articles.
1933 published the first book of poetry, Grass; 1935 published Fish Collection; 1936 cooperated with Li Guangtian and He.
- Related articles
- A picture of a fortune teller who knows the law.
- Ask an expert to tell fortune! Did the computer answer ~ ~
- I dreamed of going to a fortune-telling place with my relatives.
- Fortune-telling is doomed to break up _ Fortune-telling is doomed to break up.
- Zhu Yuanzhang looking for a fortune teller _ which episode is Zhu Yuanzhang looking for a fortune teller?
- What are the signs of snakes blocking the road?
- Is the silent platform a scam?
- Fortune telling is reading _ Fortune telling is reading?
- Dreaming that you have a beard is a sign of hair.
- The fortune teller said I would get a divorce. The fortune teller said that I would get a divorce.