Which is better, a crosstalk performer or a fortune teller?

Which is better, a crosstalk performer or a fortune teller?

It is said that the two people who are talking cross talk cooperate with each other and tease Jiang Kun. Prior to this, their partners all took the old urchin's play route. In Mr. Li's time, especially such a clever and lively young man and a prudent old man, the program looked very interesting and stylish. This is not a case. Other partners should also have their own weight. For example, and Yu's general performances are more vivid than the teacher's applause. That is to say, God's reply can often light more jokes. Basically, dancers need to be able to hold the stage better in order to have a good sense of rhythm in the program and hit the sparkling diamond in a lot of words that make them laugh quickly.

On the other hand, Dai Zhicheng can't play this role at all. He can only blindly follow the rhythm of Jiang Kun, just like a big mouth with a small mouth beside it. How can this kind of performance, coupled with old network jokes and irregular program structure, be good?

If everyone likes such programs, then the problem is really big.

Come uninvited, let me talk about my views on this issue.

First of all, I want to say that there are rumors that Mr. Hou was having an affair with his wife, and then he was forced to divorce his ex-wife. If the rumor is true, then Dai Zhicheng can't talk about his character. He doesn't even have the most basic morality, let alone personality problems.

Secondly, Dai Zhicheng was originally a member of Tianjin Quyi Troupe, and Jian Zheng has always been a funny partner. There were some works in the past, but the quality was really flattering. So he and Jian Zheng dug a hole together to climb the tall branch and gave Jiang Kun a hand. In fact, this kind of thing is not uncommon, but his life is hard. After the death of Jiang Kun and his partner, Mr. Liang Zuo, Jiang Kun became the only genius in Jiang Lang, while Dai Zhicheng himself was limited in his studies. In the later period, he and Jiang Kun mainly talked about preaching and flattering cross talk. His old partner Jian Zheng became a ghost. He once cooperated with Wang Ping for a period of time, but after Wang Ping's death, his works were few and he was hurt by Dai Zhicheng.

Thirdly, in the middle and late period of Jiang Kun's partnership with Dai Zhicheng, Jiang Kun appeared in the eyes of ordinary people by criticizing the leadership of Degang Guo Party Music Association. Ordinary people don't like this kind of Jiang Kun, and Dai Zhicheng followed closely, making everyone hate it.

Fourthly, Dai Zhicheng relies on Jiang Kuncheng's fame and has no stand-up comic works. So what's the good evaluation of the cross talk circle or the word of mouth of ordinary people? This is completely normal.

When it comes to personality, the so-called "popularity" is at least there. After all, there should not be many crosstalk actors who perform traditional crosstalk jokes with their own personal practice. This spirit of "dedication" to art is not comparable to that of ordinary people, and it naturally has "fame"! But if you don't mention character, there is really nothing to say: nothing too brilliant to talk about; On ridicule, it's better to say ... besides, judging a person, can you really scrape off your character and then evaluate it? ! As a so-called mainstream actor, if his character is unreliable, what culture should he promote and what is the so-called educational significance! It's not that you are really tall and artistic, just because you can sing a few praises on the stage. So many pairs of eyes are staring at you. Not all of them have drunk fake wine, not all of them are stupid. There are many sober and smart people now, and they are not easy to be deceived.

Three people commented on Jiang Kun's works, Li Wenhua, Tang Jiezhong and Dai Zhicheng.

To tell the truth, Mr Li Wenhua made Jiang Kun. At that time, Li Wenhua's support was a great workload. Li Wenhua's popularity is good, and he has a good relationship with Taiwan, which has been recognized by the audience. Mr. Li Wenhua is standing beside Jiang Kun, which is a landscape painting with a strong atmosphere. It can be said that without Li Wenhua, there would be no later Jiang Kun.

After Li Wenhua fell ill, Tang Jiezhong worked for Jiang Kun, and Mr. Tang was also very skilled. However, compared with Li Wenhua, due to Li Wenhua's preconceptions, Mr. Tang never surpassed Li Wenhua, which also made the audience feel sorry.

Later, it was changed, and Dai's ability to measure workers was a little poor, and his traditional skills were not deep, which also ruined him. From then on, the two began to decline and almost became second-rate actors.

He mainly married Hou's ex-wife. There is a saying in China that a friend's wife can't be bullied, but they are two people who like each other but the world doesn't allow them. The reason why,,, is not popular is probably related to this. Some people say their works are up to standard but I don't think so. What he lacks is a good opportunity and a series of business operations. As a matter of fact, he is good at telling stories. I was.

Put aside character? When we talk about people, we can't talk about personality. The subtext is that we admit that the person being talked about is extremely poor in character, but we also want to praise some "advantages" of the person being talked about.

Ok, let's talk about Dai Zhicheng's cross talk skills without personality. Ask crosstalk lovers first. Do you remember Dai Zhicheng's works? Except that he is Jiang Kun's partner, do you remember his cross talk, even a word? My personal impression of him is that, just like an announcer, please brighten your tone and buzz for a long time, but the same excited tone and straight posture of recitation will not help the boring, formal, empty and boring content. Every time I struggle with my heart and endure the tense performances of him and Jiang Kun, I have a deeper understanding of their amateur performances. Not only he, but all the actors under the Music Association have a distinctive impassioned, affectionate and boring performance. The brand produced by Quxie has a unique style of "worrying about the world first, worrying about the joy of the world later", which makes the art that should make people laugh. After reading it, they will deeply blame themselves for their poor taste, and they will not realize the great charm of the cross talk of Quxie system, so they can only stay away from it and feel ashamed.

Any actor who can't accept the box office test of the audience can only hide in the comfort zone of the system to escape the cruel competition of survival of the fittest, but at the same time envy the growing reputation of survival of the fittest, and the road of performing arts with fans proves that he is a mediocrity.

The subject said that putting aside one's own personality is exactly what China people value most. Even if they can't do it well, they always ask others to do it well. Virtue and art are both fragrant, virtue comes before art, and virtue has nothing to say. Few people can make it clear.

Character can't be lost, and the last spell is culture and character.

Degang Guo raised the banner of crosstalk again, leaving Degang Guo and Deyun Society behind. Is there anyone left to listen to the cross talk? How many people still know crosstalk? The disappearance of some things is inevitable in the times, and some can be resurrected by someone. The past is the past, and people in the music industry are loud. Young people know that Degang Guo and Yu Qian, Deyun Society, and others, such as Shaanxi Qingqu Society, Beijing Hip-hop Baggage Shop, and Lu Xin Yu Hao of the legendary swordsman, are all weak in overall strength.

Of course, cross talk in today's society also has many unfavorable factors. Only by two people's languages, there are too many restrictive factors, and high-tech things can't be integrated!

I hope there will be crosstalk in a hundred years.

After Dai Zhicheng cooperated with Jiang Kun, his name was remembered by some audiences. He used to talk cross talk in Tianjin Quyi Troupe, and he was always tepid.

Dai Zhicheng, called Dai Xiao by the phonological circle, is the apprentice of Li Boxiang, a famous crosstalk performer in Jinmen, and he is the same generation as Jiang Kun in terms of seniority.

The biggest criticism caused by is that he robbed the wife of a famous performing artist. The singing pilot is very particular about qualifications. Theoretically speaking, Hou is a great-uncle, which means he took his aunt home. No matter whether they really love each other or for whatever reason, it's a bit against public order and good customs.

In recent years, Jiang Kun's crosstalk is not so good, let alone Dai Zhicheng's, so Dai Zhicheng's appearance opportunities are getting less and less, and it is gradually forgotten by the audience.

However, Dai Zhicheng also worked hard. In those years, he went to the Spring Festival party and left an impression on everyone. Acting is like being a man, and personality is like art. I hope that the comic dialogue circle will unite sincerely and carry forward this intangible cultural heritage!

Why should we set a premise of "regardless of personality"? Does Dai Zhicheng have a bad personality? Well, since the topic is unknown, I won't mention it here.

Unfortunately, Dai Zhicheng, who has been talking about cross talk for half his life, is really remembered by the audience who like or pay attention to the cross talk circle, and it is the "theory of character". If we put this aside, the remaining topic is "boiled eggs"-it's really boring.

Of course, there is a passage in Dai Zhicheng that is also talked about by the audio industry and the audience. That is, on 20 17, in CCTV's "China Literature and Art-A Tribute to Classics", Jiang Kun was praised as "really not a man, that is a god", and seeing Jiang Kun for the first time was like "seeing the emperor".

This flattery made Jiang Kun, who was sitting in the center of the stage, very happy. It was really useful and touched his heart. Obviously, Dai Zhicheng, who is honest on the surface, knows what Jiang Kun wants in his heart, and then develops to the extreme, and his fate changes accordingly.

After entering the world of phonology, Dai Zhicheng was actually lucky. He was carefully cultivated by masters in the field of horse, music, music and so on. When I was a child, I also performed cross talk with Liu Huan, the godfather of mainland music. Only later, Liu Huan was admitted to high school, and Dai Zhicheng failed, so he had to return to the stage of cross talk.

1986, Dai Zhicheng was successfully transferred from Tianjin Quyi Troupe to China Radio and Rap Troupe. At that time, the head was Jiang Kun, who was also the vice chairman of the Quxie. Then, it took seven years to become the champion of Jiang Kun. That year was 1993. Hou met his second wife and got married soon.

That year, Dai Zhicheng was 33 years old and Jiang Kun was 43 years old. Since then, a new cross talk actor's face appeared on the stage of CCTV Spring Festival Gala. Until 20 18, they collaborated on that piece of Dream in a New Tiger's Mouth.

In the past 26 years, no matter where Jiang Kun went, Dai Zhicheng was always with him. Just because Dai Zhicheng is the royal partner of the chairman of the Music Association, he has been tepid, but he has also won the honor of "a literary and art worker with both ability and political integrity".

Dai Zhicheng is ten years younger than Jiang Kun, but he is more conservative than Jiang Kun on the stage. Even at the beginning of the partnership, Dai Zhicheng, who was slightly mature in Typhoon, was dancing in chains when he was "measuring" Jiang Kun.

With the death of Liang Zuo, Jiang Kun, who was originally poor in creativity and busy with the so-called "government affairs", gradually lost its former glory, and its ability to bring forth new ideas was very weak, so it had to use the network materials that emerged instantly to win over young audiences.

When new and serious works piled up with online paragraphs and vocabulary appear on the stage, the old audience can't understand them and the new audience looks down upon them. As a champion, Dai Zhicheng can only stand on the stage, like an unfriendly and lifeless statue.

Before marrying his current wife, Yuan Yin, Dai Zhicheng had a seven-year marriage with Yang Lei, a "sketch sister". If it weren't for his marriage, Yang Lei, who has cooperated with Huang Hong, Guo Da, Shi Fukuan and Wei Jian in many sketches, could completely surpass Song Dandan and Cai Ming in the comedy circle.

Unfortunately, fate played a trick on people. In 2004, Yang Lei, who had just stepped off the stage of the Spring Festival Evening, received a divorce agreement from her husband Dai Zhicheng. At that time, Dai Zhicheng and Yuan Yin had already walked together, leaving only Steven Yang begging, and Dai Zhicheng had not made up his mind.

After the divorce, Yang Lei was depressed for ten years, especially living on sleeping pills in the first few months. She became dark and thin, completely different from the comedian who was active on the stage before.

20 14, Yang Lei, who finally came out of the haze of marriage change, admitted the terrible ten years in an interview with a TV series. Of course, at this time, her heart is equally indifferent and quiet.

There is a classic counterpart in the phonograph industry called "Give a Son to a Wife", the theme is "One is expensive and the other is cheap, and friendship is present; Life till death is friendship; If you wear a house, your wife will not avoid it. " Many crosstalk artists of the older generation have performed, and Degang Guo and Yu Qian have also performed many times. Very classic, very realistic-otherwise how to say "art comes from life".

After 2004, as long as Hou appeared on the stage, he disappeared. Although it was later explained that "the two had been stumbling for many years and the fate was over", Hou also argued that "his divorce had nothing to do with it".

By the way, Hou is my great-uncle, and the one who is not divorced is my aunt.

The role of comedians on the stage is not to "flatter" comedians, but to speak for the audience and balance powerful comedians. It can be said that the performer is the ballast stone on the stage. If a comedian loses his position in reality and on the stage, he will only follow the crowd and cooperate with the comedian with worship language and attitude, then the comedian will fail first.

I remember when Tang Jiezhong and Jiang Kun cooperated, Donald Duck was harmonious, solemn and generous in performance and form, which could well balance the agility and liveliness of Jiang Kun. Even in Li Wenhua, the role of ballast stones can still be reflected.

As I said before, Dai Zhicheng's biggest problem seems to be losing his position under the stage and on the stage. Moreover, from the body shape, language style, age and other aspects, Dai Zhicheng is too thin to bear on the stage, and it is difficult to form effective interaction between teasing. When green leaves can only be green leaves, flowers are not necessarily so bright.

The final result is that after the cooperation between Jiang Kun and Dai Zhicheng, there are basically no representative works to take.