The deaf are good at seeing, while the blind are good at listening. Never benefit from one source, but ten times as much as the teacher. What do you mean?

"The deaf are good at seeing, and the blind are good at listening. It is absolutely beneficial to a source, and it takes ten times as many teachers. " Wrong, the correct statement is "deaf people are good at listening, deaf people are good at seeing." It is absolutely beneficial to one source and needs ten times as many teachers. "It means that the blind are good at listening and the deaf are good at seeing. If you can cut off or help one of them (or eyes or ears), you will enhance your ability tenfold.

Source of works:

Yin Fujing from the Yellow Emperor, also known as Yin Fujing. Li Zhi can be divided into three ways: the way of God holding one, the way of enriching the country and ensuring the people, and the way of Qiang Bing winning. The book discusses health preservation in a metaphorical way, which fools don't pay attention to. It is irrelevant to say that Sun Tzu's Art of War is manipulative or that Su Qin's "Taigong Yin Fuzhi's plan" is manipulative.

Excerpt from the original:

"The blind are good at listening, and the deaf are good at seeing. Never benefit from one source, use ten times as many teachers; It takes ten thousand times to get back to day and night. The mind is born in things, dies in things, and the machine is in the eye. There is no grace in heaven, and grace is innate. Thunder and wind are stupid. "

Vernacular translation:

"The blind are good at listening, and the deaf are good at seeing. Therefore, if you can cut off or help one (or eye or ear), you will enhance your ability tenfold; If you can cut off your ears, eyes and mouth every day (don't listen, don't look and don't talk), you will enhance your ability by 10 thousand times. The heart is restless because of everything, and silent because of everything. The key is the eyes. (You know,) God does not give grace (silence), but (because) it can produce great grace; (Moreover) Thunderstorms (referring to foreign objects) will only make everything turbulent. "

The background of this book:

The legend of Yin Fu Jing was written by Xuanyuan Huangdi, but it is actually impossible. Some people say that it was written in the pre-Qin period, and Li Zhi, the first person to write comments on it, said that it was handed down by Kou and hidden in a famous mountain. These are legends, which modern scholars believe were written by people in the Northern Dynasties, and had nothing to do with Taoism at first. In fact, in the Tang Dynasty, Yin Fu Jing did not get the attention of mainstream Taoism. Although after Li Zhi, Zhang Guo also made a note that Liu Gongquan had a calligraphy work of Yin Fu Jing, it was not officially absorbed by Taoism until Du Guangting made a note of Yin Fu Jing in the late Tang Dynasty and the Five Dynasties, because it was not written by people in Taoism, so it took a process to be accepted by Taoism. However, the later Inner alchemy and Neo-Confucianism paid more attention to this classic, and even thought that this classic could be compared with Laozi, so the status of Yin Fu Classic was higher later.

Evaluation of past dynasties:

Annotators in past dynasties are: Taigong, Fan Li, Guiguzi, Sean, Zhuge Liang, Li Zhi and Zhu Xi.

Tang Li Zhi's Preface to the Yellow Emperor Yin Fu: "Li Zhi, a great Taoist priest in Shaoshi Mountain, is a good immortal, who often goes through famous mountains and learns Fang Shu. A Yin seal, a silk script and a red lacquer shaft were found in the rock wall of Hukou, Songshan Mountain, sealed with crimson seal. Yun Feng said, "On July 7th, the second year of Wei Zhenjun, Taoist Kouqian in Shangqing hid the famous mountain and spread it to everyone. "Its original erosion should be destroyed by hand ash. I copied it briefly. Although I memorized it in my mouth, I still couldn't understand its meaning. When I entered the Qin Dynasty, I met an old mother at the foot of Mount Li, with her hair upside down and her clothes propped up by the roadside. Seeing that the tree was on fire, he said to himself, "Fire is born in wood, and there is bound to be disaster." Sasakawa asked in shock, "This is the portrait of the Yellow Emperor Yin Fu. What is the mother's point of view? " Mother said, "I have received this charm." I would like to press the "Tai Yi Dun Jia Jing" cloud:' Sixty years old and one yuan as a son; Sanyuanhang is 180 years old and has three families for a week; Six weeks, 180 years old. "Where did you know when you were young?" Bye-bye, I have to. Mother smiled and said, "Young people's cheekbones and cheeks run through the birth door, and their lives are aligned with the angle of the moon. Their blood and brains are undiminished and their minds are not biased. They are good at Buddhism, brave and happy, and they are my disciples. But in 56 years, there should be great progress. " Because of Dan's calligraphy symbol, the crown-end staff stabbed him, making him kneel down and swallow it, saying, "Heaven and earth protect each other." But sitting under the tree, he said, the underworld is metaphysical. After all, the exhortation said, "The Yellow Emperor Yin Fu spoke 300 words, preached 100 words, forbeared 100 words and acted 100 words. Take part in the third, confuse them, the wise are wise and foolish, and measure their points for reference. The fairy has a way to embrace one, the rich country and the people have a way, and Qiang Bing has a way to overcome it. Sages learn their ways, sages learn their methods, wise men learn their skills, and villains learn their methods. Different knowledge points are different. They all come from the inside, and they all come from the outside. If the sea faces a hundred valleys, it will contain everything. Its machine, including the universe, including September 1, is not big enough; Its machine, hidden dust, mustard seed, is not small. Looking at its exquisiteness, Huang Ting has eight sights, which is not enough for learning; Investigate its essence, lack of history; It is not surprising that Sun Wu and Bai Han are clever. It is based on the nature of animals and plants, the number of success or failure, and the principle of life and death. It is nothing more than a machine, a secret book of the Yellow Emperor. Those who are greedy, crazy, insane and crazy are not allowed to smell it. You preach the same thing, you must fast for three days, and you will not choose to be inferior to a teenager. However, if you have a teacher, you should not pay attention to wealth and poverty, otherwise it will be the 20th century.

"River Map" and "Luo Shu" said:' The Yellow Emperor said: The God of Heaven granted me 36,720 years, and the Lord was one year old. If so, the company's life needs statistics, which will be counted as a discipline. Do it and die; If you have merit, you can count on your life, and you can count on discipline. If you have discipline, you will live forever. "Every year on July 7th, write a volume, hidden between famous mountains and rocks, is one thousand two hundred. Reciting it seven times in this life makes people more intelligent, more beneficial, more evil, more disasters, three corpses and nine insects. Therefore, the golden chamber hidden by the sage is not a rumor. " After finishing my mother tongue, one day has passed. He said, "I have wheat and rice. I eat each other." Because there was a jar in my sleeve, I ordered a bucket to fetch water. When you fill the valley with water, it suddenly becomes heavy, but it can weigh as much as 100 kilograms. If you can't control it, you will fall into spring. You can't find it, but you've been here for a long time, and you've lost your mother's position, leaving only one liter of wheat and rice. I won't see you again until evening. After eating wheat rice, I gradually feel less hungry, so that I can eat for several days, and I can count a meal every day, which will double my physical strength. Sasakawa annotated Yin Fu, but according to Lishan's mother, there is no self-ability. Later, they became friends. They respected the secret and passed it on without error. "

Preface to Chen Chang's Book of the House of Interpretation of Yin: "... ancestor of the Yellow Emperor, Taoist. If you want to spread Feng Zhen widely, get more than 300 words from Xuan Nv, and you will get more than 100 words. It is a comprehensive opportunity, with unified strength and wonderful spirit. Hidden but not exposed, simple and profound, belongs to the complacent. "

Song Ren Zhao's Preface to the Yellow Emperor's Yin Fu Classic: "Dark, harmonious. Therefore, heaven is obvious in Dali, and humanity is wonderful, but I just don't know it. It is based on the revision of Yin Fujing by the Yellow Emperor, which coincides with Dali's humanities, so it is called Yin Fuyan. "

Song and Yuan Dynasties' Preface to the Collection of Yin Fu Classics of the Yellow Emperor says: "The Yellow Emperor is in a trance, thinking of ghosts, and when he distinguishes between heaven and man, he plays a wonderful role in yin and yang. As the saying goes,' the cultivation of knowledge is called a saint'. So the Yellow Emperor can ascend to heaven and believe in its light. Huangdi expounded great virtue and served the world, fearing that he would not understand practice in the future, but he collected more than 300 words and revealed the real source to the world. "

Zhang Song Duan Bo's Five True Stories: "There are more than 300 words in Yin, but the moral spirit is only 5,000."

About the author:

The author of Yin Fu Jing has always had different views. * * * There are four opinions:

The first view is that it was written by the Yellow Emperor, with notes by Yi Yin, Taigong, Fan Li and Guiguzi.

The second view is that it was written by Kou in the Northern Wei Dynasty. According to Du Guangting's Biography of Immortal Experience, this book is called "the famous mountain hidden by Kou, a Taoist priest in Shangqing". ?

The third view is that it was written by Li Quan in the middle Tang Dynasty, and Huang Tingjian and Zhu held this view in the Song Dynasty.

The fourth view is that it was written by a person who was "deeper than pottery" in the Southern and Northern Dynasties.