Listen to the fortune-telling of the master.

Fu Baoshi (1904- 1965) Fu Baoshi, formerly known as Changsheng, is the owner of Baoshizhai Rui Lin. Born in Nanchang, Jiangxi Province, his ancestral home is Xinyu, Jiangxi Province, and he is a famous modern painter in China. Fu Baoshi studied in Japan in his early years and taught at Central University after returning home. 1949, Professor of Nanjing Normal University, Dean of Jiangsu Traditional Chinese Painting Institute. He is good at painting mountains and rivers, creating "bouldering hills" in middle age, and he is free to use his pen, especially for the scenery of spring waterfalls, rain and fog; In his later years, he made great efforts to govern, full of vigor and a strong sense of the times. Figure paintings are mostly ladies and gentlemen with lofty images. He is the author of China Ancient Painting Research and China Painting Changes Outline.

Mr. Fu Baoshi is a profound scholar, who has written more than two million words in his life, covering all aspects of culture. He kept pace with classical literature and art. 1925, and Fu Baoshi, a 22-year-old student, finished his first book, The Origin and Development of Chinese Painting. 1929, in order to write teaching materials, Fu Baoshi completed the book "History of Painting Changes in China". In his main works, Fu Baoshi put forward the idea of "studying the three elements of China's painting-individuality, individuality and genius", and also put forward the viewpoints of "improving the value of China's painting" and "enhancing the motivation and belief of China's painting's contribution to the world", which reflected his unique thinking on China's art.

Fu Baoshi's Artistic Features

Mr. Fu Baoshi insisted on sketching for a long time, observing the true mountains and waters, with profound painting meaning and novel composition. He made good use of thick ink, rendering and other techniques to integrate water, ink and color, and achieved vigorous and magnificent results. It is unique on the basis of traditional techniques and plays a connecting role in the landscape painting after liberation. His figure paintings are vigorous, elegant and vivid.

Fu Baoshi advocated innovation in art, and his artistic creation achieved the greatest success in landscape painting. Fu Baoshi's landscape paintings have broken the traditional pattern in layout, often sticking peaks on the paper, showing the magnificent and steep landscape of the world and mountains, as well as the soul-stirring sorrow. He unified lines, ridges and points into a plane and a body with strong rendering techniques, and the appearance was seamless, which transformed and broke through the common fault of trivial piling of traditional landscapes in China.

During my stay in Japan, I studied Japanese painting, and while inheriting the tradition, I integrated Japanese painting techniques. Inspired by the majestic scenery in Sichuan, I made artistic changes and created a unique method-bouldering group. His figure paintings are greatly influenced by Gu Kaizhi and Chen Hongshou, but they can be transformed and used in a unique way. Most of the characters in his works are drawn from ancient literary masterpieces, washed and practiced with pens, and pay attention to charm, which has achieved superb results. Characters seek God in form and deliberately express their inner temperament. Although confused and rough, but reserved and quiet. Mr. Fu Baoshi's figure painting lines are extremely concise, emphasizing the changes of speed, pressure and area in the outline, which is different from the traditional painting method of following the music score. He also integrated the techniques of landscape painting into his figure painting, which changed the style of figure painting since the Qing Dynasty and showed his unique personality.

Fu Baoshi's artistic achievements.

The 20th century is the most dramatic historical era in the history of China, which is not only reflected in the major changes in the political system, but also experienced unprecedented changes in the cultural field, and a large number of far-reaching cultural masters were born. Among them, in the field of painting, especially in the field of Chinese painting, it is colorful and famous. As one of the most outstanding representatives of China's painting innovation in the 20th century, Fu Baoshi's painting thought and style gradually matured as early as the 1920s and 1930s, and entered the peak of painting creation in the 1940s, and his vigorous creation continued until his death in the 1960s. After the founding of the People's Republic of China, Jiangsu painting school can become one of the central areas of Chinese painting, and Jiangsu painting school can rise in groups, and Fu Baoshi has played a very key role. Fu Baoshi, as an important figure in the development and innovation of Jiangsu Chinese painting, as the leader and soul of "Jiangsu Painting School" (New Jinling Painting School), has had a far-reaching influence in the field of Chinese painting, especially landscape painting.

Fu Baoshi is a representative figure of the modernization transformation of China traditional art in the 20th century, a famous master of Chinese painting at home and abroad, and a representative painter of "New Landscape Painting". Fu Baoshi and Qi Baishi were once called "Two Stones in the North and South" by Guo Moruo, which shows their artistic status at that time. Fu Baoshi's painting themes mainly come from five aspects: nature, poetic scene, history, copying the ancients, imagination and feelings. His paintings inherited China's traditional style of "freehand brushwork", which was hearty and paid equal attention to poetry and thought. At the same time, Fu Baoshi advocated the innovation of Fu Baoshi's "Simple Music" in art, and his artistic creation achieved the greatest success in landscape painting.

In the history of modern art in China, Fu Baoshi is a unique member. Tired of sticking to the rules, he reformed Chinese painting internally. From his painting style, we can see that his painting style, charm and style are classical, but his brushwork and momentum are novel, while his painting style and personality are unique and free. This extraordinary Chinese painting, like spring thunder, once shocked the whole China painting world.

Fu Baoshi's masterpiece

Landscape painting: There are so many scenery in the mountains. Taihua Xiling Gorge travels in the mountains, stops in the mountains, visits friends in autumn, and visits friends in the wind and rain. Take a piano tour to the hidden forest, mountain, mountain, mountain, summer mountain, hiking in snow, night rain, a thousand miles off the river, mountain, mountain, Baiyue Huangshan Mountain, two people watching waterfalls, 1953, listening to the spring map, Furong country, morning, frosty night Lanting map 1943, Wang

Figure painting: win or lose at present, laugh at broken pictures, spring outing, ladies' pictures, two are Lu Mei Lock, Zhang Tai, portrait, autumn wind in Dongting, fisherman's father's picture, Qu Yuan's picture, nine old pictures, volume 1957, nine old pictures, axis 1952, seven sages of bamboo forest, axis/kl.