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Cultural Interpretation of Yangju: the Role of Yangju

Yang Opera is mainly popular in parts of central Jiangsu, northern Jiangsu, southern Jiangsu, Shanghai and Anhui. It belongs to local operas with complete roles, such as liveliness, purity and ugliness. The division and function of each category are also very obvious. Next, let's go to Yangju Culture to learn about its role business.

In the period when ancient paintings and incense dramas were in parallel, ancient paintings and ugliness dominated, while incense dramas were reborn. Ugliness has always occupied a dominant position in ancient Chinese opera. At that time, most ancient paintings and operas were staged in the square. At the opening ceremony, Xiao Dan was led by the ugly guy and ran onto the stage to attract the audience. In the play, he constantly quarreled with the ugly guy.

During the Weiyang Opera period, there were still "three small" characteristics. We learned the role branches, martial arts skills, costumes, facial makeup and so on from Beijing Opera. At this point, the performing art system of Yangju opera has basically taken shape, with ugliness, Dan and life as the main industries in life, Dan, Jing and Ugliness.

1, the ugly expression art is colorful and outstanding, including ugly expression and ugly expression; There are Wu Chou who is mainly dynamic, and Wen Chou who is mainly static. Wen Chou is very handsome, while Wu Chou plays a role with high martial arts, agility, alertness and humorous language, focusing on jumping, vigorous movements, clear pronunciation and mellow voice, and singing while doing.

Ugly people with different identities also have their own characteristics in performing actions. They not only inherited and developed Zhong Dan's performing arts tradition in ancient paintings and operas, but also absorbed the characteristics of Yangzhou Capella. For example, The Story of Red Rock, Wang Yueying Watching Lights, Grandma Joe Scolding Cats, etc. They are all dramas with few characters and few movements, and they are all based on long singing.

Dan: Xiao Dan, Zheng Dan, Cai Dan, Lao Dan and Wu Dan.

The innocent and lively Zeng girl in Fortune-telling, the lady in the boudoir in Chen Ying Selling Water, and the witty and strong Ju Xiang in Life and Hate Story are all young women's roles. The voices of these characters are gentle and moving, graceful and dexterous, and some of them are dedicated to their work.

Zheng Dan plays a good wife, a good mother, a virtuous woman, a noble lady and so on. Middle-aged women are simple and delicate, such as Wang Baochuan in The Legend of Red Rock and The Broken Bridge White Snake.

Cai Dan is divided into two branches. One is to play a funny or treacherous woman, which is also an ugly behavior. Make-up and performance require exaggeration, heavy makeup and bright makeup, as well as abnormal behaviors, such as Wang Po killing his sister-in-law. The other is an outspoken, kind and cheerful woman. For example, Wang in "San Sou Dian" is quick-talking, pretending to be handsome, emphasizing reading white characters, expressing her character in Yangzhou dialect through crisp white characters, and singing less.