How to take photos of daily life?

All natural things are beautiful, without deliberate manipulation. Daily life photos can really reflect a story, but of course they contain technology, which is as necessary as posing people. The difference lies in the different technologies needed, from the aspects of production, organization, time arrangement, response and so on. These are all understated in the picture, and the result seems to be nothing deliberately complicated. The characters in the picture just appeared in this position, showing some expressions and making some gestures, and the camera just took a picture. This may be the case. In other words, the photographer can easily set the dynamic relationship in the scene, and then retreat behind the scenes and observe it from one angle, which can more or less increase the naturalness of the picture. The key to all this is to have full confidence in your ability to compose music quickly and concentrate, which can be improved through practice. Quickly estimate the general environment according to the lighting and background, from now on. How long can they last like this? Is it suitable? If not, consider moving, especially when your subject is going to move around. Check the camera settings: sensitivity, white balance, shutter speed and aperture. In a small engineering workshop in Athens, I waited until the welders finished their work. They looked up at me and one of them grinned. This is a good time to shoot, don't hesitate. The simple and direct style of this portrait of a monk in trapp is just similar to the environment of the Belgian Orval Monastery, which is famous for its beer. Father Luther, who is in charge of beer brewing, stood quietly in the corridor of a Millennium building. Harvest In the Rose Valley near Kazanruk, Bulgaria, ninth-grade students in a nearby school are harvesting the most expensive roses in the world. These are Damascus roses, which are used to determine the standard of rose oil in perfume industry. One of the girls stopped what she was doing and chatted with one of her friends. In reporting photography, the street is a broad stage for human activities. As we all know, street shooting is one of the standard working procedures. With the least equipment-a backpack, a camera, one or two lenses (or a zoom lens)-explore on foot and shoot people in sidewalks, open-air coffee bars, supermarkets, parks and other places. Without planning in advance, we can only rely on our own observation and prediction and luck to find interesting pictures from the ordinary environment. This is city life, the same, even if the characters are different. There are three points to emphasize-don't force others, find the potential picture in advance, and then shoot quickly-these technologies are designed for snapshots, and you can also use them to take free-style portrait photos. To make a change, you can even pose for a portrait, or let your subject walk around, buy something, have a cup of coffee, or do something natural. Don't force and attract the subject's attention, that is, the characters in the picture don't see the camera and don't interact with themselves. This is an easy goal to achieve. Don't bring too much conspicuous equipment, wear a low profile, don't stand in the middle of the road, and go straight. When you find a good subject, you should always pay attention to the potential picture and be familiar with the focal length method used in different shooting scenes. A shopper in Nice Morning Market is talking and laughing with a stall owner outside the photo. The lens is on the elevated sidewalk, and I am looking for the interactive moment when chatting with this kind of medium focal length lens. Three Peruvian children in Cuzco walked to the side of the road, ready to cross the road. Observe them carefully. When they take these steps, I have a few seconds to prepare. The morning coffee is in the town of Aix in Provence, and the tables in the surrounding cafes are filled with this ancient square. The purpose of shooting is to take a panoramic view, so I used a wide-angle lens (20mm). The man's lifelike movements and his friend who leaned back and looked at the sky constituted this moment. Focal length and distance Familiarity with the combination of focal length and distance enables you to master the basic composition techniques from full body to close-up. This will speed up your choice of focal length and make it easy for you to lift the camera and take pictures. One last tip, always have a quick response. Of course, this is when the auto focus, auto exposure, matrix metering (or multi-mode metering), automatic white balance and other settings in the camera are ready.