Interpreting Dao Lang Pearl sentence by sentence

Before we understand Dao Lang's song Pearl, we should understand the novel story of the same name in Strange Tales from a Lonely Studio and the origin of Chu. Especially to understand Chu, otherwise the understanding of Pearl will be abrupt.

Young master lives in an underground city and is not afraid of suffocation. He cried in his mother's stomach, which occupied the road to the temple-this section represented the natural advantage of the powerful.

Every winter night, he was drunk on the side of the road, dreaming of his younger sister who died young, always as vivid as a lamp in Hong Ying. I am the only proof of your lost life-this passage shows that people can't forget their roots after their fate changes. Some people may have crossed the class through struggle or accident, but they should always know who they are.

I'm going to ask the roadside fortune teller to teach her another kind of divination with the existing elegy when she comes. Walking on the road, I want to tell my lover who dreamed with her yesterday that all the mountains and rivers he kissed are awake-this passage expresses that every class has good people and bad people, and we can't label a certain class.

Don't look for yourself in the sequence of ancestors, and don't beg for your body time with your life. Time has been extending in the border, freezing all eyes in the city without doors, fog and cold kiln-this passage expresses the principle of not living in the glory of the past, but also keeping yourself awake in the prosperity of a mirage.

I'm going to see the temple where the abandoned home collapsed. Who hid the cards in the altar and made thousands of lives? I'm going to see how many old dogs they abandoned in those days to pay homage to the three sacrifices. In this flashy world, the author pinned his memory on the martyrs to remind himself to remember them.

I want to ask him how many disasters he has experienced and when he will come back. I want to ask him who is arranging the fate of meeting mountains and rivers for her. Seeing that someone tore up the preface and couldn't accept this out-of-control day, there were many lies-this period rose from the personal level to the social level, various social orders were disrupted, history was forgotten, and many phenomena were re-established.

The use of jailers and prisoners made my burning and aggressive eyes tired. I want to hug you, Emperor Dongyue, my God, Mount Tai. You gave me a proud and eternal shining halo-this period is eager for a just and powerful leader or opinion leader, lift the hammer of justice and set things right.

His eyes are my children's eyes and his hands are my children's hands. We used to be a group of real people. Please understand my life with a bright smile. In society, everyone should live truly, instead of drifting with the tide because of abnormal needs, which depends on the revision of previous social forms.

The ancient lineage enshrined in the ancestral temple will not be integrated with the glory of the palace. All souls who have lost their tenderness will meet at midnight in the dark. This section hopes on the social and national levels, and the carriage of history will eventually crush the ghosts under the historical ship.

The whole lyric is a progressive emotional expression, which is described one by one from different angles, such as personal destiny, social order, historical oblivion, and then to national musical instruments. The core idea of the final combination is that no matter how small an individual is or how big a social country is, there should be principles. As a person, we should stick to the bottom line. As a society or a country, we need people who are sure of the border to maintain order.