Fortune Telling Collection - Comprehensive fortune-telling - Classic Quotations in Memoirs of a Geisha
Classic Quotations in Memoirs of a Geisha
Memoirs of a Geisha Nita: A story like mine has never been told. Because my world is forbidden and fragile; Without its mystery, it can't survive.
Memoirs of a geisha: A story like mine should not be told to others. Because the taboo of my world is as deep as its fragility, without mystery, it will cease to exist.
2. True Ear: Water is powerful. It can wash away soil, put out fire and even destroy iron.
Zhen Yumei: The water is very powerful. It can wash away soil, put out fires and even destroy gold.
Zhensui: Remember, Chiyo, geisha are not prostitutes. We are not wives. We sell technology, not body. We created another secret world, a place full of beauty. The word "geisha" means artist, and as a geisha, it should be regarded as a moving work of art.
Remember, Chiyoko. Geisha are not mistresses of powerful people, nor will they be their companions. We sell technology, not body. We have built a secret world, a world with only beauty. Geisha means artist. To be a geisha is to make people regard us as an active work of art. ..
At that moment, I became a girl, felt infinite emptiness, and began to miss someone intentionally. I knew that being a geisha also had expectations, that is, the world in his heart.
At that moment, I changed from a girl facing emptiness to a person with goals. I turned it into a Gaisha, who could stay and think about something else-a place in his world.
At that time, I felt that the whole world had changed, but it was not just my determination that changed. I secretly promised that I would lock my heart forever and leave everything to him, as well as his photos.
At that moment, I felt that the whole world had changed, but I didn't have my own determination. I made a secret promise that with his photo, I would lock my heart and save it for him.
6. Value for money can make life more exciting …
7. When the heart dies, it is a slow death, with every hope, until one day there is nothing, no hope, nothing. She wears makeup to hide herself, and there is still a lot of water in her eyes, which is not what geisha want, and geisha can't feel this way. Geisha is an artist in the flashy world. She dances and sings and makes you happy, including everything you need.
My heart died, slowly dying, bringing every life-like hope, until one day there was nothing, no hope, nothing. She painted her face to hide her face. Her eyes were a deep water, which was not what Gaisha wanted, which was not what Gaisha felt. Gaisha was an artist who despised the world. She danced, sang and entertained you. Whatever you wanted, they were all secrets.
8. No geisha can expect more …
No Gesha can expect more ...
9. You can't say more sunshine to the sun and less rain to the rain. For men, geisha are at most half wives, just like their wives. Of course, you should learn to be kind. After experiencing a lot of sad things, you will know that a little girl has courage that she doesn't know and finds that her prayer has finally come true. This can be called happiness. In a word, this is not the memory of a king or a queen, but the memory of another life.
You can't tell the sun to bask more, or tell the rain to rain less. For a man, a geisha can only be regarded as half a wife, and real wives have served her all night. However, after experiencing so much unkindness, she has learned kindness and understood that a little girl who is more courageous than she knows will find that her prayers are looking for it. Can this be called happiness? After all, this is not the memory of an empire, not the memory of a queen, but another memory.
The story of Memoirs of a Geisha: A poor family had to sell two daughters to make a living. One of them became a prostitute and the other was adopted by a geisha school. It tells the bitter story of her from humble to successful.
This is a question of national culture, and there are many things that we can't understand.
Chiyoko was born in a poor family in a small Japanese fishing village. She and her sister Zuo Jin spent a happy childhood in poverty. However, Chiyoko inherited her mother's unique eyes-translucent gray eyes. This is an eye color that can never be seen in Japan, so it is doomed that she is different, but it is this pair of beautiful and unique glasses that laid an important foundation for Chiyoko's future success. However, when Chiyoko was young, she didn't understand this. She just naively thought that someone had dug a hole in her eye and sucked up all the ink in it, so she was a little unhappy. However, a fortune teller said that Chiyoko's eyes were so pale because he brought too much water, which led to the lack of fire and soil in other Jin Mu. This kind of facial features looks very uncoordinated. But in fact, this not only can't affect Chiyoko's beauty, but adds a kind of difference to her beauty.
When Chiyoko was nine years old, her family was too poor to survive. Her father reluctantly sold her and her sister to a businessman, Tanaka. In this way, Chiyoko followed her sister out of the small fishing village with all her childhood memories. On the way, Chiyoko saw the beautiful scene of the so-called small town: in the tea room, men gathered together to chat and tell stories, watching women pour wine gracefully, intoxicated by their beautiful songs. Finally, almost everyone is happy to know what day it is today. These have left a deep impression on thousands of generations.
Chiyoko and Zuo Jin, who came to this city, were quickly resold by Tanaka to the garden where the wind flower industry was concentrated. They were sent to Xintian Pavilion, the most famous geisha pavilion in Gion. While waiting for the buyer to choose, Chiyoko saw a peerless beauty. She wore a kimono that Chiyoko had never seen before, elegant and noble; But what surprised Chiyoko most was not the clothes, but her face, white and smooth as if it were transparent; Her hair is as bright as black paint, decorated with amber carved hair accessories, noble and elegant; There is also a bun with a thin silver thread inserted at the end behind the hair, which shines with the woman's movements. This beautiful woman is the most popular Miss Hatsumomo (Gong Li) in Xintian. Chiyoko looked at her dumbfounded, and she smiled at Chiyoko, but that smile had another meaning. Hatsumomo asked the people next to her to drive Chiyoko away, saying that Chiyoko was "garbage", and then walked away with the standard little steps of a geisha.
The buyer of the house took a fancy to Chiyoko's unique vision and bought her. She wanted to turn her into a geisha, but her sister Zuo Jin refused.
Like all the new geisha students, Chiyoko started doing some cleaning work in the house, preparing to learn various skills to become a geisha. Perhaps because of Chiyoko's unique eyes, Hatsumomo expressed great disgust for her. She often satirizes her as "the stink of girls in fishing villages", and from time to time she finds excuses to slap Chiyoko in the face and make trouble for her everywhere.
A month later, Chiyoko entered the geisha school, put on a blue and white cotton student uniform, learned to sing, and watched the first horse make up. Hatsumomo even used this opportunity to humiliate Chiyoko. When she took off her makeup, she said, "I know what you are thinking. You're thinking that you'll never be as beautiful as me. Yes, this is completely correct. "
Xintianwu is almost supported by Hatsumomo alone. When buying a house, everyone does his job. Hatsumomo is the economic pillar, Mommy is in charge of daily affairs, and Grandma is the most powerful person. She chooses the right geisha apprentice and is in charge of the financial power of buying a house, so she is the head of the family. Hatsumomo has a boyfriend who is a chef. They meet once a week. Geisha is very troublesome to associate with men with low status. First of all, geisha can't get income from it, but they may have to pay back the money. Second, guests who are either rich or expensive may feel belittled and empathize. One night, Hatsumomo unexpectedly brought her chef boyfriend home and a kimono. That gorgeous kimono belongs to Shi Sui (Yang Ziqiong), a geisha. In the geisha world, Hatsumomo and Shiksui are a pair of top experts who are evenly matched. Chu Tao called Shi Sui "Miss Perfect", but in fact she hated this versatile opponent very much. Chu Tao packed up the ink and inkstone, stuffed the brush full of ink into Chiyoko's hand, held her hand and moved to the beautiful kimono of Sushui, saying, "Daizi, Hanazono Sakura, practice your calligraphy!" Kimono was thus destroyed, and Hatsumomo forced Chiyoko to return it. Chiyoko first met Chu Tao's adversary, her later benefactor and "sister"-Shi Sui. She has a perfect oval face, just like a doll, smooth and delicate even without makeup, just like a piece of China porcelain. The next day, under Suksui's visit and Hatsumomo's provocation, Chiyoko was served by rattan and almost lost his qualification as a geisha apprentice. At this moment, Hatsumomo came and leaned over Chiyoko's ear and told her sister's whereabouts.
Finally, on a thunderstorm night, Chiyoko found her sister who had become a prostitute in the teahouse and made an appointment to escape together. When I came back to buy a house, I happened to meet Chu Tao and her boyfriend. Hatsumomo put a handful of paper money into Chiyoko's belt and let her run away with her sister. Chiyoko's indifference forced Hatsumomo to do something malicious: falsely accuse Chiyoko of stealing jewelry for sale, and her mother knew Hatsumomo's trick and slapped her in the face. Chiyoko felt that she had no place to stay in the house. After the attempted escape, Chiyoko changed from a geisha apprentice to a servant, and Hatsumomo also lost her boyfriend.
On one occasion, 12-year-old Chiyoko sent something to Chuma to a geisha school and was laughed at by geisha. While crying on the roadside, she met the most important person in her life, a man (Ken Watanabe) with a Buddha-like face. The man called President looked at Chiyoko calmly, made her stand up after falling, took out a handkerchief from her pocket, wiped the sand and tears from her face, and spoke kindly. Look at her the way a musician looks at his instrument. She felt as if she had been seen through and became a part of him. She was deeply moved by this noble man, and at this brief moment of meeting, Chiyoko's future fate also took a turning point. ...
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