Fortune Telling Collection - Comprehensive fortune-telling - What are the meanings and implications of "A Dream of Red Mansions", "Flowers Cry" and "Wan Yan shares the same sorrow" in A Dream of Red Mansions?
What are the meanings and implications of "A Dream of Red Mansions", "Flowers Cry" and "Wan Yan shares the same sorrow" in A Dream of Red Mansions?
In ancient times, red represented "daughter", that is, female; The building is a boudoir mansion;
The red chamber refers to a woman who lives in a boudoir, especially the wife of an official family.
When Hong Qian cried, Wan Yan had the same sadness:
There is no idle pen in the book A Dream of Red Mansions. Even ordinary fragrant tea has a meaning. Waiters in Shen Ying visited Dreamland and tasted two kinds of tea. One said "Thousand Red Holes" and the other said "Wan Yan drinks together". The second tea name has pointed out the ending of a bunch of daughters-
Jia Tanchun can be regarded as one of the four women in Jiamen, but she was born in the last days and only ended up "sailing through three thousand storms and throwing her flesh and blood home together". Tanchun is an ordinary woman, but she has outstanding talent. Even Xifeng had bad feelings for her, which made Baochai regard her as a "political enemy" and finally persecuted her to the point of "weakness". Tanchun "Min", she saw at a glance that the internal relationship of "big family" was just "like black eyes, I wish you ate me and I ate you!" She tried to get rid of bad habits, but her identity was the biggest obstacle. In order to get rid of this, she attaches great importance to "master and slave". My mother was originally a person who couldn't be trampled on, and she didn't take care of Tanchun, so she had to become a "thorny rose, prick her hand". Anyone who raises his hand to humiliate her will lose face. Wang Shanbao raised her hand and gave her a slap in the face for her frivolous behavior. Pinger harbored Wang Feng, and she hit the nail on the head. Advocating reform, but lonely and weak, how can she compete with the arrogant Wang family? She can only say bitterly, "Do you have to commit suicide from home to be defeated?" Then I went on the road of no return.
Jia Yuanchun, who only chose Fengzao Palace, brought the Jia family the splendor of "adding fuel to the fire" and "letting a hundred flowers blossom", but he lived in seclusion in the palace. When she returned to the province, she openly poured out her pain: "Tian She House, despite the salt and cloth, can finally get together in an unhappy way. Now it is extremely rich, and all flesh and blood parties are not interested. " Finally, when he was only twenty years old, he died in that "shady place". On the surface, she looks elegant, but in fact she is a lonely and beautiful woman, even more lonely than Daiyu. When she visited her biological parents, she heard "Mandarin" instead of words. In all the comments, Yuan Chun is a feudal moral guardian, and she did it herself, which is also a key point to destroy the former alliance of Mu. Her roots are in her environment, but she was forced to leave.
Yingchun is a coward, nicknamed "Ermu", and even stabbed the needle. I don't know, but I stole her things blatantly. She took the tired Phoenix as a financial note, but she didn't ask, and quietly watched Induction on the Top. I don't know if the resistance made her "golden flower and willow quality, and she went to Huangshen for a long time." She is a victim of the living feudal rulers, but her own weakness is the most pathetic.
The name of cherishing spring means "regret". She saw that it was Jia's fault that the spring scenery didn't last long, so she retired, put on makeup in previous years, and went to "not listening to Ling Ge's Buddhist scriptures" and "lying alone next to the ancient Buddha of Qingdeng". She used to be an innocent girl and eventually became a nun. The reason why she converted to Buddhism was sour blood.
Li Wan and Cao Xueqin, as representatives, describe her in a few strokes, but they are very vivid. He is a widowed young man, but his heart is like a stake. The feudal high-level officials praised her several times and set an example for many women in the Grand View Garden. Li Wan just does needlework with her sisters or writes a poem or two every day. Seemingly carefree, but deep down? She is willing to sacrifice her life for feudal ethics, but this is in name only. I'm afraid she is not, but she is also a "weak faction" and will be eaten. The ethics she abides by is just "a joke with future generations."
My little sister died at home and was "stranded in Yanhua Lane" by her cruel uncle and brother who loved money like life. If she hadn't happened to meet a benefactor, she would have been saved by Grandma Liu. As a result, she followed her to the pipe for the Spring Festival. Did Cao Xueqin emphasize cause and effect in this arrangement, or did he reduce his "sadness"? I don't understand this point, but there is a sharp contrast between the fanfare of smallpox and the life in the countryside, which makes readers feel a lot in the mixed feelings.
Miaoyu, who is too clean, calls herself an outsider. She is as withdrawn as Daiyu, so she has comments on Miaoyu, and Miaoyu is also a type. Don't talk about these, just talk about why she "wants to be clean, the clouds may not be empty"? It is not only the later "poor jade stuck in the mud", but also its own reasons. When Chai Dai eats tea, it's really a drunkard's sake. Baoyu followed and took out his own green jade bucket when he was in the sky. On Baoyu's birthday, she never sends a greeting card. Baoyu asks for plums, and Li Wan asks someone to follow him. Daiyu noticed the hypocrisy of Miaoyu's red makeup and let Baoyu go alone. As a result, she was naturally full. Therefore, Miaoyu's lofty, and Daiyu's "ethereal" origin is just the opposite.
Qin Keqing, the daughter brought by Yangshengtang, only commented that "the Western Qin Dynasty deleted a paragraph". There are many doubts in the book, which is hard to understand, but she is a seemingly spoiled and born victim. She dreamed of Xifeng, trying to save the big family that would not completely fall, and she was also very confused.
The women in red have different experiences, but their essence is different, but they have the same sorrow. They are also representatives of various feudal women, and their "crying" and "sadness" are the inevitable fate of women in feudal society.
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