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What story did the founder of Magic Road tell?

Sixteen years ago, the world was divided into five parts. Gusulan, Yunmengjiang, Qinghe Nie, Qishan Wen and Lan Lingjin ruled the world together. Only the Wen family, the other four families suffered greatly. Among many young people, Wei Wuxian, the son of an old friend of Jiang's, has a cheerful personality, met Lan Zuoji, a disciple of Gusulan who is known for his elegance, and was introduced as a bosom friend.

By chance, the two discovered the secret that Lan had been guarding, and they inherited the inheritance to eliminate hidden dangers for the whole people. But unexpectedly, the man behind all this turned out to be Wen Rehan, the master of the Wen family. Many families were humiliated and joined forces to crusade against the Wen family. After the collapse of the Wen family, Wei Wuxian did not hesitate to oppose other families in order to protect the innocent people of the Wen family. Finally, it was harmed by traitors, which caused great disaster. He injured his sister Jiang by mistake and tried to jump off a cliff and commit suicide.

Sixteen years later, Wei Wuxian appeared in Mojiazhuang as Mo, and met his old friend Lan Wangnian. Mojiazhuang's bizarre murder case is confusing. As the truth is revealed step by step, Jin Guangyao, who is behind the scenes, is gradually unable to hide his decline. In the end, Jin Guangyao died, while Lan Forgot the Machine undertook the mission of helping the world, while Wei did not envy or forget his initiative, and finally became a chic world.

Extended data:

In the ups and downs of the plot, the play incorporates many elements of national customs and traditional etiquette, which is both entertaining and ornamental, and meets the aesthetic and spiritual needs of the audience. The play is quite ingenious in details such as access roads. The five families in the play all have their representative patterns and specific costume makeup, such as the cirrus pattern of Gusu representing the Lan family, the nine-petal lotus pattern of Yunmeng representing the Jiang family, and the peony pattern of Lanling representing the Jin family, all of which are ancient traditional patterns.

And the brush forehead worn by the blue family has also been a tradition since the Qin Shihuang period. An important prop in the play is the lyre forgetting machine used by the protagonist Lan Zhan, also known as Guqin, which has been included in the second batch of representative works of the world intangible cultural heritage of mankind by UNESCO.

With the broadcast of the play, more young people can understand and appreciate the Guqin art, which is conducive to the spread of this intangible cultural heritage. The play not only presents the form of traditional culture, but also presents the soul of the Chinese nation.