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The boss of the phonograph industry?

Zhang Sanlu 1

(Born in Daoguang and Xianfeng years, exact date unknown), alias Guan, crosstalk performer, octagonal drum artist. Beijingers during Daoguang, Xianfeng and Tongzhi periods in Qing Dynasty.

He is the earliest crosstalk artist with written records at present. The lower limit of his artistic career is probably in Tongzhi period of Qing Dynasty, and the upper limit is in Xianfeng or Daoguang period. According to relevant records and speculation, Zhang Sanlu was originally a clown artist with octagonal drums, and later switched to cross talk. Masterpiece "Thieves and Ghosts Seize the Knife" and "Nine Cases".

2. Zhu Shaowen

Zhu Shaowen, a native of Shaoxing, Zhejiang Province, now lives in Beijing and is a flag bearer in Li Han. China modern artist, founder of cross talk art, stage name "Being poor is not afraid". Artistic activities were mainly carried out during Tongzhi and Guangxu periods in Qing Dynasty. Together with seven artists, such as vinegar drowning cream, pockmarked Han, baldy basin, lame field, ugly grandson, humming nose and fool, it is called the first wave of "Eight eccentrics of Tianqiao".

3. Spring Dragon

Crosstalk artist, who studied under Zhu Shaowen, is called "a pinch of hair-Chunzi".

4. Yu Delong

Crosstalk artists in the late Qing Dynasty and the early Republic of China. Speaking of Yu Delong. Manchu. One of the famous "eight virtues in phonology" is the word "German". Because the dough is black and white, people nicknamed it "Staring Yu Zi" and took it as their stage name.

Extended data:

There are three cradles of crosstalk: Beijing Tianqiao, Tianjin Quanyechang and Nanjing Confucius Temple. It is generally believed that it was formed during the reign of Xianfeng and Tongzhi in Qing Dynasty.

It is a folk art form that makes the audience laugh by telling jokes or interesting questions and answers. It evolved from "Xiang Sheng" in the Song Dynasty. By the end of Qing Dynasty, crosstalk had formed modern characteristics and styles.

Mainly in Beijing dialect, there are also "dialect crosstalk" in local dialects. In the process of cross talk, we have absorbed the artistic advantages of ventriloquism and storytelling extensively, combined Zhuang and harmony, expressed truth, goodness and beauty with satirical jokes, made people laugh as the artistic feature, and took "speaking, learning, teasing and singing" as the main artistic means.

There are three forms of performance: stand-alone performance, counterpart performance and group performance. Stand-up crosstalk is performed by actors and tells jokes; Crosstalk consists of two actors hugging each other and teasing each other. Usually, there are two categories: "one head is heavy" and "mother is dumbfounded". Crosstalk, also called "group work", is performed by more than three actors.

Traditional plays satirize all kinds of ugly phenomena in the old society and reflect all kinds of phenomena in life mainly through humorous narration. After liberation, in addition to continuing to carry forward the satirical tradition, there are also works praising new people and new things.

Traditional songs include The Battle between Guan Gong and Qin Qiong, Drama and Dialect, Jia Xingjia and Stripping the Jacket, with a total of more than 200 songs. Works that reflect real life have great influence, such as Night Tour, Buying Monkeys and Hat Factory.

Baidu encyclopedia _ Yu Delong

Baidu Encyclopedia _ Zhu Shaowen

Baidu Encyclopedia _ Chunchanglong

Baidu encyclopedia _ Zhang Sanlu

Baidu encyclopedia _ crosstalk