Major fortune-telling cases

It is said that Chekhov had a screenwriter's experience: if a gun appears in the first act, the gun must ring in the third act, otherwise it won't be hung here.

There is an old joke that three people who came to Beijing for an exam told their fortune together, and the fortune teller didn't talk to you.

Throw out a poem first,

A poem with high audience recognition has been learned in primary schools, kindergartens, early education and even prenatal education:

Jasper dressed as a tree, hanging down ten thousand green silk tapestries. I don't know who cut the thin leaves, but the spring breeze in February is like scissors.

The longest day in Chang 'an says that if you want to restore the prosperity of the Tang Dynasty, you can't sit down without Tang poetry. Directors and screenwriters presented many Tang poems, and Li Bai, Du Fu, He, Li Bi exploded like a thunderbolt, hitting the audience. This is different.

Generally, movies and TV series do not include poems, but they are often quoted as titles.

There are not only titles, but also "My Poetry", which was written by migrant poets in the past two years. The theme is moving, the poetry is sincere, the events are hot, there are many platform bosses, and the announcement is vigorous. After all, the box office can only be considered bleak.

It is said that Chekhov said when he taught his experience: the gun appeared in the first act, and the gun must ring in the third act, otherwise it would not be hung here.

If a poem is really published, it will always be beneficial in terms of atmosphere, structure, theme, characters and plot. Often used to decorate the atmosphere, it often becomes a gorgeous louse on the robe carelessly.

The screenwriter at twelve o'clock in Chang 'an is also quite hard, and almost everything that can be thought of in Tang poetry is used in film and television dramas. How? Let's talk about it in another article, just this one.

If a poem in a film and television drama appears repeatedly, it must be loud, really useful, useful and useful.

This simple nursery rhyme poem only appeared once or twice in the novel: at the end, Zhang Xiaojing told Li Bi that the leader of the Mayfly had read two poems before he died.

The drama version made this poem very solid and also "squeezed out" this poem.

The play appeared repeatedly, and the author himself watched it three times. Poetry is as plain as words. What can it mean? However, the author himself, Zhang Xiaojing, Li Bi, political opponents and saints all have their own understandings, and each of them has different tastes.

The drama version even makes this simple object-chanting poem into a plot line, and each appearance means a new advance. Its first appearance provided a motive for a behind-the-scenes tycoon to commit crimes-the poem was misinterpreted by political opponents and saints as a crusade against saints, and the author He Jian was forced to act in advance to protect himself.

Not surprisingly, Zhang Xiaojing should remember, hear or read this poem again at the end of the play.

As a "prop", this nursery rhyme is rare: it condenses all the core characters of a suspense drama: Jasper, Willow, 10,000 green ribbons, leaves, spring breeze, scissors, and that "who" can correspond to the person being cut, scissors and the hand holding scissors. Of course, the supporters of the cuts and the "spring breeze" behind them are also among them.

The password of the ultimate boss behind the drama finale, the screenwriter may be hidden in this poem.

Both the director and the original author said that the ending had changed.

Taking a novel to make a play, of course, has to be changed. But the drama version doesn't seem to be normal.

Historical facts cannot change the starting point and end point of the historical background of novels and plays.

The difficulty of the plot lies in setting suspense and how to keep suspense.

The plot development of novels and dramas follows the order of synchronous upgrading of four elements: goal, means, real murderer and mastermind behind the scenes. The novel has no hint at the end of the suspect He Fu He Jian, and the drama version is only in the middle, all of which are revealed:

By the 35th episode, the real goal and operation method of Mayfly had been revealed to the audience, and the mastermind behind the scenes was not completed. Behind the scenes, the suspects, the prince and the right, directly showed their swords in front of the headquarters, and the struggle went straight to the climax.

There are more than ten episodes before the finale.

The author of the novel says that logic is the best imagination, to this effect.

We need a logical and imaginative ending. So from the logic of Chang 'an Universe, who is the ultimate boss behind the scenes? What melon can you touch following this nursery rhyme?

The first is the prince and He Jian.

Li Bi first suspected them. Capable, motivated, and the evidence has emerged. The ending of the novel points to them-but only to them, not solid.

He Jian himself couldn't tell whether it was misinterpreted.

And the right stage

The right-hand man claimed that his head was swollen when he heard the poem, but it was from this right-hand man who used this poem to attack He Jian's dissatisfaction with the sage's cutting of the prince's henchmen. Although he is a very important minister, he is very precious. But in history, Li opposed the prince, despises the immortal king, but supports the immortal king. His wife Yan Taizhen was robbed by his father, and he was disguised by the later poet Li Shangyin. The banquet was sent back to the palace forever, and Wang Xue was intoxicated with the awakening of the longevity king. Is he interested in Shouwang's forbearance or cowardice? As we know, after the prosperous Tang Dynasty, powerful ministers all like to support the weak and even mentally retarded princes-only the weak are easy to find puppets.

Isn't it Wang Yong?

There is only one prince between him and the throne. As long as you work hard, that position may be your own. In the later history, he really led the troops to revolt, and also asked the eager poet Li Bai to write a campaign. It's just that the strength and pattern in the play are too weak, and only a gangster who was almost eliminated by Zhang Xiaojing is more suitable for being cut.

The important role he played in this conspiracy was an excellent supporting role: he successfully aroused the hatred of Wendeng, Wen Ran and Zhang Xiaojing, caught the prince and the right-hand man, and tried to figure out and present his father's thoughts.

Is it left?

He couldn't stand up to the right side, and then ... how did he die in history? I was scared half to death by my right-hand man Li. He is He Jian, Jiao Sui, Li Bai, Ruyang Wang and other drinkers, and he is included in Du Fu's list of eight Brewmaster in Chang 'an. Of course he knows more than the contents of the wine that morning. The function of the left phase can be seen in another article.

But these people, the emperor and the audience watched the fire, and the orders of 36 episodes were torn. These scissorhands went off in person and fought for their lives, but there was nothing new. It's all fried rice If "The Ultimate Big Boss" stops at these people, then the rest of the series will be less interesting.

Our target range needs to be expanded a little.

Since the four elements of terrorist attack target, terrorist attack means, real murderer and behind-the-scenes ambassador have been upgraded simultaneously, the bosses with more weight than them can only be-

Saint?

The struggle between the son of heaven and the son of heaven is not a problem for him. He launched a series of court coups, killing three sons in succession. Changing a prince is like changing clothes. The old emperor who has been in Yuyu for many years has enough confidence: no matter how powerful the courtiers are, they can't jump out of their Wuzhishan. He doesn't even have to play forty boards for both sides in a dogfight. A piece of cloth on each side is enough to make both sides tremble.

Wonderful people and wonderful things can relieve the emperor's worries

There was a fierce battle between the two factions. When Yan Taizhen shouted "Shiro", Shiro blew all the courtiers away.

Royal family affairs are sometimes national affairs.

Then Tan Qi got three urgent documents signed by the right phase and the prince, and Zhang Xiaojing was not wanted for the time being.

The protagonist is temporarily safe, and the two factions are temporarily balanced.

According to the design of the novel, Yan Taizhen probably told Shiro a love story. In this love story, Shiro had to join hands with his mortal opponent just now, and the plot line returned to Zhang Xiaojing again.

The drama version only uses three shots. The emperor's heart of checks and balances, the calm way of governing the country ... Shiro, screenwriter, director and editor, this scene is all wonderful.

Perhaps what the sage really cares about is to tear down the store and build a mansion and hold a lantern festival to receive Xiao Bolu. He wants to show his strength in front of other countries, surrender without a fight, and bring more than 20 countries in the northwest back under the control of the Tang Dynasty.

In history, three years after twelve o'clock in Chang 'an and six years in Tianbao (747), the famous soldier Gao Xianzhi captured Xiao Bolu, and more than twenty small countries belonging to Tubo in the vicinity rejoined the Tang Dynasty, and Wang Yong's goal was realized. This is a big chess game that Xuanzong wants to play. But planning to assassinate himself, I'm afraid Shiro can't do it himself.

Or was it a foreign power at that time, an enemy other than Datang?

They are the most difficult troubles for saints. You can see from the map that they have enough motivation and determination. In fact, Turks, Tubos and Uighurs are all drooling over the Tang Dynasty. After the Anshi Rebellion, Chang 'an changed hands several times, and the emperor of the Tang Dynasty was forced out several times. Until a few decades later, Li Mi promoted an alliance with Zhenyuan in Uighur, and carried out the old method of uniting with Lian Heng to carry out a close attack, so as to stabilize the situation in the northwest and effectively control the North Yard and Anxi area where Zhang Xiaojing fought.

Northwest Datang faced many forces.

For a mature commercial screenwriter team, some themes are easy to affect the safe broadcast. However, foreign hostile forces' interference in internal affairs is an inevitable drama since the existence of the country, and the purpose of creating riots is low cost and high return.

An Shi rebellion, internal enemy? Other buffers, our times.

During the Anshi Rebellion in the past few years, An Lushan rose up and forced the sage to go west to Chang 'an, exposing the fragility of Datang as an envoy, and Datang declined from prosperity to decline.

In the novel, he is one of the suspects, and his backyard has a large current account with the big boss in Beijing.

In the 33rd episode, An Lushan saved Yao Runneng from the street. Later, Yao Runeng wrote An Shi Rebellion.

Unofficial history is related to the Anshi Rebellion and Yang Guifei, but the screenwriter is always reluctant to let this bridge go in any film and television drama with the theme of the prosperous Tang Dynasty.

Fu Sangchao's testimony shows that Fu's bamboo chips have the craftsmanship of northern artisans. Craftsmen from Lingnan, Zhongshu and Shuofang gathered together, and it was the buffer region and local provinces that participated in it. The only anger of Kunlun Nuge, the underground king of Chang 'an, is to reiterate that his subordinates should not disobey orders and sell weapons to the buffer region without permission. Besides, it is the real history of the Tang Dynasty that the buffer region assassinated the prime minister and plotted to slaughter the city. After more than ten years, the buffer region became the biggest enemy within the empire, and several generations of emperors paid a painful price for it.

Xu Bin, a technomaniac, has another big mission.

It ranks in the top three in the poll "Who do you think is more like the ultimate boss?". It is a dazzling treasure character in the play.

Before stabbing Lin Xiang to death with his life, He Fu left a bloody sentence, "I saw two figures far away and knew I was by his side", telling Long Bo that this was a lantern riddle. If it is really a riddle, the answer may be "Xu". Bin Xu's story is still expanding, or is there a person named Xu, or is there a couple and another person?

Xu Bin is the only fictional character in the original and the drama version, and he has another great mission:

Back-to-back Murder Plot is a "bootleg", which bears the author's ambition to renovate the theme and popularize the concept.

From the subject matter, if it is only the behind-the-scenes struggle between the prince and the right-hand man, this drama will inevitably be confused with the conventional fighting drama. In order to avoid falling into the trap of party struggle in Gong Dou's drama, the drama version strives to continue the civilian perspective that the original works tried to suppress, strengthen the role of Bin Xu, and endow the prince with the political ideal of implementing the new tax system and reforming the new deal system for prime ministers. As a fanatical technical elite, the inventors of bamboo paper and major case writing became the fulcrum of the plot in order to realize their own selfish desires. Is this story and theme particularly familiar?

As for the writer's concept of "bootleg goods", it is easy to recognize that Chang 'an borrowed the structural form of the anti-terrorism drama "Twenty-four Hours", but it is a book similar in structure and concept to Chang 'an: Fifteen Years of Wanli, with the English name "1587, an insignificant year in the history of China".

A turning point in the history of the empire was opened in one day, and Huang praised the concept of digital management: due to the lack of digital management, China, which has been over-precocious for more than 2,000 years, has been unable to legislate to stimulate the market and commerce, and the imperial finance has been suppressed and lacks competitiveness. By the time of the Anti-Japanese War, China, as a medieval country, had been in the same boat with Japan for many years. Bin Xu, the incarnation of Huang Renyu in the play, lamented the relationship between the lack and inaccuracy of data statistics in the empire, personally practiced, used bamboo paper to reduce the storage cost of data collection and recording, improved the digital recording system, and consolidated and improved the foundation of national governance and operation; Integrate data with major cases and apply them to the fields of national social governance such as tax payment, anti-smuggling, military and political affairs.

Genius technological inventions need people's input. The new tax system of the Prince, the new regime and political ideal of the Rightists all need Bin Xu's major case and bamboo papermaking.

Jing 'an Division was burned, and the major case in Xu Bin began to collapse.

Bin Xu also has bamboo paper making technology, and this gun hasn't gone off yet.

Interestingly, Huang, the author of Fifteen Years of Wanli, a famous historian who influenced China 100 people, was expelled from American universities for failing to meet the standard in the grade point examination according to the numerical management system he admired. Bin Xu's ending is similar?

Yan Taizhen also wants to cut a knife.

As an immortal princess, she was bullied, and as a favorite, Xu, a powerful enemy, was always eyeing up. In fact, she is a darling, but she can only seek a name and is unwilling to be a Taoist. I'm afraid Yan Taizhen also wants to cut a knife.

Episode 34 really refused to intercede for Tan Qi, because "I'm waiting for a big news, and your business is temporarily neglected." What is she waiting for? Unofficial history's Anshi Rebellion, the official Shouwang?

And shouwang

Shouwang may be the news that Yan Taizhen is waiting for.

The wife was turned into a Taoist by her father. In the past, she was despised and bullied, and the younger generation laughed casually. Coupled with the support of the right, if there is a chance to suddenly cut a knife and change fate and love, I should not refuse.

And master Mao Shun.

In the novel, he is just a skillful craftsman who is threatened by Long Bo to kidnap his family. In the drama version, his father died in the previous dynasty, and he destroyed the map and prepared for great events.

In the novel, Long Bo was temporarily mixed into the ranks of construction craftsmen before the explosion. The drama version of Long Bo and the soldiers guarding the light tower are old acquaintances who are separated every day. When checking craftsmen's records, they mocked the soldiers for "watching every day for half a year" and openly entering and leaving the construction site for half a year, which was inseparable from Mao Shun.

He is the idol that Fusang Chaofen is eager to surpass. He personally destroyed himself, which is the ultimate dream of Chaofen, but he can only stop at the top of the mountain-the ultimate beauty is the moment when masterpieces are destroyed and historical fame is destroyed by works.

Cut off love, self-destruct and die for faith. It's a little Japanese.

And Xu.

Pay attention to this Xu. The novel is only a flower-based ornament in the prosperous times, but the opera version leads to an independent story line: she was starved to death by Yongxin local officials, and she tried to get the flower-based ornament at all costs in order to "get close to the saints". Their actions have successfully aroused Yan Taizhen's vigilance, and she sensitively prevented another Yan Taizhen from appearing. The sage must know the buffer where Yongxin belongs.

The question is, is Xu Hezi really willing to be the second Yan Taizhen? Not necessarily.

On the occasion of the annual national celebration, in front of the saints, the luxurious and luxurious court style of "listening to spring in peace" is very appropriate. However, the protagonist's performance of Chang 'an Sauvignon Blanc at the Lantern Festival was full of resentment and rejection: it was a tearful spring in the past. Oh, if you doubt my heartache, come back and see me in my bright mirror! -Can't help but spoil everyone's fun. Maybe something else?

If something happens, there must be a demon, and if something happens to people, there must be a knife.

I'm afraid Xu doesn't want to be a tool to get close to saints. She may have another task to finish. Who will not believe in heartbroken, who will "return"? -Come with me before she plays with Zhang Xiaojing. In this attack, she is not only a gorgeous top stream.

The poem was not finished, but it was truncated by a beautiful ending:

Beauty was full of flowers when she was here, and spent the rest of her bed when she was away.

The embroidery on the bed has not been rolled up yet, and it has been smelling the fragrance for three years.

People don't come until the fragrance goes out.

Acacia yellow leaves fall, white dew and wet moss.

Who is she singing?

Liu stays in harmony, and Liu Si believes that according to the custom of the Tang Dynasty, she will fold the willow to bid farewell.

If you sit down with the person she sent away, that's another matter.

Smell and dye

She provided part of Zhang Xiaojing's motive for pursuing the murderer. She was pregnant with a mysterious perfume of unknown origin, which came from Chou He who killed her father. I once dissected my heart from a fish intestine, and my mind was linked with Zhang Xiaojing. She is the daughter of Zhang Xiaojing's living comrades. She found the head of the ephemera, left Chang 'an safely for "that person" and made an appointment with the daughter of a famous soldier at the edge of the town.

Ye Gang, the branches and leaves hooked by the sumo hostess, began to be lifted by the wind.

Long Bo, other surviving veterans, hid piles.

In the novel, in order to realize his revenge, Long Bo is willing to be used. In the drama version, they are unfortunate survivors after a bloody battle. Knowing that you are a sword, you are used to giving yourself to others. This time, they insisted on holding the knife by themselves. He Fu hired Long Bo to assassinate the right, but he was killed by Long Bo, and he became a tool for Long Bo to divert his attention. Long Bo has been an official in Chang 'an for many years, trying to become the ultimate boss.

Not all the nine survivors of the bloody battle showed up. The story of the first half of the Hewen team has been basically completed, and the story of Long Bo has not yet begun.

Any one of those hidden piles that are still exposed to the water may be another dragon wave.

"The Warring States Policy" warned the monarch and his ministers that the anger of the Emperor certainly bled thousands of miles, but the anger of one person can make the world die. Zhuangzi tells the audience in China that mantis catches cicada, yellowbird comes behind, yellowbird comes behind, and vulture.

Where did Longbo's anger come from? He calls himself a Mayfly, because why should he shake a tree? Perhaps this is the direction of the real ultimate boss.

Fool He Fu, can he really master scissors? Inevitably, it is doomed to be swallowed up by its own plans.

Jiaosui

Jiao Sui used this poem to predict the national fortune, and the conclusion is still unknown.

According to the five elements, wood makes a fire, fire makes soil, soil makes gold, and gold makes water, aquatic wood.

"Jasper makeup into a tree high, hanging green silk sash in ten thousand. I don't know who cut the thin leaves, and the spring breeze in February is like scissors. "

Knife is gold, willow is wood, and willow in Tang poetry is generally a willow born on the waterfront. Willow branches provide shade and are also used to say goodbye, express comfort and miss. Gasoline is water, but it is flammable oil.

These images are both sexes, which are contradictory but can cause and effect each other.

From Jiao Sui's point of view, water, gold, fire, wood and earth are interdependent, while Emperor Taizong pretends to be the virtue of fire and wears purple in the court.

We already know that the fear of fire attack is directed at the emperor-this is the beginning of a cycle.

Why is there a fire? Fire is born by fire, and fire is extinguished by fire.

The spring breeze in February is like scissors. The spring breeze is swaying, and the wildfire is always there. The combination of wind and fire, the fire is ignited by wind, and the wind borrows fire, which is both an end and a means, both a cause and a result. Various factors and people from all walks of life "interact" and are mutually causal, which constitutes a wonderful cycle.

Jiao Sui, who has the shortest survival time in the play, has long expected all this.

Of course, this is not scientific.

But very dramatic.

He is also from China.

Follow this poem and touch here, and we will find:

Most likely, all of them.

This may be everyone Zhang Xiaojing or Li Bi knows. It may be Zhang Xiaojing and Li Bi. Perhaps no one is ultimately responsible for this conspiracy.

They are blown together intentionally or unintentionally by winds in different directions and cut by fate and history. Causal cycle, mutual resistance.

Jasper, branches and leaves can point to anyone. The story of each character can be infinitely extended to the front, back, left and right.

Within the empire, countless nominal border crossings stretched and intertwined, overlapping at random in unexpected places, which grew the prosperity and beauty of Chang 'an and gave birth to many stories.

There are countless kinds of scissors, and anyone can use them as scissors, which is beneficial to blunt, attack and defense, impact, restraint, sharpening and collapse. Small scissors are deadly in daily life.

Scissors may be black hands visible to the naked eye, but the spring breeze can be invisible and colorless, everywhere, because it warms people's hearts and is invincible. Clean up dead leaves and cut plastic leaves.

The invisible spring breeze is the sharpest scissors, which shapes the prosperity of Chang 'an, cuts off the abundant vitality and starts the cycle of ups and downs. Forty years later, Bai Juyi, a new student in Chang 'an, wrote in the Leyuan Scenic Area where he lived: Grass crosses the plain and comes and goes with the four seasons.

History cannot be rewritten, but it can be adapted.

Every accident has its inevitability behind it. Chang 'an created his own "Chang 'an Universe" with simple logic at twelve o'clock.

The masses and only the masses are the creators of history. Twelve o'clock in Chang 'an, with a civilian perspective as low as possible, is an effort to reverse the heroic historical view.

These three points are the starting point of the scriptwriter's brain hole.

Is the whole drama a superhero story in Tang costume, or a China story with a western face?

I guess the plot of Chang 'an reveals the gorgeous shell of western-style anti-terrorism drama, and may also reveal the simple historical experience and values of Chinese style.

This may be a way to tell the story of China. It may be popular for a long time. The story of every country is like history, and it must be told by itself after all, so is Mulan, and so is Nezha. However, the development and manufacture of CPU in China story industry needs long-term accumulation of theory and long-term evolution of technology.

During the same period, in the domestic animated film "Nezha", Nezha and Ao Bing fought for thunder, and the patterns on their foreheads merged into Tai Chi. Together with the deeds of Taiyi real people for hundreds of years, it produced unexpected life-changing power. The audience believes that something will be reborn.

Cuba's old joke is:

Three candidates who came to Beijing to take the exam told their fortune together. The fortune teller didn't speak, but just stretched out a finger.

Juzi thought it meant high school, and they all left with satisfaction.

People ask fortune tellers, how can you ensure that your calculations are accurate?

The fortune teller said: if three people take one in the senior high school entrance examination, this finger means that one person can get in; Admitted to two, this finger represents failure; Three people passed the exam, and this finger means that no one failed; If three people fail in the exam, this finger means that they all fail.

The screenwriter chose this poem and extended a finger to us.

Now, let's guess, who is the man in the exam?

Or, who among these characters failed the exam?

There's one thing I didn't say about the ancient festival. Which finger did the fortune teller put up?

I think it's the index finger.

What customers see is leadership, but as long as they point to themselves a little, it means another thing: a little complacent and self-satisfied.

The screenwriter team should be able to hold this finger.

Readers who have seen this place can afford this finger.