Do you know the most shocking anti-war dramas, such as hiding mines in the crotch, tearing devils with bare hands, and turning buns into bombs?

War of Resistance against Japanese Aggression's plays on TV screens have completely disappeared. In order to cater to the audience, many anti-war dramas have completely subverted the real history of the Anti-Japanese War. That's why the term "War of Resistance against Japanese Aggression Opera" came into being. The devil tore it by hand, and the steamed stuffed bun bomb was very powerful. Do you know what is the most shocking anti-war drama?

First, the drama "Anti-Japanese Chivalrous Man" is not famous in itself, but it became popular because it tore up devils with its bare hands. Many people may not even know the title of this drama, but in a certain voice, this drama has created many stalks. Many people have seen these stalks and understand them, but many people know that they are all fake things.

It is amazing that this thing should not appear on the theme of the Anti-Japanese War. Because of this theme, it is not a magic drama, it is not a Xianxia drama, so the story of tearing the devil by hand is particularly imprecise. If this is a light comedy story, it won't make the audience hate it, but if this is an anti-war drama, the audience can't accept it.

Anyone who really understands history knows that in historical stories, how much blood our ancestors used for today's peace is not as easy as in these plays. While paying homage to our ancestors, please restore history. This is a respect for our historical ancestors.

Second, "March to the Artillery" During the Anti-Japanese War, there were indeed many famous loves and famous couples in history. These plots can not only satisfy our yearning for love, but also make us feel that the love of that generation is hard-won. But this drama, it is not expressed in this way, and it is not interpreted in this way. It is all about love, even if it is a screenwriter now.

Normal love is logical and thoughtful, especially the predecessors of that period. Their understanding and yearning for love are different from ours now, and they are purely or higher spiritual pursuits, not the feelings expressed in the play.

The predecessors at that time, they had faith. In the words of their predecessors, life is precious and love is more expensive. If they are free, they can all be thrown away. At that time, the war of resistance was for the country and the people. Therefore, for them, life and love are things that can be abandoned. Their love is great. Similarly, their love is flawed, not as shown in this play. They don't care about love. Therefore, this drama violated the core content of the anti-Japanese war theme from the beginning.

Third, the drama "No Devil Left" is actually very close to the core content of the anti-Japanese war theme. But the biggest difference between this drama and other dramas is that other anti-war dramas publicize the core content, the people who died for justice, and the ancestors who paid for justice. They respect history, restore their stories and praise their actions.

And this drama is bragging about a character, that is, using all the golden fingers on the protagonist. In our words, it is a drama that is hung up. If it is a drama with a common theme, it is actually quite popular, because many people will imagine themselves as the protagonist, and the opening is like hanging up, which is very elegant. This kind of character setting satisfies many people's ideas, but it is unrealistic to put this idea into the anti-Japanese war.

Because the war of resistance is not something that one person can do, but the result of joint efforts, which is not individualism, that is, collective unity.

In those days, a code name meant not just one person, but a group of people, but those who fought for their country. Therefore, this kind of golden finger drama will be particularly out of line with that era. If it is put into some current dramas, it may still be popular. However, in War of Resistance against Japanese Aggression's plays, it is out of touch with history.

Fourth, "The Legend of the Gunners" has to spit out the screenwriter who wrote the lyrics. I don't know if this screenwriter has a bad history or a bad language logic. There are many loopholes in his language logic. When you watch the whole play, you will find that the preface is inconsistent with the latter, and the deductive ability of the lines is very poor, which makes people feel that the play is pieced together for the sake of piecing together.

Secondly, the production of anti-Japanese war scenes is not as good as that of ordinary people. This drama uses too many modern elements, highlighting some characteristics of modern elements, which does not conform to the special elements during the Anti-Japanese War. Nor did it show the hardships of the war, nor did it show the hardships and efforts of the war of resistance.

Of course, this is in line with the characteristics of all dramas, nothing is logical, nothing is in line with that era, and such dramas are not light comedies and other dramas, and they are determined to be placed in a very strict anti-Japanese war theme, so they will be out of place and make people feel very uncomfortable, especially the older generation, because they will feel particularly speechless after watching them, because they are too divorced from reality.

The play "Arrow on the String" suddenly reminds me of a very interesting play, namely "Bloody Xiangxi". In fact, the story backgrounds of the two stories are similar. Both of them are a big family or a tribe, and both of them were killed by the enemy. Finally, these people fought back with their own abilities. Of course, there are differences. All the protagonists in "The Bloody Xiangxi" basically left this world for victory, and no protagonist survived.

This drama about love begins with the first tribe. In fact, this beginning is very attractive, because it also talks about love and then enters the war of resistance. However, the magic of this drama is that its cold weapon actually defeated the hot weapon. This thing is pure nonsense. Even in this process, it is not a normal logic to abandon family feuds and give up a lot of things for love. In the drama "Bloody Xiangxi", the protagonist can't even be together because of family feud. In order to defeat the enemy, the tribe dug up all the graves and used their cold weapons to dock with the enemy's hot weapons, paying the price of blood for the final victory.

It is also a cold weapon. We compared the two films. The best thing about this drama is that it does not turn cold weapons into something particularly vivid, but enlarges this contradiction, so that people can truly feel the hardships of victory and the price paid. Therefore, the description of cold weapons in this drama is too fantastic, and the description of love part is too illogical.

6. The biggest feature of the drama "Invincible Rightists" is that it has no historical prototype, and it is all imagined out of thin air. What is imagined out of thin air is particularly magical. If this is a time-travel drama, if this is an aerial drama, it can still be accepted by the audience. The problem is that this is an anti-war drama. So many predecessors died, so many people died. Don't these people deserve praise? Why do you want to fabricate a character without historical prototype out of thin air to trample on this part of history?

Anti-war dramas are often compiled according to some historical prototypes and restored to the greatest extent. In order to win, people have made a lot of efforts and paid a great price. In this process, let us firmly remember the history of blood, remember the price of blood, teach us to be prepared for danger in times of peace in the process of growing up, make our country stronger, make our country truly stand on the top of the world and let others look up to it. This is what War of Resistance against Japanese Aggression's plays need to express.

Anti-war dramas without historical prototypes can easily mislead some audiences and children now, so naturally, such a plot can't appear in our dramas. Countless anti-Japanese war predecessors are not the objects we can make fun of. The anti-war drama should restore the history to the greatest extent, let us face up to the history of blood and tears, let us understand that everything is hard-won now and cherish the beautiful life now.