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8-point movie "Xiao He Chasing Han Xin under the Moon": The old prime minister runs around all night just to keep the handsome talent.

The "Three Kingdoms Opera" in Beijing Opera has been widely welcomed by the audience from the early days of its birth to the present, and it is always a new series.

Xiao He Chasing Han Xin under the Moon is a classic of the famous school of Peking Opera. June 20 17 was made into a film by Shanghai film group. Once released, it received rave reviews. The netizen on a petal gave it a high score of 8 points.

Once the classic plays are put on the big screen, they gain great influence that theater performances do not have. Beijing opera film project has really shortened the distance between ordinary audience, especially young audience and traditional opera.

? Wonderful dramatic conflict

Xiao He Chasing Han Xin under the Moon is based on the novel Romance of the Western Han Dynasty.

During the struggle between Chu and Han, Han Xin was originally a general under Xiang Yu, the overlord of the western Chu Dynasty, but Xiang Yu, who was headstrong, didn't reuse him, so Han Xin was frustrated. Sean learned that, overnight to persuade Han Xin to liu bang. Han Xin was moved by Sean's sincerity and set off for Liu Ying Road. ...

The film and television shooting of Chinese drama basically follows the original program and era of Chinese drama in word processing. The opening scene of the film is "Sean Persuades Han Xin", and the reason of the story is explained by Han Xin's personal lyrics, which is simple and clear.

Wonderful opera plays, like film and television works, need strong drama conflicts as the basis, and arouse the audience's watching expectations by inheriting and combining the rhythm.

The movie "Xiao He Chasing Han Xin under the Moon" has this feature, and the plot is interlocking. 1 hour for 30 minutes, the scenes are seamlessly connected, silky and compact, and the suspense setting is reasonable, which makes people look forward to the development of the story.

The film takes about two-thirds of the space to tell "Xiao He recommended Han Xin to Liu Bang three times", which is an important prerequisite for the follow-up "Xiao He chasing Han Xin".

The man Han Xin rushed to Liu Bang to report for duty, and the old Prime Minister Xiao He came to meet him. After talking with Han Xin, Xiao He decided that he was a handsome man, so he recommended Han Xin three times in the court, saying that Han Xin must be an important talent in the great cause of destroying Chu.

It's a pity that Liu Bang learned some "black history" before Han Xin through "Back Tone" (mother can't hide when she dies, begging, wandering mother's shame, etc. ), and that Han Xin belongs to the "four no goods" (incompetent, shameless, bold, useless), insist on refusing to reuse. Han Xin, on the other hand, because of his aloof personality, faced with Liu Bang's contempt and was unwilling to produce the evidence endorsed by Sean (talent recommendation letter), and things were deadlocked. ...

In this part, the role tension among Xiao He, Liu Bang and Han Xin is very full.

Han Xin's mentality change is the most complicated.

The first bomb of the counterattack plan: originally disheartened, his appreciation in Sean went down to Han Ying. He thought he could make a name for himself after he went to the wise Lord, but the big boss only made himself a small leader;

The second bomb of the counterattack plan: I thought that after a while, gold can always shine, right? As a result, the big boss actually continued PUA, but refused to give himself a chance;

The third bomb of the counterattack plan: the arrogant Han Xin refused to take out the recommendation letter written by Sean in order to prove his strength. This is his "last stubbornness"! I thought Lao Xiao might not be "painting a pie" for himself.

Liu Bang, the big boss, and Xiao He, the CEO of the company, are a legal person and a senior manager of the company. But this time, there are serious differences on the use of key talents.

On the one hand, under the pressure of "disobeying orders", Xiao He urged Han Xin to reuse, on the other hand, he had to appease Han Xin and let him wait patiently ... He was exhausted by these two men.

On the one hand, Liu Bang looks at people with colored glasses and refuses to be polite to Corporal Xian. On the one hand, he was still stubborn until he got the news from the personnel director, which almost delayed the good opportunity to destroy Chu.

All three parties are in endless waiting, experiencing ideological struggle and inner struggle. Whether the talents will stay or not? Where should Han Xin go from here? Contradictions are superimposed here, and they are explosive!

? The finishing touch &; Scene scheduling

The climax of the film is also the crowning touch, which is a scene in the last ten minutes-"Xiao He chasing Han Xin under the moon". The reason why this scene became a legendary story lies in the good intentions of the old prime minister to cherish talents! For the revival of the Han Dynasty, he spared no effort, day and night.

Han Xin, who was extremely disappointed with Liu Bang, ran away angrily at night and was immediately known by Xiao He. Old Xiao He, without wearing casual clothes, resolutely rode after him, galloping through the night, and finally caught up with Han Xin. After the meeting, Han Xin was moved by Xiao He's sincerity and took out a letter of recommendation from Sean. ...

Of course, the ending is HPPY ending. With the help of Han Xin, Liu Bang started a key move to destroy Chu.

The film's scheduling of scenes effectively makes up for the shortcomings of single scene and complex scene changes of China traditional opera in theater performance.

The scene in this film is rich in variety and layering, which plays a good supplementary role in explaining the time and place of the story. If Zhang visited Han Xin, the background was set in the account of the military camp; For example, when Han Xin met Liu Bang, the environment was in the palace. Compared with the "one table and two chairs" on the traditional Chinese opera stage, this scene change is more vivid and has stronger visual impact.

The use of lens language can also further enlarge the profound foundation of opera actors. The push, pull, shake and move of the lens follow the actor's hands, eyes, body, method and steps, and show the facial expressions and subtle movements of the characters and the relationship between the characters and the environment to the audience in a more three-dimensional way.

Vivid role-building

The film and television of Chinese drama is based on drama, and the film is only a carrier of Chinese drama.

The key for opera lovers is the "stylized performance" of opera. In the movie "Xiao He Chasing Han Xin under the Moon", several leading actors have good basic skills. No matter how they dress up, sing songs and express their feelings, they accurately restore the spirit of the characters and their performance skills are fascinating.

Although the name of this play is Xiao He chasing the moon under Han Xin, I prefer to call it the great old prime minister! Because the role of Xiao He is the most important in this play.

Chen Shaoyun, who plays Xiao He, is a famous chess veteran in Shanghai Peking Opera Theatre, winner of the Plum Blossom Award for Chinese Drama and the Cultural Performance Award of the Ministry of Culture.

In the film, he plays old Xiao He, who can enter and attack, retreat and defend. The first time I saw Han Xin, he respectfully gained the trust of the other party; Knowing that Han Xin left angrily, he felt sad and couldn't help but shake his beard. In the face of Liu Bang's repeated attacks, he appeared to compromise, but his words of recommending Han Xin were firm.

Teacher Chen Shaoyun's skill in shaping the role is quite profound, which can be said to be both civil and military, and it is immersive.

In the aspect of singing skills, Chen Shaoyun also showed the audience the characteristics and skills of Qiqi School. Qiqi school belongs to "sand but full of gas, singing close to spoken language, straightforward." Nianbai is full and powerful, full of strong life breath. Pay attention to doing work, and the performance will be fully displayed by mobilizing singing, reading, doing and playing from the hearts of the characters, which is real and vivid because of internal and external harmony. "

Han Xin, another actor in the film, is an aloof wit. Although he is talented, he can't stand a little injustice. If it weren't for Xiao He's last rescue, I'm afraid he would really retire back to Huaiyin's hometown, and Liu Bang may not be able to destroy Chu smoothly because of his lack of mastery of Xiang Yu's weakness and realize the great cause of rejuvenation, so history may be rewritten!

Fu Xiru, who plays Han Xin, is an excellent actor in Mesozoic Peking Opera. Han Xin is talented but arrogant, and he should be a "junior" in the play, while Fu Xiru's appearance shows Han Xin's heroic and extraordinary temperament as a young general. In singing, his voice is clear, mellow and full of musical sense, which endows the character with a free and easy fairy spirit, like a ganoderma lucidum waiting to be picked in the mountains, and he is willing to be visited by a confidant.

Dance beauty shows ancient rhyme.

Finally, talk about the beauty of dance in the film. The last scene of "Xiao He Chasing Han Xin under the Moon" is not only the climax of the whole drama, but also a very aesthetic experience.

On a small road in the mountains, Lao Xiao and his horse were beating, full of worries, and the moonlight was bright, which was a vast blue-gray world. Han Xin, who had completely lost confidence, chose to return to his hometown on such a cold night. How sad and helpless he is!

In this context, Xiao He's confession to Han Xin is sincere, enthusiastic and promising. Who will not be moved by this warmth? What's more, Han Xin wants to achieve something, and this is his last chance! The interweaving and contrast between cold and warm vividly shows the ancient rhyme and aestheticism in traditional Chinese opera.

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