Ask for the name of an ancient classic book in China, which is a collection of Zen essays by famous artists (or anonymous).

On the immortal spirit and Zen in ancient China from the perspective of An Qi's Hand-made Picture

WenboNo. 1 of 2009. Key articles on the cover.

Brief introduction of "Xiyuan Yatu" and "Wenbo"No. 1 in 2009.

Quiet, Clear, Empty and Confused —— An Interpretation of the Image of "Creating the Environment" in Gong Xian's "The Map of Peaks and Terraces"

Art Research, No.02, 2009.

Interpretation of Qian Xuan's A Cold Bird with White Eyebrows from the perspective of life value.

Wenbo, No.2 in 2009.

Vast, Wonderful and Ancient —— Reading Lan Ying's Collection of Ancient Landscape Paintings

Wenbo, third place in 2009. Key articles on the cover.

Painting by the Way —— Rereading Lan Ying's Collection of Ancient Landscape Paintings

Wenbo No.4, 2009. Key articles on the cover.

The sky is far away and the water is far away —— Appreciation of Xi Gu Quarrying Map by Wu Daosu

Wenbo, ranked 5 th in 2009.

Send this body away in a canoe —— Reading Zhenwu's A Real Rock House

Sichuan Cultural Relics, No.5, 2009.

A progressive painting

Friends of Art, No.6, 2009.

Tone sandhi of courtyard —— An artistic analysis of Fang Cong's "Pavilion and Pavilion"

Wenbo 20 10No. 1.

Read Send Tao Zheng Jun back to Emei.

Wenbo 20 10 No.2

Cultural Symbols in Landscape Paintings —— Reading Song and Ming's "Listening to the Qin in the Deep of Yunshan"

Sichuan cultural relics, No.5, 20 10.

Looking at the sky in the distance from the Woods —— Reading Lan Ying's "A Meditation of Gao Dong"

Wenbo No.4, 20 1 1.

Hiding into an Empty Door and Singing Changfeng —— A Study of the Song Map of Hanshan Picked Up by Anonymous in the Southern Song Dynasty

Wenbo 20 12 1.

The Framework of Rising —— A Preliminary Study of Shenzhen Random Thoughts

Shenzhen Youth Daily1September 30, 986

Lagging Freedom and Transcendence —— Aesthetic Criticism of 85 New Fashion Art (Zhuo Fei)

Journal of Northwest Fine Arts of Xi Academy of Fine Arts, No.4, 1988.

A few heartstrings-About my three paintings, The Painter, No.7, 1988

Painter of Four Seasons on the Desolate Plateau, No.9, 1989

Various Concepts of Chinese Painting (Master of Fine Arts Dissertation 1988)

Art Essay on the 50th Anniversary of Xi Academy of Fine Arts

Published by People's Fine Arts Publishing House 1999.

Relax alone without listening to the rain —— Comment on Yang Xiaobao's 2003 ink painting "Big Vision"No. 1.

Mo Yun's Mood —— Appreciation of Gong Xian's Works

Teacher's Essay of Xi Academy of Fine Arts, Shaanxi People's Fine Arts Publishing House, 2007.

Drawing lessons from others' experience and reflecting on philosophical thoughts —— Preface of Professor Zhao Butang's reading notes exhibition in 2007

Delight in the Plot —— On the "Landscape" and "Landscape" of Landscape Painting from Dai Jin's Visiting Friends in Autumn Mountain

Northwest Fine Arts, No.4, 2008.

Great Art, Great Painting Academy and Great Freehand brushwork —— A Record of Yang Xiaoyang, a Practitioner of Constructing China's Art Education System

Cai Ying, Shaanxi, No.5, 2008.

Exploring the Practitioner of China's Art Education-A Record of Yang Xiaoyang, the winner of the Third National College Teaching Master and President of Xi Academy of Fine Arts.

China Education Science Press, Ode to a Famous Teacher, Volume 3, 2008.

Yang Xiaoyang, Vice Chairman of China Artists Association in 2008.

Carrying forward the spirit of freehand brushwork —— Talking from "Wind and Water-Great Freehand brushwork Exhibition"

Dahe Daily and Dongfang Jinbao, 2008.

Exploration, Expansion and Innovation —— A Record of Dr. Zhu Jinhui from Xi Academy of Fine Arts

Shaanxi Cai Ying 10, 2009.

Some Questions about China's Paintings of Past Dynasties Collected by Xi 'an Academy of Fine Arts

Northwest Fine Arts, No.3, 2009.

Scenery of Heaven and Earth, Taste the Image of the World —— Reading Anonymous Painting "Three Weng Lun Dao Tu"

Don't forget Tang Ruowang in Nantang —— Reading Tang Ruowang's Dog Washing Picture

2009 Shanghai Artists Supplement.

Ling Li preaches the Gospel —— Reading Matteo Ricci's "The Priests Enter the Treasure Map"

Shanghai artists, issue 3, 2009.

Comments on Appreciation of Tibetan Paintings in Academy of Fine Arts

Yanhe bimonthly in 2008-2009

The Editorial Origin of China Paintings in Past Dynasties and the Collection of Xi Academy of Fine Arts

Collection of China Paintings of Xi Academy of Fine Arts, People's Fine Arts Publishing House, 2009

Magnificent scenery is the best in the world —— Reading an unknown painting "Grand View of Mingyuan Garden"

Shanghai artists 20 10 supplement.

I couldn't help myself for several times —— Preface to "Tangshan Ink Painting" by Zhao Bu.

The mountain is high and the water is long. Shaanxi People's Fine Arts Publishing House, 20 10, 1 version.

Essays such as Paris, A Journey to new york, Walking into Brisbane Tonight and Xi 'an were published in magazines such as Western Airlines and China Travel.

Looking at the Green Shadows from afar —— Reading Shen's "Xiu Tu of Yunshan Zen"

Northwest art, 1, 20 10.

Appreciating Wu Daosu's Landscape Painting "Xi Gu Quarrying Map" from the Perspective of Geo-culture

Social science forum, No.2, 20 10

Hu Tian Looking Back at Chang 'an Moon —— Reading Roland's Autumn Moon in Han Palace

Shaanxi Radio and Television News, June 20th10.

Saving the World and Coming to the East —— Appreciation of Matteo Ricci's Works

Shaanxi Radio and Television News on July 20th10.

The Journal of Xi Academy of Fine Arts has set up a column of "Appreciation of Tibetan Painting" since the issue of 20 165438.

Each issue publishes a series of articles about the appreciation of Yiping's ancient paintings.

Xiushui Lingshan Reflects the Sky Light —— Reading The Collection of Water Towns, a painting by Anonymous in Ming Dynasty

Northwest Art 20 1 1 No.65438 +0.

Looking Back —— A Summary of Painting in Xi 'an Academy of Fine Arts

Collection 20 1 1 issue 6.

Reading Zheng Banqiao's Bluestone Bamboo Map

Yangzhou Evening News 2011May 28th.

A boat in the mirror hides smoke —— Reading Xie's Map of Shihu Villa

Collection, issue 7, 20 1 1.

The Lonely Man under the Temple —— Reading Huang Shen's Peach Blossom in Dong Fangshuo

Yangzhou Evening News 2011July 16.

Bright and Full of People —— Reading Gong Li of Su Wenzhong by Zeng Whale

Collection, No.9, 20 1 1.

Spiritual Dialogue Across Time and Space —— Interpretation of Wang Yi's Two Ancient Paintings

Art education research,No. 1 1, 2065438.

Overview of Xi 'an Academy of Fine Arts' Collection of Paintings

Shanghai Artist, No.6, 20 1 1.

Walking in a humble position, Lingshan is in sight —— Preface to Yao Zhanxiong's Collection of Zen Prose

Qing Xin Jing Chen was published by China Chang 'an Publishing House.

The Existence Mode of Subject and Object in Image Modeling —— On the Concepts of "Shape" and "Color" in China's Paintings (I)

Northwest Art, No.4, 20 1 1.

The Existence Mode of Subject and Object in Image Modeling —— On the Concept of "Shape" and "Color" in China's Painting (Part Two)

Northwest art, 1, 20 12.

The Revived Kunming Pool —— The Ceremony of Immortal Immortals

Shaanxi Daily 201165438+February 9

Wind, dust, fragrance, ink and color —— Appreciation of Guo's ink painting

Shaanxi Fine Arts 20 12No. 1.

Plain face and simple heart —— Appreciation of Guo's ink painting

Shanghai artists, 1, 20 12.

Sitting alone on the banks of the Qingjiang River —— Reading Li Yin's Scenery of Qingjiang River

Northwest art, 1, 20 12.

Heaven and earth remain in the hermit —— Reading Tan Xuantu, an anonymous song of the Ming Dynasty

Northwest fine arts 20 12, issue 2.

Guo ink painting

Urban Economic Herald 20 12 65438+ 10/6

Looking back on the past is melancholy ―― Reading Wen Zhiming's "A Picture of Living in a Mountain and Looking Back on the Past"

Collection, the third issue, 20 12.

Hidden Smoke on the Mirror Boat ―― Thoughts on Reading Ancient Paintings

Zhi 20 13 No.2

Seeing is the way of thinking, seeing is the way of seeing ―― Reading Huang Shen's Yi Xian Tu.

Autumn 2065438+the second half of the fourth issue in 2003.