Jin Shaoshan's masterpiece.

He has a wide range of plays, and his frequent plays include: Lock Five Dragons (as Dan), Caoqiaoguan (as), Royal Garden, Bailiangguan (as Weichi Gong above), (as Gao Wang), Flying Tiger Mountain (as Li Keyong), Breaking the Secret Stream (as) and Armor-piercing Bullets. Chop Ma Su (decorated with Ma Su), Steal the Imperial Horse, Serial (decorated with Dou Erdun), Naojiangzhou, Dingjiashan, Qingfeng Village (decorated with Li Kui jy), take Luo Yang (decorated with Ma Wu), Magic Pavilion or Li Qige (decorated with Li Qi), and be loyal and filial. Some of them were originally for show, but they were also listed as big axes after he moved. For example, Eight Hundred Years, which co-starred with Ma, is the opening drama Wei River, and others include Taihang Mountain (Yao Gang), Dahuichao (Wenzhong), Long Hudou (Huyan Zan) and Qingyang Map (Li Gang). He also rehearsed the new drama "Mangdang Mountain" as Zhang Fei. Jin Dali in Eight Wax Museum and Jacker in Shuangshahe are also deeply loved by people. Other plays include Huang Yidao, Xiahedong, Yan Song, Xingyang, Yellow Crane Tower and Qingyang Map. 1926 12 10, the sixth day of the third lunar month: Jin Shaoshan and Mei Lanfang co-starred in Farewell My Concubine for the first time.

165438+ 10, Mei Lanfang was invited to lead a delegation to perform on the Daxin stage in Shanghai. The audience repeatedly demanded farewell to my concubine. Mei Lanfang first co-starred with Yang Xiaolou in this play. It is really difficult for Mei Lanfang to find another actor to cooperate with after China drama master Yang Xiaolou created the image of Chu Bawang who swallowed mountains and rivers. However, this time, I finally found Shaoshan, A Jin with low talent and high talent. 65438+February 10, Mei Lanfang and Jin Shaoshan staged Farewell My Concubine for the first time on the Daxin stage. Be a great success. Jin Shaoshan skillfully combined three performance methods, namely, bronze hammer, shelf and martial arts flower, and borrowed some singing performances from the martial arts students of Yang School. Coupled with his majestic modeling and work framework, he shaped the artistic image of Xiang Yu, the overlord of painting circles, and won the title of "Duracell" among the audience, thus becoming famous throughout the country. From then on, Jin Shaoshan became the best candidate for the overlord of Chu. In some important large-scale cooperative dramas, Mei and Jin's Farewell My Concubine is considered to be a big-axis drama with great weight and has been arranged for performances many times.

In March 1930, Cheng reorganized the club for the first time.

Cheng reorganized the club, including Hao, Yi Zhou Ruian, Wang Shaolou, Guo Yi Zhongheng, Jiang Miaoxiang, Cheng Jixian and Yi Wang Youquan, newly hired Fu Xiaoshan, Cha Jinkui, Ma Liankun, Liu Chunli, Li Duokui and Jin Shaoshan, and invited Yan Jupeng to join in a short time, which made the lineup of Minghe Club stronger. Performed at Hua Le Theater in Xiaoqiao Road, Xianyukou.

This reorganization was due to the fact that 1929 Cheng led the Banshe to Shanghai for the first time and then moved to Hankou. At that time, it cost a lot of money to remove half the actors in Cheng's play and He Ming Club, and stepped up the rehearsal of Cheng's new play. Only Cheng's old partners Cao Ergeng,,, Wen, Li Siguang, pianist Mu Tiefen and drummer Hang remain in the club. After raising funds, Liang Huating rebuilt the class club on the basis of the original class at the beginning of this year.

June 9th, 193 1, April 24th, Lunar New Year in Xinwei, 15: 00: the first day of Du Shi Ancestral Hall in Shanghai.

The first day of Du Ancestral Temple in Shanghai.

The performance starts at 3 pm.

"God Save the People" Toad Courseware

Jin (Xu Biyun, Yan, Zhu Jin,)

Hongluanxi (Xun Huisheng, Ma Fulu, KAI, Chunyan Zhang)

rest

It starts at seven o'clock.

Baihua Pavilion (Xue Yanqin)

Fenhe Bay (Zhangzaochen, Shang Xiaoyun)

Playing Flower Drum (Hua Huilin, Xiao Changhua, Ma Fulu)

Luoma lake (Li Jirui)

Luhuahe (Cheng, Wang Shaolou)

"Dragon and Phoenix Become Happiness" (Mei Lanfang plays Zhao Yun, Ma plays Qiao Xuan, Gao Qingkui plays Liu Bei before, Tan Xiaopei plays Liu Bei after, Tan plays Lu Su, Gong Yunfu plays Guo Tai, Jin Shaoshan plays Zhang Fei, Xiao Changhua plays Qiao Fu, Jiang Miaoxiang plays Zhou Yu and Cao Maobao plays Sun Quan).

1931June 1 1, April 26th, Xin Weinian of the lunar calendar, 12: the third day of Du Shi Ancestral Hall in Shanghai.

The third day of the completion performance of the Du Ancestral Hall in Shanghai.

It starts at noon.

Full House (Yang Yinong, Jin Biyu)

Yue Jiazhuang (Little Yang Yuelou, Little Kuiguan)

Qionglin Banquet (Yan)

Battle of Wancheng (played by Kirin Tong, Xun Huisheng as Zou, Liu Kuiguan as Dian Wei, Cao Ang, Cao Mao as Cao Cao, Chen Hefeng as Jia Xu, Ma Fulu as Cao An and Jiang).

Take Xingyang (horse,)

Holding a beautiful seal (Gao Qingkui)

Mulan Hua (Xu Biyun)

rest

It starts at seven o'clock.

Horseshoe Gold (Shang Xiaoyun, Guan Dayuan, Gong Yunfu)

Pullman (Liu Zongyang)

The Second Palace (Mei Lanfang, Tan Xiaopei, Jin Shaoshan)

Lin Chong Ye Ben (Li Wanchun)

Yuan (Xue Yanqin, Xue Yanfang)

Wohugou (Li Jirui)

Loyalty Festival (Cheng, Tan, Wang Shaolou)

Eight hammers (Yang Xiaolou, Ma, Liu Hanchen, Liu Yanting, Jin Wushu, Liu Kuiguan, Gao Xueqiao, He Yuanqing, Ma Fulu, wet nurse, Zhang Zhibin, Yan Chengfang and Zhang Guobin, Yue Fei).

Wuhuadong (Mei Lanfang, Cheng, Shang Xiaoyun and Xun Huisheng play Si Pan Jinlian, play and play)

Huang Guaqing (Tong Qilin, Wang,,, Jin,, Liu Kuiguan)

1933 Lunar April: Yang went to Shanghai for the second time.

Yang's second performance in Shanghai was performed on the Tianchan stage, entitled "Authentic Xu Sheng of Tan School". Collaborators include Vu Thang Ma Yulong, Qing Yanqing, Hua Shaoshan and Chen Hefeng. The performance lasted for 50 days.

65438+April 2 1 0933, March 27th of the lunar calendar: the 17th day of Yang's second performance in Shanghai.

On the day 17 of Yang's second performance in Shanghai, he appeared on the Tianchan stage and led the starring role. The program of the following performances may have overlooked the repeated performances of the same period.

perform

All the BRICS (played by Yang, played by Zhang Yanqing as Huang Niang, played by Chen Hefeng as Ma Wu, and played by Gao Xueqiao as Niu Mao).

April 22nd 1933, March 28th, the 18th day of the first lunar month: Yang came to Shanghai to perform for the second time.

On the day 18 of Yang's second performance in Shanghai, he appeared on the Tianchan stage and led the starring role. Play all the "bricks" in a row.

perform

All the BRICS (played by Yang, played by Zhang Yanqing as Huang Niang, played by Chen Hefeng as Ma Wu, and played by Gao Xueqiao as Niu Mao).

April 23rd 1933, March 29th, the 19th day of the first lunar month, Yang performed in Shanghai for the second time.

On the day 19 of Yang's second performance in Shanghai, he took the lead on the Tianchan stage. Play all the "bricks" in a row.

perform

All the BRICS (played by Yang, played by Zhang Yanqing as Huang Niang, played by Chen Hefeng as Ma Wu, and played by Gao Xueqiao as Niu Mao).

On April 24th 1933, on March 30th, on the 20th day of the first lunar month, Yang performed in Shanghai for the second time.

On the 20th day of Yang's second performance in Shanghai, he appeared on the stage of Tianchan, starring. Play all the "bricks" in a row.

perform

All the BRICS (played by Yang, played by Zhang Yanqing as Huang Niang, played by Chen Hefeng as Ma Wu, and played by Gao Xueqiao as Niu Mao).

April 25th 1933 Lunar New Year's Day: the 2nd1day of Yang's second performance in Shanghai.

On the 2nd1day of Yang's second performance in Shanghai, he first appeared on the stage of Tianchan. The program of the following performances may have overlooked the repeated performances of the same period.

perform

Lotus Lantern (played by Yang, played by Zhang Yanqing, played by Yang Jian by Gao Xueqiao, played by Qin Can by Jin Shaoshan, played by Liu Yanchang by Chen Hefeng, played by Yang Zhenren by Ju-hua Fen, played by Han Jinkui, and played by Shen Xiang by Wang Fuying).

April 29 1933 Yang performed in Shanghai for the second time at the fifth day of the fourth lunar month.

On the 24th day of Yang's second performance in Shanghai, he appeared on the stage of Tianchan, starring. The program of the following performances may have overlooked the repeated performances of the same period.

perform

All shouyangshan (Yang plays, plays, Zhang Yanqing plays Princess Zhuang Ji, and Ma Yulong plays Han Jue).

May 4th, 1933, 10th day of the fourth lunar month: 29th day of Yang's second performance in Shanghai.

On the 29th day of Yang's second performance in Shanghai, he took the stage of Tian Chan and topped the list. The program of the following performances may have overlooked the repeated performances of the same period.

perform

(Yang,)

May 9 1933 Lunar April 15: The 34th day of Yang's second performance in Shanghai.

On the thirty-fourth day of Yang's second performance in Shanghai, he performed on the Tianchan stage and hung the top card. The program of the following performances may have overlooked the repeated performances of the same period.

perform

Spring and Autumn in the Prosperous Age (Fishbone Sword,) (Yang ...)

1934 On February 27th, January 14th, Mei Lanfang arrived in Wuhan for the second time.

Mei Lanfang flew to Hankou, which is Mei's second performance in Wuhan. Tan, Liu Lianrong and other veterans who "crossed the river with knives" came by train from Beiping and by boat from Nanjing. All the tickets for the first three days have been sold out by the end of this month.

1March 3, 934, the 18th day of the first lunar month: the first day of Mei Lanfang's second performance in Wuhan.

The first day of Mei Lanfang's second performance in Wuhan. Tan,, Liu Lianrong,, etc. Today's sex scene "The woman begins to solve".

At the beginning of the performance, many extra seats were sold, but the audience outside the door was still very noisy and had to sell many more station tickets. The theater was packed with people. 4 yuan, with the highest fare, sells for 1 yuan, which is unprecedented in Wuhan. One week after the performance, for the sake of theater order and audience comfort, the station tickets were cancelled.

1March 4, 934 January 19th: The second day of Mei Lanfang's performance in Wuhan.

Mei Lanfang performed in Wuhan for the second time the next day. Tan,, Liu Lianrong,, etc. Today's sex scene "Luo Shen". Because on Sunday, Famen Temple is added daily.

At the beginning of the performance, many extra seats were sold, but the audience outside the door was still very noisy and had to sell many more station tickets. The theater was packed with people. 4 yuan, with the highest fare, sells for 1 yuan, which is unprecedented in Wuhan. One week after the performance, for the sake of theater order and audience comfort, the station tickets were cancelled.

1March 5, 934: 20th day of the first lunar month: the third day of Mei Lanfang's second performance in Wuhan.

Mei Lanfang performed in Wuhan for the second time in the third grade. Tan,, Liu Lianrong,, etc. Today's sex scene "Shiro visits his mother".

At the beginning of the performance, many extra seats were sold, but the audience outside the door was still very noisy and had to sell many more station tickets. The theater was packed with people. 4 yuan, with the highest fare, sells for 1 yuan, which is unprecedented in Wuhan. One week after the performance, for the sake of theater order and audience comfort, the station tickets were cancelled.

1934 March 12, January 27th: Mei Lanfang's second performance in Wuhan is due.

Mei Lanfang performed in Wuhan for the second time. This day is overdue, continue for five days, plus one day to help the theater (no performance fee). Until March 18, it was officially opened 16 days, and it was all full.

In addition to the old dramas and costume dramas in the past, there are plays such as Farewell My Concubine, History of Xi and Legend of Taizhen that have never been staged in the Han Dynasty. Tan also performed plays such as Catch and Release Cao Cao, Hit a Stick and Get Out of the Box, Touch a Brand Monument, Imperial Garden and Assassination of Liao Wang.

1936 165438+ March of the lunar calendar: Mei Lanfang went to Jinan, Shandong Province to perform.

Mei Lanfang went to Jinan, Shandong Province, and accompanied by Yang, Yang and Yang, Mei Lanfang performed at Jindehui Peking Opera Theatre. The big axis is Farewell My Concubine by Mei Lanfang, and the finale is Hongyang Cave by Yang, Liu Lianrong and Wang Quankui.

Lunar March 1937: Songzhu Society of Jin Shaoshan Group.

Jin Shaoshan returned to Beiping and set up the Songzhu Society to play folk art, which was a precedent. Invite Yang to perform at Hua Le Theatre.

1937 February 14, the fourth day of the fourth lunar month: the first broadcast of Songzhu Society.

Songzhu Society premiered at Hua Le Theatre in Beiping.

perform

Fishing for Scarabs (Li Duokui)

Fisherman kills (Yang,)

Lianhuantao (Jin Shaoshan)

1937 February 15, the fifth day of the first month of the Ding Chou year of the lunar calendar: 1937 February 15, China Paradise performance.

Today, Peking Opera is being staged in Hua Le Theatre.

perform

Dragon robe (Li Duokui, Jin Shaoshan)

1938 February 16, 17th day of the first lunar month: Yang Xiaolou continued.

Yang Xiaolou was buried the day before yesterday, and today he will accept it three times.

Yang Xiaolou left a will before his death, saying that he had become a monk in Baiyun Temple, and his name had been published in the Jade Emperor's Dengzhenzuo. His body, life and spirit are not under the jurisdiction of the Ten Hall Yanjun, but are controlled by the "three officials". Therefore, after "feathering", you must put on Taoism and "three thousand women in Taoism and twelve jade pagodas in Tianjing" before you can go to Xianyou. His descendants followed suit, and his clothes were a complete set of Taoist costumes: a white trousers coat with double-breasted collars, a small cotton-padded jacket and trousers with blue collars, and a big blue cotton robe outside. They are all tied with a sword-shaped belt. The outside is covered with a purple robe embroidered with gossip and Tai Chi patterns. Because there is no long hair on the top of the head, it is naturally impossible to tie it into a crown, so there is no ingot-shaped miscellaneous towel, so we have to wear a Zhuangzi with a piece of jade as a "hat" in the middle. I wore a pair of white socks under my feet, my trouser legs were put in the sock tube, and then I put on a pair of purple Qingyun head "cloud shoes". Holding the jade handle in both hands. It's completely a robe full of "truth" by burning immortals and practicing merits. Beneath you, it is "covered with gold and silver." However, the cover on the body is said to be a white quilt embroidered with the birthday celebration pattern of the Eight Immortals; Others say it is a "Hokkekyo quilt" covered with yellow silk and red Sanskrit Buddhist scriptures. The latter statement, of course, is incompatible with Taoist burial clothes. But it was probably influenced by the legacy of worshipping Buddhism in Qing Dynasty, so Buddhism and Taoism merged.

Yang Xiaolou's coffin is even more exquisite, but it is the "heavy material" of Jin Sinan's "four independent boards" (that is, the two sides, the bottom and the cover are all four whole boards), and it is a top-grade coffin. I bought it from the Romanesque Street Crane Year Longevity Wood Shop, which is worth 2400 yuan. As for the sacrificial objects in the coffin, there are different opinions. According to the communication report about the theft of Yang's tomb in the newspaper in those days, besides swords, teeth pieces and blowing dust, there are many kinds of sacrificial articles, including ancient ceramics, hookahs, gold and silver jewelry, etc. However, it attracted future trouble. As the saying goes, "domestic thieves are hard to prevent". Dong Si and his associates who were looking after the grave in Songbai Temple unexpectedly dug it up.

Yang Xiaolou's funeral has two characteristics: first, it highlights the word "luxury" in general ostentation and extravagance; The second is to highlight the word "Tao" everywhere in etiquette. After Yang Yi's death, a towering and spectacular shed was set up in the hospital. According to the classical architectural form, the roof is the five ridges and six beasts, and it is also the "flower ridge" in the shape of ancient money. Seen from a distance, it looks like a tall temple. On three sides of the shed, a "prayer mat" (a platform in the room) was set up. This will not occupy the effective area of the hospital. The whole layout is: the mourning hall is in front, and the treasure Buddha platform is opposite. Opposite the platform, that is, above the mourning hall, there are yellow satin embroidered doors and banners. There are four yellow satin embroidered prayer flags in the middle of the shed roof, which match the banners and doors. On the roof of the shed, there are pavilions-style Taoist prayer flags, blue satin embroidered doors and banners, and four blue satin embroidered prayer flags are hung on the roof. The lower part of the shed is a Buddhist (monk) worship platform with red silk embroidered doors and banners, and the top of the shed is hung with four red silk embroidered banners. At first glance, it looks like a sacred place for gods and buddhas. In front of Yang's mourning hall, a big platform with a circumference of one foot and two feet was built. The four corners of the platform are supported by bright columns with green lacquer gold patterns, and the ceiling with crane patterns is installed on the top, symbolizing the sound of death, "Drive the crane to the fairy." Consistent with Yang Yisheng's belief, the upper and lower ends of the platform are covered with inscriptions by celebrities, chambers of commerce, Tzu Chi Association and Liyuan Association.

There is a big pilu hat-shaped shrine in the mourning hall. On the front, there is a big plaque "Yuen Long returns to the truth" sent by Cao Kun. There is a plain wreath under the plaque, decorated with small white flowers in the middle, forming a big "drink". Yang's coffin was placed on a coffin lid embroidered with birthday patterns in red silk. Outside the hood stands a huge portrait of Yang. In front of the portrait, there are five offerings of cloisonne, plus a pagoda-shaped "stuffy lamp" (that is, the ever-burning lamp, which is widely rumored by the people that the dark road is dark and must be lit to illuminate the dead); There are colorful gold and silver exquisite flowers in the flower tube; A pair of white blue wax is lit on the wax sticks on both sides; In the middle is a tripod-shaped incense burner. There is a tablecloth embroidered with blue satin and a white crane with Qingyun pattern in front of the platform. There is also a small table in front of the altar, on which there is a sandalwood stove and a pair of incense bowls for hanging people to burn incense. On the podium, Chen put two pairs of spiritual people; Near the coffin stood a pair of "children" (that is, golden couple) who guided the way. The golden boy held the banner and the jade girl carried the stove.

There are four pairs of paper ruler tables and a pair of Jinshan Yinshan bonsai on both sides of the platform. A pair of colorful brocade feet (cloth), which is a fixed routine. But the other two pairs of watches have the characteristics of Yang's funeral. A full set of cassock with paste: bean green face with ribbon on the sword and cassock with green collar; A robe with a dark blue and blue collar; Horseshoe-shaped mixed elements, one in the gatehouse of Zhuangzi; Color embroidered Qingyun white crane, red Eight Immortals vestment, orange Wanshou figure vestment, purple gossip Taiji figure vestment; Two pairs of white socks and two pairs of cloud shoes. A table is filled with Taoist relics: flags, swords, tokens, ceiling rulers, bamboo slips (water boards), earthquake altar wood, rice dishes, water purification bowls, poplar branches, cinnabar inkstones, writing brushes, yellow watch commemorative boxes, symbols and jade saggers. A table with Four Treasures of the Study: Wanli blue-and-white pen holder, gabled pen holder and copper pen holder; Insert a large sum and "an article" in the small print; Stone inkstone; A large bronze ink bottle is engraved with a five-character poem written by Jia Dao in Tang Dynasty: "I asked your students under a pine tree," and he replied, "My teacher," to collect herbs. However, through these clouds, how can I know which corner of the mountain it is facing? . "A pair of copper paperweights; "Longmen" is covered with a box of gold ink ingots and a box of colored banknotes, painted with the pattern of Songtao Shuiyue, and has a double-hook official script: "Rivers are thousands of miles away, and there are clouds in Wan Li". There is also a mantle lamp. The other table is filled with antique furnishings: two pairs of hardwood brocade boxes with purple satin grooves, in which there are stoves, ding, bottles and jars, and a group of geisha with pottery tiles and silver glazes. The kiln has become a purple "cornucopia" (golden house and silver room); Pastel magnetic basin, a "cash cow" with large red coral branches hanging gold and silver; A box of jade articles; A box of hookahs. These paper ghosts are so delicate that they can be confused. But outside the Peace Gate, there are two dressing rooms, yanshou temple Street, Henderson and Gaoji.

Today, we saw the road closed three times, and the broom lane of Yang funeral home set up a blue cloth shed across the street in advance. Plain archways were set up on both sides of the shed and in front of the funeral parlour. A pair of big drums and gongs with double flower baskets on a red background were set up in the shed, which made the guests overwhelmed. In the afternoon, yanshou temple Street and Liulichang in the west, Huofan Hutong and Meishi Street in the east and south, people from all walks of life, mainly Liyuan, went to Yangzhai to offer their condolences. Only people inside and outside the show, including famous actresses Shang Xiaoyun, Gao Qingkui, Shen Manhua, Li Hongchun, Liu Yanting and Wang Fushan, attended the ceremony in person. Such as, Yu Yaoqing, Wang Fengqing, Yu Zhenting, Cai, Tan, Cheng, Ma Fulu, Zhang, Ye, Guo Chunshan, Yan Lanting, Li Yongli, Xun Huisheng, Wang Songling, Ding Shuili, Yu Lianquan, Yu Yongli, Chi Yueting, Yang Chunlong, Wang Youquan and Jin Zhong. Really a white horse, I can hang the Year of the Tortoise. In Peng Ling, the drum music of the Holy Spirit, the sound of the Buddha's name and the cries are mixed together.

At six o'clock in the afternoon, send three according to the funeral. Walking in front is the official drum music, the official blowing official playing 24 organ and the fine music of "Jiufu Class", followed by a big wheel cart with fine colored paper, with fine horses driving the shaft and a top horse in front; Followed by a mule. Outside the left window of the carriage, there is a yellow note that reads: "yangfu, the eldest father, the filial daughter Yang, the son-in-law, the grandson, etc. The filial piety of the whole family, etc. " There are also four-wheeled carriages, with large glass shutters on all sides and double horses; 8 people carry the green official sedan chair; Barbell box 4 lifts; 4 pier boxes; One crane (the second warehouse on the first floor has been sent to the incinerator in advance to wait).

On both sides of the paper, there are 8 white big angry wind lamps and 12 pairs of hexagonal hand covers for lighting. Behind Zhazhicaoling is the Lama Temple 13, playing Mongolian and Tibetan instruments such as drums and trombones. The Taoist priest of Baiyun Temple wore a pair of satin embroidered clothes, played clank and hafnium drums, and made great achievements in Bai, holding the Ruyi Hall. All the guests attending the farewell ceremony (mostly famous actresses) walked in double lines with incense and lanterns in their hands, forming a big fire dragon. After that, the monks of Tieshan Temple played the Buddha Brahma music with the sheng pipe flute, which was embarrassing to death. Yang's daughter, Rong Gui, is holding a piece of paper that never forgets money, and her son-in-law Liu Yanfang is holding a copper tea tray with a lighthouse made of Bala noodles by lamas. Children and grandchildren adhered to the Taoist scriptures and Zen scriptures respectively, and they were all in tears and were supported by their loved ones. Finally, Longquan Temple has 13 people. Play Seven Stars with Sue. The whole line for sending three people winds for about a mile. There are hundreds of stalkers. Three ranks were sent from No.20 Mansion in Broom Lane, out of the south exit of yanshou temple Street, through Liulichang, Changdian, Nanxinhua Street, to Hufang Bridge to burn ghost chariots and horses, and left after the ceremony.

On the third day, after discussing with Xiao Jia in the funeral home, it was decided that Yang's coffin would be hung at home for 15 days. Since the official opening of the altar today, there have been death ceremonies every day, except for the confessions invited by family members, including 7 tent scriptures sent by colleagues in Liyuan; Daojing 8 sheds; Zen sutra 10 shed. There are 25 sheds. All chanting, offering sacrifices, burning lamps and giving food are known to be Zhou Long. It is planned to be sent to the library on February 27th; 28th, inscription. According to the investigation of Kan Yujia, the land outside Yongdingmen was not suitable for burial because of "unfavorable direction", so it was temporarily buried in Taoranting Longquan Temple until next year.

65438+August 2 1 0939, the seventh day of the ninth lunar month: Qin invited famous actors to sing a volunteer drama to help Tianjin fight floods in the form of co-productions.

During the flood in Tianjin, actor Qin invited famous actors to sing a volunteer drama for disaster relief in the form of cooperative drama. Yan He's frontcourt "Touching the Monument", Da Zhou Qin's "Tianhe Match", Yan plays Zhang Youcai and plays the cow god.

In October of the first lunar month, Zhao worshipped as a teacher.

Zhao Xiaobing was recommended by Mr. Gui Xijiu and formally studied under Mr. Jin Shaoshan. More than 100 celebrities attended the opening ceremony. There were many photos of VIPs and Kim at that time, but they were lost during the Cultural Revolution.

1940 65438+1October 22nd Lunar September 14th: Xinmin Society's voluntary drama to help the poor.

Xinmin Society's three-day drama for helping the poor was staged at Xinxin Grand Theatre. The finale that night was Ma He's mulberry, and the grand finale was the honey trap of Cheng He and Sun Yukun.

1940 March 10, the second day of the second lunar month in Chen Geng: Yan Huizhu and Jin Shaoshan perform in Tianjin.

Yan Huizhu and Jin Shaoshan went to Tianjin and performed at China Grand Theatre.

1941September 30th: On the 10th day of the eighth lunar month, Yan plans to cooperate with Qin for a long time.

Yan plans to cooperate with Qin for a long time, and employs Sun Huanru as the general manager to star in Chang 'an every Saturday.

1942 1.20, the fourth day of the twelfth lunar month, 2 1: the "dragon robe" recorded by Jin Shaoshan, Li Duokui and others.

Jin Shaoshan and Li Duokui are equal to Shengli Company, recording Dragon Robe at 9: 00 pm and ending at 1 1 in the evening. Li Duokui plays, Jin Shaoshan plays Bao Zheng, Ma Fulu plays Chen Lin, Xiao Changhua plays the lamp officer, Guo Huai and Guan Dexian play, Jia Xianying plays Jinghu, and Zhang Wuji plays the drum. Gold or reward 65438+2000 yuan, even Guan Dexian won 300 yuan.

15 June, 946, the sixth day of the fifth lunar month: The first drama of Guangxi disaster relief volunteers was held in Tianjin China Grand Theatre.

From June 5th to 1 1, a benefit performance was held in China Grand Theatre, Tianjin, which included:

Six People Sitting in the Snow in a Prison, starring Wang Yinqiu, assisted by the famous action art Li Duokui in Lao Dan. Played by is an actress with sincere feelings, and her singing makes full use of the melancholy, implicative and deep characteristics of Cheng School. The long song [Huang Er Adagio] is sad and euphemistic, giving people a feeling of stirring.

"In the War" ("Flower Picking") co-performed by Tan,,,, and. Among them, Wang Yinqiu is only 2 1 year old. As a young actor, he dares to cooperate with so many famous Peking Opera artists on the same stage, which shows that Wang Yinqiu has made greater achievements in the way of learning art in Going Up a storey still higher.