Qinghe map information

China is one of the top ten famous paintings handed down from generation to generation. The genre painting of the Northern Song Dynasty, with a width of 24.8 cm and a length of 528.7 cm, is the representative work of Zhang Zeduan, a painter of the Northern Song Dynasty. It is a first-class national treasure.

This painting depicts the prosperity of Bianjing in the Qingming period. It is a witness to the prosperity of Bianjing in that year and a portrayal of the economic situation of the city in the Northern Song Dynasty. Through this painting, we learned about the city appearance of the Northern Song Dynasty and the life of people from all walks of life at that time. In a word, The Riverside Scene at Qingming Festival is of great historical value.

The center of the Riverside Map on Qingming Festival consists of a rainbow-shaped bridge and the street surface of Qiaotou Street. At first glance, crowded and chaotic; A closer look shows that these people are from different industries and engage in various activities. There are some vendors and many tourists on the west side of the bridge. There are knives, scissors and groceries on the stall. There are tea sellers and fortune tellers. Many tourists lean against the railings by the bridge, or point at them, or watch the ships coming and going in the river. On the sidewalk in the middle of the bridge, there are bustling people; There are people who ride cars, ride horses, carry loads, drive donkeys, transport goods and push unicycles ... The south side of the bridge is connected with the street. On both sides of the street are teahouses, pubs, pawn shops and workshops. There are many vendors with big umbrellas in the open spaces on both sides of the street. The street extends eastward and westward to the quiet suburb outside the city, but there are still pedestrians on the street: some are carrying goods, some are driving ox carts to deliver goods, some are driving donkeys to pull trucks, and some stop to watch the scenery of Bianhe River.

There are many boats coming and going on the Bian River, which can be described as a race in Qian Fan. Some are parked near the dock, and some are driving in the river. Some big ships were overloaded, and the owners hired many trackers to tow them. A big ship carrying goods has passed under the bridge and will soon cross bridge opening. At this time, the boatman on this big ship is very busy. Some people stood at the top of the canopy and put down their sails; Some people are struggling to support the pole by the boat; Some people hold the ceiling of bridge opening with long poles, so that the boat can pass safely with the water. This tense scene attracted the attention of tourists on the bridge and nearby boatmen, who stood by and cheered. The Riverside Scene at Qingming Festival vividly depicts the busy and tense traffic scene on the Bianhe River, adding more vitality to the painting.

Zhang Zeduan has a high artistic generalization, which makes The Riverside Scene at Qingming Festival reach a high artistic level. The Riverside Scene at Qingming Festival is unprecedented in its rich content, numerous characters and grand scale. The picture of Riverside Scene on Qingming Festival is dense and orderly, from quiet suburbs to bustling city streets, attracting people everywhere.

Based on Qian's Zhuo? According to the statistics in Volume 8, there are 1659 people and 209 animals on the riverside scene in Qingming Festival, which is more than any of the classical novels Romance of the Three Kingdoms (1654, 38+095 people), Dream of Red Mansions (975 people) and Water Margin (785 people).

The whole picture of Riverside Scene at Qingming Festival can be divided into three sections. When the picture unfolds, the first thing you see is the scenery on the outskirts of Bianjing. The middle section mainly depicts the busy scenes on both sides of Shangtu Bridge and Bianhe River. The second half depicts the street view of Bianjing City. The size of the word is less than 3 cm, as small as a bean. If you look at them carefully, they are both physically and mentally interesting.

According to the textual research on the inscription of Li Dongyang, a Ming Dynasty man, there should be a landscape map of the outer suburbs in front of The Riverside Scene at Qingming Festival, which is inscribed with Song Huizong's fine gold lettering and Ssangyong's small seal for his collection, but now these have disappeared from the painting. There are two reasons. One possibility is that this picture has been circulated for too long, and the beginning part was broken after being enjoyed by countless people, so it was cut off when later generations mounted it; One possibility is that Song Huizong's inscription and Ssangyong Xiao Zhuan are valuable, and later generations deliberately cut them off and sold them as another painting.

Many experts suspect that the second half of The Riverside Scene at Qingming Festival is missing, because this painting should not come to an abrupt end just after entering Kaifeng City, but should be painted all the way to Jinming Pool.

Explain in detail in chapters

The Riverside Scene at Qingming Festival records the architecture and people's livelihood in the suburbs of Bianjing (now Kaifeng), the capital of Hui Zong era, and on both sides of Bianhe River in the city with exquisite brushwork. This painting depicts the bustling scene and natural scenery on both sides of Bianliang and Bianhe, the capital of the Northern Song Dynasty, during the Qingming period. In the form of long scrolls, the composition method of scattered perspective is adopted to bring complicated scenery into a unified and changeable picture. There are more than 1000 people in the painting, with different clothes and expressions, interspersed with various activities, paying attention to drama, dense composition, rhythm and rhythm changes, and ingenious brushwork. The whole picture is divided into three sections.

The first paragraph, Bianjing rural spring:

In the sparse forest mist, there are several huts, grass bridges, running water, old trees and boats. Two porters are driving five donkeys carrying charcoal into the city. A willow forest, with faint green branches, makes people feel that although it is chilly in spring, it is already spring back to the earth. In the sedan chair on the road, a woman sat in it. The top of the sedan chair is decorated with willows and flowers, followed by riders and bearers, returning from a walk in the suburbs of Beijing to sweep the grave. The description of the environment and characters points out the specific time and customs of Tomb-Sweeping Day, which opens the curtain for the whole painting.

In the middle section, the busy Bianhe Wharf:

Bianhe River is the hub of national grain transportation in the Northern Song Dynasty, and it is also the main road of commercial traffic. As can be seen from the picture, the population is dense and there are many grain ships. Some people are resting in the teahouse, some are telling fortune, and some are eating in the restaurant. There is also the "Wang's Paper Horse Shop", which is a grave sweeper selling sacrifices. Ships in the river come and go, end to end, pulled by trackers or rowed by boatmen. Some are full of goods, going upstream, and some are nervously berthing to unload. Across the Bianhe River is a large wooden arch bridge with exquisite structure and beautiful shape. Such as flying rainbow, hence the name Hongqiao. There is a big ship waiting to cross the bridge. The boatman is supported by bamboo poles; Hook the bridge with a long pole; Lead the boat with hemp rope; Several people are busy lowering the mast so that the ship can pass. People in the neighboring ship are also pointing, as if shouting something. Both inside and outside the ship are busy crossing the bridge for this ship. People on the bridge are also sweating over the tense ferry scene. This is the well-known Hongqiao pier, which is full of traffic and bustling, and is really the intersection of land and water transportation.

In the second half, busy city streets:

Centered on the tall towers, there are rows of houses on both sides, including teahouses, restaurants, foot shops, meat shops, temples, public halls and so on. Silk, jewelry, spices, incense, paper horses and so on all have specialized businesses. In addition, there are medical clinics, car repair, fortune telling, shaving and plastic surgery, and all walks of life have everything. Large-scale shops are also tied up with "colorful buildings and happy doors", and banners are hung to attract business, and pedestrians in the market are jostling with each other. There are businessmen who do business and people who look at street scenes. There are monks walking around with baskets on their backs, tourists asking for directions from other places, street children who have heard of books, children of rich people who drink heavily in restaurants, disabled elderly people begging on the edge of cities, men, women and children, scholars, farmers, workers and businessmen, and so on. Means of transportation: sedan chair, camel, ox cart, rickshaw, flatbed, flatbed, all kinds of things. Vividly displayed in front of people.

More than 550 people of various colors were painted in the picture scroll with a total length of more than five meters, including fifty or sixty cattle, horses, mules, donkeys and other livestock, more than 20 vehicles and bridges, and more than 20 ships. Houses, bridges, towers, etc. They also have their own characteristics, reflecting the characteristics of architecture in the Song Dynasty. The Riverside Scene at Qingming Festival by Zhang Zeduan is a realistic genre painting depicting a corner of Bianjing in the Northern Song Dynasty, which has high historical value and artistic level.

Artistic feature

From The Riverside Scene at Qingming Festival, we can see several very distinctive artistic features:

First, it is rich in content. The Riverside Scene at Qingming Festival adopts the method of constantly moving the viewpoint, that is, "scatter perspective" to capture the required scene. From the vast Yuan Ye, the vast rivers, the towering battlements, to the nails and rivets on ships and cars, the small commodities on vendors, and the words on the market, they are all harmoniously organized into a unified whole. There are officials, farmers, businessmen, doctors, monks, Taoist priests, petty officials, women, children, teachers, laborers and so on, as well as donkeys and horses. There are fairs, trading, hanging out, drinking, parties, pushing boats, pulling carts, riding cars, riding horses and so on. There are many shops, hotels, teahouses and dim sum shops in the street, as well as towers, river ports, bridges, cargo ships, government buildings and thatched cottages. There are 8 15 people, more than 60 kinds of livestock, more than 20 wooden boats, more than 30 pavilions and more than 20 trolleys on the riverside map at Qingming Festival. Such rich and colorful contents are rare in ancient paintings of past dynasties. People of all colors engage in various activities, not only with different clothes and facial expressions, but also with various activities, full of dramatic plot conflicts, which make viewers look at the industry with endless aftertaste.

Second, the structure is rigorous, complicated but not chaotic, long but not redundant, and the paragraphs are clear. What is commendable is that such rich and colorful content, prominent theme, echo from beginning to end, the whole volume is seamless. Every figure, scene and detail in the painting are arranged reasonably, and the relationship between the pictures, such as density, simplicity, movement, gathering and dispersion, is handled properly, so as to be complex but not miscellaneous, but not chaotic. It fully shows the painter's profound insight into social life and superb ability to organize and control pictures.

Thirdly, in terms of techniques, the combination of big brushwork and meticulous brushwork is good at choosing vivid and poetic things, scenes and plots with essential characteristics to express. Observe life very carefully and portray every character and prop. Everyone has his own identity, way and plot. Buildings, bridges and other buildings are rigorous in structure and detailed in description. Cars, horses and boats cover all aspects, so be careful not to lose sight of the whole picture or the situation. For example, the objects on the ship, the way of nailing and riveting, and even the method of tying the rope are all explained clearly and magically.

Evaluation by all parties.

Bai Shouyi's General History of China (Color Picture Book) Comments on Riverside Scene at Qingming Festival. There are more than 500 people, more than 50 livestock, more than 20 vehicles, many houses, countless props, huge scenes, clear paragraphs, tight structure and orderly. Skilled technique, meticulous pen, vigorous lines, dignified and sophisticated. It embodies highly pure painting skills and outstanding artistic achievements. At the same time, because the painting was a social record at that time, it provided important historical materials for future generations to understand and study the urban social life in the Song Dynasty.

The Concise Encyclopedia of Britain's evaluation of the section "Zhang Zeduan" in The Riverside Scene at Qingming Festival is a custom picture scroll with important historical value. The painter successfully described the life scenes of all walks of life in Bianjing City and its suburbs during the Qingming period. Mainly for workers and ordinary citizens. The handling of the relationship among people, buildings, cars, trees and water is very clever, with a strong sense of integrity and great historical value. Since then, the urban genre paintings painted in previous dynasties have been influenced by it.