What's the story in Deep Flowers? How to evaluate?

Based on the experience of a foreman of a moving company, this micro-film shows Mr. Feng's attachment to the hutong in the depths of the' Hundred Flowers' in old Beijing.

While showing the rapid development of the city, the director uses the decline of traditional culture and the prevalence of consumerism to show the changes of the times under the replacement of the old and the new. The use of lenses, fruits and images in the film is very clever.

In the film, the director uses a lot of long sports shots: in the process of "moving", the shots are constantly shifted from the foreman and another worker with a "goldfish bowl" to the workers who laugh at it. While portraying the image of the moving workers, the director made a detailed and complete record of the scene of "moving" and the actions of the workers, making the plot coherent and true.

In addition to moving long shots, the director is also good at using short fixed shots. Short fixed shots are often used to describe or emphasize the details. The dialogue scene uses the director: foreman sitting in the car while reading the list, while discussing the moves with Mr. Feng standing by the car door, so that the plot information is concentrated and clear.

It paved the way for the establishment of the emotional distance between the audience and Mr. Feng, and also established the sense of rhythm of the camera. It not only shows Mr. Feng's madness and the helplessness of the moving company, but also creates a smooth sense of absurdity and harmony.

The use of Beijing is of great significance to describe Beijing's environment. Mr. Feng sits in a white truck and looks out of the window. Tall buildings stand tall and stacked on top of his head, which is a strange scene for him.

At this time, the vision and the sense of space of Universiade make the viewer feel emotionally detached, let the viewer understand the driving environment, and have a * * * sound with Mr. Feng's "inability to integrate".

Future Outlook: In the eyes of the foreman, Baihua Hutong is highlighted as dilapidated, obsolete and decadent, which is in great contrast with the prosperous and fast-developing city, showing the emotional changes between the foreman and Mr. Feng.

The images in the film also show different meanings according to the two characteristics of the city. High-rise buildings and highways have become symbols of the development of new forces, while lonely locust trees and dilapidated buildings have become synonymous with the decline of traditional culture. The old and the new are changing, between the unfamiliar and the familiar.

The clock was found, at the flea market, and so was the shell hand of the clock. It's in the newly filled ditch. A bell is divided into two parts, one part stays in place and the other part is taken away with the soil. Recombined, it gives people a feeling of traveling through time and space, just like the overlap of reality and reality in the film: white walls, black tiles and red columns, and a big pagoda tree in the courtyard.

The jingle of the bell aroused the audience's imagination of the sound when it was windy and rainy many years ago, and also reminded the audience of the joy when Mr. Feng found the bell.

Mr. Feng ran to the locust tree with a bell in his hand. Backlight shooting not only outlines people and trees, but also separates Mr. Feng from emerging high-rise buildings, which not only increases the sense of space and artistic appeal of the film, but also sets off a poetic and mysterious atmosphere.

Then it shows that the collision between traditional culture and new culture shows the vitality of traditional culture and casts a complex color on the theme of the film.

Through different attitudes towards Mr. Feng's old and new environment, this film delicately and truly shows the "confrontation" between traditional culturists and prevailing consumerism and foreign cultures in the rapidly developing society, thus showing the vigorous vitality of new things, and at the same time revealing the sorrow that the times are developing too fast, the traditional culture is declining and the years are flying by.

This film will undoubtedly guide the audience to recall and look for the imprint of past life while pursuing new things, and let many people who live too fast see the beauty of nuances. This film has certain practical significance.