The realization of the new time and space of movies mainly depends on.

The temporal-spatial relationship between shots is a very important means in audio-visual language, but the temporal-spatial relationship between shots is not limited to finding formal editing points. There is a very prominent example of lens relationship in the movie Dawn is Silent here in the former Soviet Union. At the end of the last episode, warrant officer and Sonia watched the movement across the river together, and they found the Germans on the path beside the forest across the river. They count "one, two" and the camera cuts back to warrant officer and Sonia. When the camera shot the forest on the other side again, the third German devil appeared from the forest. At this moment, the camera is like the eyes of warrant officer and Sonia, shooting the forest across the river all the time. The audience can hear the nervous voices of Sonia, Rania, Lisa and Rita in the space behind the screen: three, four, five, six ... six, seven. ...

This audio-visual processing method breaks the framework of the film and expands the space. The audience looked at the Germans across the river like four female soldiers and silently counted the number of devils with them. The audience's "participation" is as nervous as the female warrior in the film. Finally, when the camera switched to Sonia and the warrant officer again, she repeated: sixteen. After a while, there was a cuckoo call nearby, then a cuckoo call in the distance, and another one nearby. Stop! The girl in red in real time and space turned around and quietly listened to the cuckoo's crow for three times. Then he said to the forest, "cuckoo, cuckoo, how long do you think I can live?" "She began to count, count to eight. The beauty of this autumn lies in the choice of editing points. There is no logical and formal relationship between before and after shooting, one is black and white, the other is color; One is the past time and space, and the other is the present time and space.

The cuckoo in the black and white section immediately cut to the color section after shouting the third sound, and the girl in red turned her head, giving the audience the feeling that the girl in red heard the cuckoo in the past war time and space. This is a wonderful stroke of the film's time and space composition. The audio-visual process and compact editing make the audience not only stop watching those two contrasting shots, but also psychologically add a sentence: "The contrast between two time and space." The audience will naturally compare Sonia in wartime when the number of enemies far exceeds her own, and this girl who laughs and tells fortune by counting cuckoos in peacetime. Movies use audio-visual language. The audio-visual language in this passage is better than the missionary dialogue in thousands of words. Vivid and simple audio-visual language can arouse the audience's deep thinking and let the audience participate in the creator's reflection. It can be seen that the deeper the thoughts and feelings, the more simple language is needed, which is beyond the producer's endless preaching and various gimmicks.