Renaissance constellation _ Renaissance three masters constellation

Michelangelo Buonarroti was born in/kloc-0 on March 6th, 475. He is a Pisces.

Brief introduction of Michelangelo Buonarroti

1475 was born in Cabrisse, near Florence. His father was the autonomous mayor of Quiche and Cabrisse. At the age of 65,438+03, he entered the studio of Florentine painter Ghirlandaio, and later transferred to the Medici College of St. Kyle Monastery as an apprentice, where he was exposed to classic works of ancient art and a large number of philosophers and scholars, resulting in the idea of worshipping the ancient. The fashionable neo-Pareto doctrine and Dominic who was burned at the stake, my father Ji Rolamo Safonarola, gave him the most important influence in his life. Michelangelo didn't intend to be a painter at first, but his ambition was to be a sculptor, and he only cared about "carving" and didn't care about "plastic": just like people got rid of their physical bondage and gained the form of existence. This is the doctrine of neo-Platonism.

From 65438 to 0496, Michelangelo came to Rome and wrote his first representative works Bacchus, Bacchus and Mourning for Christ. 150 1 year, he returned to Florence and completed the world-famous statue of David in four years. 1505 David was in Rome. He was ordered by Pope Julius II to build the Pope's mausoleum, and returned to Florence after 1506.

1508, he was ordered to return to Rome, and it took four years and five months to finish the ceiling mural of the famous Sistine Chapel. 15 13 years, the construction of the Pope's Mausoleum was resumed, and Michelangelo created the famous "Moses, Bound Slave and Dying Slave". 15 19- 1534, in Florence, he created the greatest work of his life-the group sculpture of medici family Mausoleum in the church of San Lorenzo. 1536, Michelangelo returned to Romasis Ting Church and spent nearly six years creating the great mural The Last Judgment. After that, he lived in Rome, engaged in sculpture, architecture and a little painting, until 1564 died in his studio in February.

Michelangelo first established himself as an artist as a sculptor. In memory of Christ written in 1499 is his famous work. The artistic practice of anatomy is consistent with meticulous ingenuity, and even exceeds what people can understand. It is considered as the most touching work of humanity embracing divinity in15th century-showing tragedy but hiding sadness. Another work of this period is David, written in1501-the deified human figure has been established. Some of Michelangelo's later sculptures are several groups of mausoleum statues, which have been working intermittently for a long time, among which the famous ones are Dying Slave, Bound Slave, Moses and Sun, Night, Morning and Sunset. Michelangelo's four unfinished sculptures in his later years were actually designing cemetery statues for himself. They are the same theme "Mourning Christ". The image is neither clear nor delicate. Perhaps after more than 80 years of life, it is telling the world that it is not the ambition of life that cannot be displayed, but the mystery of heaven is hidden. The style formation and creative trend of Michelangelo's sculpture works are the same thread as his paintings: the hardships of heroes lead to the twilight of heroic martyrs. The previous works are the confession of his inner world, and some subsequent works are the stereotypes of style, and the later works are still the emotional destination of the artist. When people of the times praised the power of God and man in his early and middle works, later people paid more attention to the unresolved depth in his later works. The focus of aesthetics is no longer simply on artistic creation, but the tangled relationship between artists and their works and reality, especially in modern art.

Mourning for Christ for the first time and mourning for Christ for the last time are the usual styles of the Virgin Reiko Kobayakawa, who suffered the loss of love. Love is the maintenance of emotion, and sometimes it is just helpless care. The human body is not a conscious carrier of emotion, but a parasitic habit of reason. The spirit of being consistent with God is a vivid portrayal of emotion, not just a rational norm. Some beliefs about weakness and patience in the Bible are aimed at maintaining human emotions rather than simply mobilizing reason. Therefore, what is written in the Bible is to make way for the wicked, because they only want your rational obedience, as long as your body obeys, not your emotions, and fight evil with evil, leaving him void and letting emotions exist; Resist the righteous, because they want your emotional attachment besides conquering your reason and controlling your body. Only his obedience is left in the world, and creation is no longer a machine with complete spirit and mechanical operation, but only mechanical operation. Therefore, in art, it is not your thoughts, but your emotional proximity. In life, it's not your actions, but your beliefs, because we don't understand what we have done. This is different from the concept of new Pareto. The so-called freedom from the bondage of the body means that emotion is conscious in the body, not that reason is independent of the body. Why go beyond the body? The world cannot be shared by the body, nor can it be shared by reason. No matter secular or religious, rationality is supreme, and they hate the body, they are hypocritical just people. Modern society and modern art have not lost anything, but have increased their concern for the world. Is Michelangelo really a humanistic rejection of God? Perhaps it can be said that it is a process before the cock crows in Gethsemane Garden, and it is also a personal emotional consciousness. We often say that one more Christian, one less China, one more humanist. What about enlightenment thinkers? There are still differences between Christians and Christians, and the division of the body is the same all over the world.

Michelangelo's most brilliant artistic practice is architecture. 1546, the Pope appointed him as the architect of St. Peter's Church in Rome. Considering his age, he refused the job. At the Pope's insistence, he finally accepted the commission with the proviso that he would not be paid, because he was not sure how much time he had left to do the work, but he had been doing it for sixteen years. 1564 After Michelangelo's death, most of the work of the church was not carried out. 1590, the dome scheme designed by Michelangelo was completed by G Baltar. The whole church combines the efforts of several architects, and there are more design elements belonging to Michelangelo than other architects. The church was finally completed 16 15. God created man in his own image, and man made God in his own way.

Compared with other literary forms, poetry is more abstract and sometimes even regarded as the highest form of literary expression. China is a country that pays attention to the cultivation of poetry, and its artistic influence is greater than that of Han Fu, Song Ci, Yuan Qu and Qing Dynasty novels. First, the rational structure of this art form, and then its emotional communication. Because of China's institutional model of integrating power and ideas for more than 2,000 years, and adapting to the cultural and religious model of integrating heaven and man and taking emperor as the emperor, things belong to China and people are used by emperors. Without the social consciousness of the recruiter, only the idea of wooing the country, China people give themselves to the country at one time. Sacrifice the realization of personal work and fulfill the fact of doing things for the country. In the difficult living reality of the body, the west seeks a way out from rationality, launches metaphysical speculation from rationality, and thinks about the relationship between the body and God. Sometimes the body is associated with reason, sometimes the body is associated with emotion, sometimes the body is associated with the soul, and sometimes the body is treated independently. The world blueprint based on metaphysics, in the final analysis, is actually inseparable from the relationship with God. Although the connection between soul and reason, body and emotion is relatively close, and even the body senses are often despised, and emotion is degraded as an aesthetic category, so that body, senses, emotions and aesthetics are all implicated, sometimes the disconnection between them is inseparable from this maintenance, that is to say, when we analyze western texts, we should not cancel this background, and the world where God is dead will never be an atheistic world. In the same artistic form, the oneness of China's poetry and the complexity of western poetry are obvious. Because of the different foundations of social structure, centralization and autocracy dominate the survival muscles of China people. As a manifestation of existential aesthetics, China's traditional poetry is at its peak, and as a formal container of existing content, western poetry tradition is also among them. I want to say this here because Michelangelo wrote many poems in his life. As a confession of "emotion", poetry brings us closer to the artist's inner world. The tension between body and nature, society and belief is always intertwined, which is always a reason in itself. We shouldn't be trapped when artists are nervous. His environment is different from ours. When artists are comfortable physically and mentally, they boast that their knowledge is consistent with ours. Ji Rolamo Safonarola not only led the trend of reform, but also followed the footsteps of autocracy. Luther not only demanded the right of self-revelation, but also disagreed with other believers to have this right; Similarly, Catholicism not only opposes religious reform, but also accepts secular education of humanism. This is the era in which Michelangelo lived, and it is the era in which people lived.

It is said that Raphael said when he saw the ceiling painting of the Sistine Chapel: It was lucky to coincide with Michelangelo's time. Raphael said this not in praise of their time, but in praise of Michelangelo in his time. In the following centuries, including Raphael, many masters and works of art appeared in the world, not to mention the development in other fields, which is our luck. Michelangelo's art is always an insurmountable achievement: achievement is always an insurmountable art-everyone.

The social structure of modern consciousness is to take care of the normal life of civilians. To be clear, it is not people-oriented, but meat-oriented. The abstract conceptualization of human beings has become a combination of reason and body. At any time, a hypocritical righteous man can't treat you like a human being on the grounds that he doesn't agree with their opinions, and sacrifice your current real life for the sake of people-oriented Based on the body, it is easy to think of the body as the initial consideration. Don't think that you are pursuing humanistic care and religious spirit, and accuse the mortal body around you. "The Last Judgment" is all naked. If the Pope thinks it is indecent, let others add clothes to it. We think that the indecent body is called showing humanistic consciousness, which is the same outer packaging. Don't you see God? The rescued are as nervous as the punished. Culture, like economy, is based on the instinct of human cultivation, but it is not the purpose of cultivation: what kind of person you can become, not just for existence, may be the same in this metaphysical point of view, but there are differences in metaphysical speculation. The body makes people say "need" more than "for". For culture, we need culture, for achievement, for ideals and for faith. God meets the needs of mankind. If you just say it's for God, God will despise you. God is full, there is no need to add anything for him. God does not ask people to sacrifice for God, but people should save God for themselves. There is no relationship between a villain and a gentleman, and there is no distance between this shore and the other. They are a complex. The tension and difficulty of the body in modern society lies in the extension of the semantics carried by the body. No loss of material body, emotion, reason and soul can optimize your burden. Lack means incompleteness, and poor care makes people feel that they have lost a lot. ...

In the 20th century, the space and concept of our life have changed, and the semantic cultural form determines the different trends of technological development and social system. The emotional division between human beings and God, and the division between human beings and God's creation are all recorded in the Bible, encouraging human beings to listen to God's words. People are still writing poems, thinking helps people's emotions, people are still painting, and materials help people's performance. Immortality, immortality in spirit, can't get rid of the revelation of resurrection. Emotional communication makes people close to God, and means of expression make people creative.

At the turn of the first Millennium, mankind discovered the present notation, and at the turn of the second Millennium, people generally used this method. The same recording method doesn't matter, there are still differences in symbols, and it doesn't matter based on the body, there are still personal factors. The difference is that God does what we need.

Standing under the ceiling painting of the Sistine Chapel and in front of the altar painting of the Sistine Chapel, imagine Michelangelo's emotional world and take care of his body. Michelangelo represented the highest peak of sculpture art in Renaissance Europe. The characters he created are magnificent and full of infinite power. A large number of his works show unusual ideal treatment based on realism and become typical symbols of the whole era. His artistic creation was deeply influenced by humanism and the religious reform movement, and he often used realistic techniques and romantic fantasies to express the patriotism and the spirit of fighting for freedom of the civil class at that time. Michelangelo's art is different from Leonardo da Vinci's scientific spirit and philosophical thought, but he devoted his tragic passion to his works of art, and this tragedy was manifested in a magnificent form. The hero he created was both a symbol of ideal and a reflection of reality. All these make his artistic creation an insurmountable peak in the history of western art.