Which warrior knows "the relationship between Tang poetry and Six Dynasties poetry (similarities and differences)"

The pursuit of formal temperament in the Six Dynasties made full preparations for the finalization and maturity of Tang literature, especially modern poetry. Poetry in the Tang Dynasty is full of flowers, with diverse themes, styles and ideas. The Six Dynasties were gorgeous and soft.

At the end of the Han Dynasty, under the social background of Wei Chu's "chaos in the world, surging clouds and rising public grievances", literati's poetry creation entered a period of great development of "five words soaring". During this period, with Cao Cao, Cao Pi and Cao Zhi as the core, Ye Ren Xia Group was formed with Kong Rong, RoyceWong, Serina Liu, Chen Lin and other so-called "seven sons of Jian 'an", which created the glory of Jian 'an literature. The works of Jian 'an literati have the same style of the times as "generosity". Among them, Cao Cao's poems, such as Hao, Short, Walking Out of Xiamen, which reflect the turbulent social reality and express the poet's ambition to make contributions and unify the world, are all relatively successful chapters. Cao Zhi's literary achievements are the highest, and he is called "the outstanding man in Jian 'an". His poem is "high-spirited, and his words are taken from Hua Mao". "White Horse" and "White Horse Wang Biao" are his representative works in his early and later periods. His prose and ci fu also show high ideological and artistic quality, and the famous "Luo Shen Fu" is beautiful. RoyceWong is the most accomplished writer among the "Seven Scholars", and his Seven Wounded Poems and Loutai Fu are masterpieces with realistic spirit in Jian 'an literature.

At the turn of Wei and Jin Dynasties, with the change of social customs, poetry creation showed a different style from that of Jian 'an era. Ruan Ji and Ji Kang's works are either gloomy and difficult, or sharp-edged. They inherited the excellent tradition of Jian 'an literature and further promoted the development of five-character poems. Poetry flourished in the Taikang period of the Western Jin Dynasty, and the poet was known as "three land, two left". But most of the works are in China, and only Zuo Si's poems are vigorous and powerful, inheriting the spirit of Jian 'an literature. His poem "Ode to History" opens up a new way to combine history with nostalgia. Under the influence of metaphysics in the Eastern Jin Dynasty, metaphysical poems with "tasteless rhetoric" once flooded, and Tao Yuanming was the greatest poet who could transcend the secular world. In Tao Yuanming's era, "Zhen Feng died, and the Great Pseudo prospered". He walked out of poverty and witnessed the darkness of officialdom, unwilling to go with the flow. He is determined to resign and retire, keeping his personal spirit. His pastoral poems depict the beauty of natural scenery, praise the tranquility of rural life, and show the joy and hardship of personally participating in agricultural production and labor. It has created an artistic realm that combines emotion, scenery and reason, and is plain and mellow. Drinking in the Garden is his masterpiece of pastoral poetry. The style of Tao's poetry naturally faded into the mainstream, but reading Shan Hai Jing (Jing Wei Fill Micro Wood) and Jing Ke Fu also showed the poet's "King Kong glaring" side. It can be seen that the poet's heart is not peaceful, and he has not forgotten the world. Tao Yuanming's poems have a great influence on later generations, especially the pastoral poetry school in Tang Dynasty. Tao Yuanming's literary achievements are manifold. Although his prose and words are few in number, they are all excellent. His representative works include Peach Blossom Garden, Gui Qu Ci, and Qing Shi Fu.

During the Southern and Northern Dynasties, many literati devoted themselves to literary creation, and the main literary styles used were poetry and parallel prose. The landscape poems of the Southern Dynasties shone brilliantly in the hands of Xie Lingyun, and then Xie Tiao's landscape poems were fresh and mellow, known as "big and small thanks". The poet Bao Zhao was born in poverty, but he was good at expressing his cynical feelings with seven-character ancient poems. His rhyming seven-character songs have contributed to the development of seven-character poems. The most successful writer is Yu Xin from south to north. His Poem Fu is a masterpiece of North and South literature, which combines the exquisite and mature artistic skills of the South with the vigorous and hearty spirit of the North and becomes the forerunner of the poetic style in the Tang Dynasty. Parallel prose dominated the whole literary world in this period. Bao Zhao's Climbing the Thunder Shore and Sisters' Book, Yu Xin's Wucheng Fu and Jiangnan Fu are all excellent works. Generally speaking, the pursuit of formal temperament by literati in the Southern Dynasties made full preparations for the finalization and maturity of Tang Dynasty literature, especially modern poetry.

In addition, Yuefu folk songs in the Southern and Northern Dynasties can also reflect Yuefu poems in the Han Dynasty. Wu Ge and operas in the Southern Dynasties are lively and graceful, while minority songs in the Northern Dynasties are vigorous and powerful, with different styles, but they are sincere.

Due to the gradual consciousness of literary consciousness, Cao Pi's Classic Papers, Lu Ji's Wen Fu, Liu Xie's Wen Xin Diao Long, Zhong Pei's Shi Pin and other literary works appeared in this period. The latter two are epoch-making masterpieces in the history of China's literary theory.

The national strength of the Tang Dynasty was unprecedentedly strong, the country returned to unity from long-term division, and the feudal economy and culture obtained good conditions for full development. In addition, the imperial court adopted a relatively open policy in all aspects, and cultural exchanges between China and foreign countries were frequent. In particular, the imperial examination system was established, which broke the monopoly of official career since Wei and Jin Dynasties, made a large number of talented people from poor backgrounds stand out, and finally created unprecedented prosperity of Tang literature. The number of works, achievements and influence of writers in the Tang Dynasty are unprecedented.

Poetry in the Tang Dynasty is the symbol of a generation of literature, and the peak of China's classical poetry is the golden age in the history of poetry. In the early, prosperous, middle and late stages, famous artists came forth in large numbers, and everyone was colorful. Poetry creation covers almost all walks of life, men, women and children. There are more than 2,000 poets and nearly 50,000 poems in the whole Tang poetry, but the reality is far more than that.

In the early Tang Dynasty, the palace poems inherited the legacy of Qi Liang and Yu Feng, and the elegant and gentle "Shangguan Feng" poems became popular. Yang Jiong, Lu, Luo, and later, following the trend of Han and Wei, they tried their best to sweep away the decadent style of the court poems of Qi and Liang, so that the Tang poetry began to move from the court to the society, from eroticism to reality, and from decadent voice to fresh and healthy singing. At the same time, Song and Shen Quanqi also made bold explorations in the form of poetry. Together, they paved the way for the development of Tang poetry.

During the Kaiyuan and Tianbao years of Xuanzong in the Tang Dynasty, it was known as the prosperous Tang Dynasty. During this period, there appeared two major schools of poetry and the "Gemini" in the history of China's poetry. The school of pastoral poetry represented by Wang Wei, Meng Haoran, Chu Guangxi and others inherited the thoughts of Tao Yuanming and Xie Lingyun. Wang Wei's poem is "there is a picture in the poem and a poem in the picture". Chai Lu, Wu Xinyi and other five-character quatrains collected in "Selected Works of Wangchuan" are good at combining scenery painting with Buddhist interest, with beautiful artistic conception and exquisite art. The frontier poets are represented by Gao Shi, Cen Can and Wang Changling, and their poetic style is vigorous. The charm is deep and long, singing a strong voice in the prosperous Tang Dynasty. Gao Shi's seven-character poems, such as "Travel" and "Bai Xuege Farewell to the Field-Document Wu Return to the Hometown", describe the magnificent frontier fortress scenery and hard military life, either tragic or extraordinary, and are all excellent frontier fortress poems in the Tang Dynasty. Li Bai and Du Fu are "Gemini" in ancient and modern poetry circles. Li Bai's poems are bold and elegant, and are known as "poetic immortals" in history. Such as Into the Wine, it is hard to go, Difficult Road to Shu, etc., all show the poet's unique emotional tone and artistic personality. Du Fu's poems are known as "the history of poetry" and have a gloomy style. He expressed his concern for the country and the people through his poetry creation. Poems such as Three Officials and Three Farewells record a series of important events in the rise and fall of the Tang Dynasty, and are the most famous. Those beautiful poems describing the scenery do not forget to care about the country and the people, such as Ascending the Mountain is a masterpiece in this respect.

After the Anshi Rebellion, he entered the middle Tang Dynasty. After a short decline, poetry creation has formed a new climax. The landscape poems of Liu Changqing and Wei are the continuation of those of Wang Wei and Meng Haoran. The frontier poems of Lu Lun and Li Yi are the last works of Gao Shi and Cen Can. Realistic poets headed by Bai Juyi and Yuan Zhen launched a new Yuefu movement. He put forward the creative ideas that "articles should be written in time, songs and poems should be written for things" and "only songs can make people sick, and I hope the emperor can know", and he devoted himself to the creative practice of new Yuefu poems with great enthusiasm. Their new Yuefu poems often choose typical social phenomena, concentrate on summarizing and satirizing a series of wrong policies of the imperial court and the social abuses caused by them. The theme is clear, the theme is concentrated, and there are distinct images and strong militancy, such as chapters such as "Selling Charcoal Weng" and "Du Lingcuo", which have been recited for thousands of years. Bai Juyi's poetic achievements are manifold. Song of Eternal Sorrow and Pipa Travel are also representative works of ancient narrative poems. During this period, the Han (Yue)-Meng (Jiao) Poetic School was as famous as the Poetic School, and its poetic style was very interesting. Based on talent, Han Meng's poetry school is good at discussing, trying to avoid vulgarity and trying to survive, which opened the atmosphere of later Song poetry. In addition, famous poets with their own artistic personality include Liu Zongyuan, Liu Yuxi, Jia Dao and Li He. Li He is unique with his rich and romantic poetic style, and inspired Li Shangyin in the late Tang Dynasty.

In the late Tang Dynasty, with the decline of the Li and Tang Dynasties, the poetic style was heavily influenced by decline and sadness. The most accomplished poets are Du Mu and Li Shangyin. The world is called "Little Du Li". Du Mu is good at writing the Four Wonders, and can compete with Wang Changling, the "Master of the Four Wonders" in the prosperous Tang Dynasty. His style of praising history and cherishing ancient poems is handsome and cool. The scenery is also natural and beautiful, such as "hiking", which makes people never tire of seeing it. Li Shangyin's seven laws are profound and beautiful, and he is good at winning with love poems. His untitled poems are full of allusions, which are often profound and thought-provoking, while some of his works are obscure.