Illustration of Beauty with Side Face —— How to Draw Characters

Who is this woman? Hello, this actress is Madina who plays Lida in The Legend of Zhong Er.

Madina, formerly known as Medina Mohammed, was born in Urumqi, Xinjiang, and was an actress in Chinese mainland in September 1987.

On 20 1 1, Madina was tapped to take part in the TV series "princess huanzhu" and made her official debut. 20 13 starred in the urban love drama "Flowers are not flowers, fog is not fog". 20 14 starred in the costume drama "heroes of the gods"; In the same year, he moved to the big screen and participated in the romantic comedy movie "The Previous Raiders". 20 15 participated in the action film "master", which left a deep impression on the audience.

20 16, Madina got more attention with the costume fantasy drama Fantasy City. 20 17 starred in the costume martial arts romance drama "Solitude". 20 18 starred in the costume fantasy drama "Zhong Kui Hunting Demons"; In the same year, he starred in the Kung Fu comedy movie Kung Fu Alliance.

How to draw characters, how to draw anime characters.

If the painting technology can't reach the imaginary expression and action of characters, it is suggested that the best way is to start from copying.

All kinds of paintings can be copied, especially the colors and composition methods used by masters, as well as the descriptions of characters' expressions and body movements. This is a very useful and effective training method.

After all, the so-called "familiar with 300 Tang poems, you can recite them even if you can't write them", and if you copy them more, some fixed and commonly used expressions and angles will be much more handy. The second is to describe more real photos.

In the final analysis, vividness means making a fake painting look real. The key is the so-called "truth".

What is the real action, what is the real eyes, or depends on how the "real" characters are made. And if you want to draw realistic cartoon characters, such as the works of ordinary illustrators such as Chen Shufen, Masago Kimiya and even Zhang Wang, it is very necessary to draw according to photos.

Because it can greatly exercise your character proportion, body structure, clothing material and so on. Among them, the proportion of human body is the most important.

If the proportion is wrong, no matter how excellent the detail is, it will be a failed work. Of course, if you are talking about anime characters such as Xiao Xin, Maruko and Garfield, please ignore this one automatically.

(but in fact, this kind of anime character also needs to use proportion, but it is not that important. The proportion of the human body is really important (I seem to emphasize it? )。 If you don't have any confidence in this, I suggest starting with the basics.

Look at the regular art textbooks, which are at least divided into two parts, one is the perspective principle, and the other is the proportion of the human body. These two are the foundation of all good works, foundation, soil, bones, meat in braised pork and money in wallet.

In fact, these two things are not difficult to learn. You can understand them in an hour or less. However, the key is to use it skillfully and make no mistakes in painting.

There is no other way to think about this, only to see more and practice more. Do you know the story of Da Vinci painting eggs? People have practiced so much, and we are not geniuses. Naturally, we should work harder.

Of course, if you don't want to be that super expert, there is no need to practice drawing eggs every day. -Draw more apples and green peppers.

The human body is the most complicated mechanical structure in nature. Sorry, I forgot who said that.

But it makes sense. The actions that people can make are almost incalculable.

So after getting familiar with the proportion of human body, we should begin to practice the movements of drawing characters. Generally speaking, there are not many facial movements. Of course, Jim Carrey, who can make 100 expressions, is not in the ordinary category.

So the main exercise is the whole body movements. This also requires more observation and practice.

Observe what it's like to walk, what it's like to talk on the phone while walking, and what it's like to watch the beautiful women around you while drinking coffee on the phone (in fact, if you can draw the above description accurately, it's a very interesting cartoon). Of course, generally speaking, it is not so coincidental to see such a scene, but our brains can imagine it. After mastering some basic movements, you can combine all kinds of complicated movements.

As for facial expressions, you can look in the mirror more, pose more and express yourself more. Sure, please practice alone.

Otherwise, your roommate will panic if you put on a cold and arrogant expression and a flattering expression. Mirrors are not only used for facial expressions. If the mirror is big enough, you can show a lot of actions you want to draw first, and know what angle your arm will be, how to twist your waist naturally, and what the wrinkles on your trouser legs are like.

This is very useful for beginners. After all, it is completely different from the difficulty of painting and wanting to paint. Another thing to mention is hand painting.

Hand is a very complicated thing, and it is also a headache for the author. Because there are too many forks.

And each fork is divided into three small segments. Although the position of the hand on the screen is small, it is very important. If the hand painting is rigid or even unreasonable, the characters will never be vivid. Generally speaking, my experience is to draw by myself when practicing.

Just can see, and there are two, is the best model, don't delay the other hand to draw. When I am practicing, I am used to drawing my hands in various postures.

This exercise is very effective. You can accurately grasp how the hand looks when doing various actions, how the joints change, how the shadows are blocked, and so on. And the biggest advantage of this exercise is that it can be done anytime and anywhere.

As long as you have a pen and paper and a table. When the left hand is practiced, the right hand will actually learn by itself.

If it really doesn't work, you can borrow the help of the mirror, and the left hand in the mirror becomes the right hand. Then clothes.

There are too many clothes because there are problems with styles and materials. Beginners are advised to draw simple clothes first. The advantage of this is that there is no need to consider the style and the material is single.

The function is to practice how to show the figure's body curve under the cover of clothes and how to draw the basic folds of clothes. With this foundation, when you are proficient, you can move in two different development directions, one is clothes with different materials, and the other is clothes with different styles.

The first development direction I chose was different materials. So the characters put on leather shirts, linen shirts, silk shirts, pure cotton shirts and patent leather shirts (do you have patent leather shirts? Because the lines and wrinkles produced by various materials are different, the light and shadow effects are also different, so it is very useful for practicing sketch and color techniques.

Just like a leather coat, it has many folds, but the span is small but long and smooth, and the contrast between highlights and shadows is very heavy. The folds of cotton shirts are large and long, but they are not smooth and have clear boundaries.

On the other hand, silk shirts generally have light wrinkles and smooth undulations. Unless the elbow is bent at a large angle, the wrinkles are small and mostly round, which means looking at many figures.

How to sketch a character

The first step, conception and composition.

Before painting, we should form the habit of observing the characteristics of the object and brewing our own emotions. According to the object's occupation, age, temperament, hobbies, etc. , consider how to show, want to achieve what kind of effect.

With a plan in mind, you will be bold and unrestrained when writing. Don't rush to draw, pay attention to whether the position of the characters is appropriate and whether the space in front of the characters is large when composing.

Although this is a cliche, it is the key to determine whether the whole painting is complete and comfortable. The second step is to pay close attention to the outline.

This is very important. High-rise buildings rise from the ground without a solid wall foundation.

The outline is the foundation of the wall. To grasp it accurately, we must grasp the basic shape of the head, the position of the five senses, the position of the boundary between light and shade, and the relationship between the head and the shoulder. To draw an accurate outline, we must observe the whole, and use more auxiliary lines to help determine the position.

When grasping the shape, we should pay close attention to the characteristics and draw it like a painting. The shape has begun to take shape, and the image is ready to come out.

Just like the artist at the gate of the park uses scissors to silhouette, it is easy to show the character image. Although we can't see the thin internal structure clearly, we can still recognize him. Some people didn't notice this step, and the shape was still very vague, so they hurried to draw the five senses.

How can the picture drawn in this way be close to the object! On the basis of drawing the correct shape, the position of the five senses also needs to work hard. Pay attention to the use of the central axis when drawing facial features. Except for the absolute front, the central axis is an isolated line according to the dynamics of the head. Many students don't understand this. When you draw a slightly sideways angle, you can't turn your head. Of course, it feels bad.

According to the basic law of three stops and five purposes, the position of five senses can find out the image characteristics of people in commonness and draw the differences between people. Pay attention to the length, width and thickness of eyebrows, eyes, nose and ears when sketching.

If this step is not allowed, don't delve into it, let alone explain the darkness. When drawing eyebrows, pay attention to the bone points of the upper and lower recesses of the eye socket and the thick eyebrows at the convex turning point of the temporal bone.

When drawing eyes, the four corners of the eyes should be on a parallel line, otherwise the eyes will fluctuate and feel uncomfortable. It is important to draw eyes. There is a difference between the upper eyelid and the lower eyelid. Generally, the upper eyelid is heavier because it is thick and the eyelashes are deep. The shadow cast on the eyeball is often the deepest part of the whole painting, which is very magical. It is also easy to wrap the eyeball in the eyelids.

The lower eyelid should be bright, otherwise it will be like playing with makeup. The description of the mouth is also related to the expression of people.

First of all, we must determine the thickness of the upper and lower lips, but also pay attention to the fact that the lips can not be hooked too hard with lines, and the mouth is drooping and drooping, which is very subtle. Draw ears with eyes, nose and mouth. Some candidates are unwilling to draw more ears, and even regard them as a burden.

Either you can't cross the space, or you can't dance well and destroy the whole. The dividing line between light and dark is the key to determine the depth and volume of the head. The most prominent part of the cheekbone at the boundary line is high or low, prominent or soft, depending on the visual characteristics.

Although the cheekbones in the bright areas are not so obvious, they must be drawn symmetrically with the dark areas. By the way, it is very important to sketch people, and the symmetry of eyes, ears and nostrils.

The natural color of hair is black. As long as you analyze it carefully, it is by no means dark, but there is also a contrast between light and dark.

Hair is formed on the skull, and structure must be considered in hairstyle and light and shade. Try to make your hair fluffy and rich in texture.

The third step, in-depth characterization. At this time, we should take a good look to see which parts are deepest and strongest, so we should start from these places, usually from eyebrows, eyes, nose and temporal bone, and we can grasp the characteristics and draw a big relationship at once, but we must avoid staring at the painting repeatedly, so that the relationship will be unbalanced if we draw too many parts.

What to draw first and then what to draw can be considered according to the characteristics of the object. For example, the angle is a little off, the cheekbones are more prominent, some knife-shaped eyebrows are thicker and have a lot of personality, and some eyes are more intense, so they will start. In depth, we should always maintain the overall relationship and understand that the quality of a painting mainly depends on the overall sense and integrity of the whole picture. If you just stay on the five senses and think it is the finishing touch, and ignore other aspects, then the whole picture will be bad.

When we watch an art exhibition, we always look at the whole painting from a distance, are interested in some parts, and then take a closer look. No one goes directly to the painting and stares at some parts when watching the exhibition. Wouldn't that be ridiculous? In depth, I first focus on the contrast between light and shade of the whole picture, and I compare it as the main contradiction. Then there is the ratio of darkness to darkness, and the ratio of brightness to brightness. I regard this as a secondary contradiction.

The main contradiction determines the secondary contradiction, grasping the big relationship and paying attention to the subtle relationship, so the whole picture has its own order and can be carried out in an orderly way. Every time you go deeper, start from the most convex part and drive the second bright part.

Eye painting should pay attention to the relationship around orbicularis oculi muscle, mouth painting should consider the block surface of orbicularis oculi muscle, and nose painting should pay attention to the connection of nasal bone, alar and cheek. At the same time, consider the proportion of this part in the whole face.

In a word, in the process of deepening, we should always consider the whole and give priority to each other. The fourth step is to adjust.

Generally, candidates always like to draw until the end, feeling out of breath. There is no time to think. Leave 15-20 minutes to adjust the big relationship.

In fact, this idea is very bad. The adjustment is both in-depth and general, making the overall effect of the picture more complete. We should do subtraction, integrate trivial details and strengthen big relationships.

Adjustment is also a comprehensive embodiment of candidates' artistic accomplishment. What kind of picture effect is presented to the examiner and what kind of picture effect stands out among many candidates is worth pondering. Draw a good portrait, especially a portrait.

Avoid formulaic and conceptual mechanical descriptions of characters, just as characters are carved in a model, which is always so dull and lifeless. To draw a portrait of a character, we must first have both form and spirit, and pay attention to the portrayal of the inner character and emotion of the character.

As long as we pay more attention to the expression of emotional changes in eyebrows, eyes and mouth in our usual practice and draw at the most natural and vivid moment, we can make the picture come alive. I think that having both form and spirit is the highest requirement of portrait painting, and it is by no means the pursuit after improving skills.

In short, to draw a good portrait sketch and gain a solid foundation and accurate modeling ability, you still need to draw more pictures to get it. As the saying goes, "Practice makes perfect", and skill comes from hard work.

Meanwhile, there are more optimistic models.

How to draw cartoon characters

By the way, some suggestions:

1. If you don't have a little foundation, you'd better buy a comic book. The introduction in the book usually has several pages and is more detailed.

2. Pay attention to the well-drawn cartoon characters you come into contact with in your daily life, and practice according to them to find out your feelings.

3. Practice more at ordinary times. Whenever and wherever, you can find a place to practice on draft paper, waste paper and sand.

Basic painting methods:

1。 Draw an outline and pay attention to the coordination of the proportion of head and body, otherwise it will be awkward to look at. Sketch lightly.

2。 After the outline is determined, the lines can be drawn and the redundant lines erased.

3。 Pay attention to your ears when you draw your hair, because the hair in your ears is flowing. If you want to cover your ears with your hair, you can wipe it off again.

4。 The facial features, eyebrows and eyes should be as symmetrical as possible. If you draw a profile, you can rely on the facial reference line (cross) to reflect the three-dimensional sense. The skill book for drawing profile features is very detailed.

5。 Draw the neck, pay attention to the difference between men and women, for example, boys are thicker and girls are thinner.

6。 Draw a basic picture, and pay attention to the differences between men and women. Men are stronger and women are more flexible.

7。 Finally, clothes. What kind of clothes do you like? Design suitable clothes for your cartoon characters. Wipe off the skin covered by clothes after painting.

8。 Just make the final changes.

9。 I wish you success!

How to draw the faces of cartoon characters

Steps of drawing cartoon characters' faces: Materials: a pencil, a piece of white paper and a lovely eraser 1. First of all, when drawing the face of a male or female character, in order to make facial organs such as eyes look symmetrical, we'd better draw a sketch first, as shown in the figure. First draw a circle, and draw two horizontal lines and a vertical line on the outline of the circle. The direction in which the line bends is the direction in which the face of the character faces.

2. After the draft is completed, the five senses will be painted on the face of the character. As shown in the figure, be careful not to draw the outline of horizontal lines outside your eyes. The nose and mouth should be as close as possible to the vertical line of the draft, the outline of the cheeks should be slightly prominent, and the outline lines close to the eyes should be slightly concave. 3. After drawing the face of the character, you should also draw the hair and ears of the character. Note that the hair can be drawn outside the outline of the draft, and the ears should be drawn on the face side slightly below the eyes. Don't forget to erase the lines of the draft after drawing.

4. Let's talk about how to draw the side face of a male figure. As shown in the figure, it is best to draw angular side face lines, with eyebrows protruding obviously and chin slightly depressed. You'd better not draw your nose too long. 5. Then there is the side face of the female character. First, we should draw a sketch, as shown in the figure. First draw a circle, and draw a line connecting the nose and chin under the circle. This is a simple outline of the female character's side face.

6. After drawing the profile of the side face, draw an eye at a certain distance from the profile and then draw a mouth under the nose. Note that the lines on the female side face are softer than those on the male side face. 7. finally, the face of the q version of the character. As shown in the picture, one side of the character's face should protrude to make it look like baby's fat, and then draw ears on the other side of the face. Simple q-version drawing of people's faces.

Method 2: 1, draw a square first. 2. Then draw a lovely cross on it.

3. Draw a circle according to the crosshair. 4. Draw another face.

5. Draw simple facial features. 6. Add details.

7. Draw hair. 8, modify it, and it's done.

How to draw cartoon characters

Body proportions are really important. The proportion of cartoon characters is generally drawn according to the nine-body, and the lines should be smooth. Before painting, it is generally said that there are three hospitals and five eyes. Anime characters have thin faces, sharp chins and big eyes. Men's faces are very prominent on the brow bones and cheekbones, and their eyes are deep, while women's faces can hardly see the brow bones, cheekbones and eyes. Their clothes should highlight the sense of wrinkles, the bright side and the dark side. In terms of hair, there should be a sense of layering, which is manifested in coloring. Highlight the bright side and the dark side, with light color for the bright side and dark color for the dark side. If you draw a picture, draw a draft on the paper with a pencil first. Step: 1. Determine the background.

Location and size of scenes and characters (near big and far small) 2. Draw a rough outline of the scene. Use lines to express the dynamics of characters. 4. Draw landscapes and human figures with a pencil.

Don't be too careful, you will cross the line later. 5. Erase the redundant lines and make a slight modification. Drawing animation from the draft is the foundation of art. If you want to draw well, you must first establish the character and compare the light and dark parts. The lines should be smooth and don't write too hard when drawing. After painting, start painting, and the colors should be light and dark: if the cartoon characters are girls over 15, they are nine heads, that is to say, the height is nine times the length of the head, 8~ 14 years old, usually 5, 6, 7 and 8 heads.

Lori, it's 3 to 4. Boys are often 0.5~2 heads more than girls of the same age (I study art, you can ask me if you don't understand anything! )。

How to draw human skin with colored lead?

1. Don't draw with a pencil too hard.

2. first describe the five senses, see if the feeling is right, and see if there is anything wrong. 3. Then start with the eyes and gradually draw the skin color around the eyes.

4. I drew two eyes, the eyeliner is black, and the eyelashes are as long as makeup. 5. The facial skin is painted with a light flesh color, which is a little khaki.

6. Describe your mouth carefully and pay attention to the difference between your upper and lower lips. 7. Make an overall adjustment to see if there are any uncomfortable and unnatural places. When the face is finished, start drawing hair. Hair is lightly painted in khaki, and then earrings are carved.

8. Then draw the left half. 9. Finally, draw black clothes, with a faint pink background, and the work is finished.

How to write animated character setting? What do you mean by cartoon characters?

Refers to the design of characters' modeling and clothing style in animation. Subsequent painters are required to draw the physical features, facial features, eyes and expressions of the characters clearly. You should also design a picture of the same character from several different angles. Unless otherwise specified, design drafts are generally clean line drafts without shadows. There is no fixed procedure for character setting, but they all have the same element, that is, to explain the characteristics of the role. )

If you set the role in the animation, in addition to the above, the basic actions of the role (walking, jumping, running and the characteristic actions of the role, etc. ) should be added, because each role has its own action characteristics, and it should be explained in detail when setting. In addition, if it is mechanical, there will be a detailed fitting or deformation process.

How to write the C character setting?

Each group has its own form. You first understand the background of the group, then conceive a character and fill in the content you conceive according to the format. For example, your name, gender, age, family background, appearance, personality, interests and so on are all set by yourself.

How do anime characters usually set their roles?

For works with prototype characters, such as comics, light novels and game works, the images of these works are often not suitable for animation. For example, there are too many details, the hair is curly, the clothes are all kinds of lace, and the painting style is too bad to imitate.

The job of character setting is to remove complicated things, simplify the shape of characters, make it easy for the original painter to grasp, make the coloring work easier, and so on.

For a work without a prototype and refusing to pay someone to do the original case of the character, then the work of shaping the character will also fall on the character setting. Generally, the supervisor gives a general instruction, and then the characters set their minds.

It depends on the field. No illustrations are needed. Animation should have at least three perspectives: front, left and right sides and overlooking. At least it looks ordinary, angry and surprised. Three kinds. Oda often takes the necromancer as a reference when citing anime characters and cartoons.

Animation role setting

Various rules set by cartoon characters. . . Friday 05: 00, 65438, 2007, 18:44, rules set by cartoon characters. . .

I read several cartoons in the last two days, and suddenly found that there are more than N protagonists who are not very good-looking at ordinary times. There will always be some xxoo events at the critical moment and then become a strongman in an instant. . . .

Starting from the oldest incredible game, the stupid Zhu Mei opened a book about the four gods of heaven and earth, and then became a witch worshipped by everyone, and suddenly changed from the most ordinary person to a protected xxoo. .

Then the sky is a red river bank, and the tragic protagonist steps on a melting ice and snow and is dragged to another world. After her, clamp and others kicked three mm from Tokyo Tower to another world. In the twelve countries, the protagonist was taken to another world, and Ge Wei was dragged down from the ancient well, but was washed to another world by the toilet, which was a bit ridiculous. . .

Then there are the settings that the protagonist must have. It must be a bit * * at ordinary times. Every battle is a bit dangerous, and it is still a bit handsome at the last minute. The small universe will solve the problem in three or two times. The protagonist is ordinary at ordinary times, but there must be handsome guys and beautiful women around him, protecting her and trusting her ability. . . For him, there are always some strange fates, such as the hand of the sun or the container of the fox, the host of the devil's soul, Serafin, the zero-hour McCoy, or the reincarnation of a great man, the brother of a strong man, etc. In short, all the little things around the protagonist will become the key to the final event, and then the people who are saved are the heads of state and key figures who will come in handy immediately. . . The big event was instantly resolved under the cultivation of the protagonist's love, and then everyone said together: You are really our big shot. In this case, the protagonist's task is completed and he continues to pretend. . .

More * * * than the protagonist is n villains. As a villain, you must have the sense of villain. Seize the opportunity is to get rid of the protagonist. It happened that you used a strange reason, such as enjoying the superiority of victory. Either bt has a crush on the protagonist, or I have everything in my hand, and it is not his wife's plan to let the fat sheep go. Why do the subordinates sent out play better than their opponents every time, help them practice and give them a stage to perform children's worries? . . The result of stupidity is to suddenly find that the enemy is already very powerful. What do you say after being cut? I'll be back ~ ~ ~ Hey,,,

In the comic world, it is a principle that people who look smart will eventually be ruled or defeated. The more you look at it, the more stupid it is. As long as you believe in justice, you will have luck even if you have no strength. . . What problems can't be solved in the sunshine of love? . . But sin must be punished. The worse the past, the better, and the more intense the struggle, the better. Then, the exposure of clothes depends on the sexual orientation of this cartoon. . . If the protagonist has a bad figure, he must have a good opponent or supporting role to fill the scene, but this supporting role is the kind of demon that meets the needs of different people. . .

In addition, strong people always have some strange hobbies, such as knitting wool, burning octopus, honeydew melon bread, net honeydew melon and transvestite. It seems that there must be something special to represent them so as not to be too mythical and far away from the public. . Sweating. . . As a result, those seemingly invincible characters will fight with each other for this ridiculous thing, and another episode of instant animation has passed. . . Cheat money. . .

I almost forgot that love in the N corner is the driving force of the story. .

I have been engaged in this field for so many years, and I still have a lot to sum up. I haven't decided yet, I'll make it up later ~ ~ ~

How to set cartoon characters?

Can you be specific?

How to write the animation, what is the format of the animation, you don't need to write the character settings, just write the format of the animation manuscript, and attach the animation manuscript. The more detailed it is, the more detailed it is.

How to write characters in novels

The first is the basic information such as gender, age, personality hobby and historical background. And then contact the main line of your story to make the characters more vivid. Of course, depending on whether your characters are "round" or "flat", the difference lies in the story structure, and the characters are prone to "position". Generally, the main characters are mostly "round" characters with various personalities. The word "Ping" is mostly a supporting role. Single personality, but easy to be remembered by the audience.

How to write the introduction of characters and works in comics? 1 10 point

Personally, I appreciate a brief introduction that can be summarized in one sentence.

A detailed introduction to the job is not even as attractive as a good cover.

When your work appears in the recommendation on the homepage of the website, all you need is one sentence, because only in this way can you write it down.

As for people's design and world outlook, it can be attached to the back.

What is the occupation of an animator?

I have been engaged in the animation industry, including games, for more than 3 years.

This description is divided into the following two locations:

1 Original painter: Design a character or an object close to it according to the scheme or written description proposed by the screenwriter (such as the detailed description of the character or object, its size, height, color, structure, etc.). ), this profession is to make things as required.

2. Conceptual designer: Free to design a series of relatively reasonable things you want according to the background of the times, design requirements and overall planning. Conceptual design is a series of orderly, organized and targeted design activities from analyzing users' needs to generating conceptual products, which is characterized by a continuous evolution process from rough to fine, from vague to clear, from concrete to abstract. Conceptual design is a design method that uses design concepts and runs through the whole design process. Conceptual design is a complete and comprehensive design process. Through the design concept, the designer's complex sensibility and instantaneous thinking are upgraded to unified rational thinking, thus completing the whole design. If conceptual design is an article, then design concept is the theme of this article. Conceptual design revolves around design concepts, which are related to all aspects of conceptual design.

To put it bluntly, it's all paintings.

One is to draw according to one's own ideas, and the other is to draw according to others.