Does anyone know anything about Zhou Xingxing? What about the names of all his movies?

English name: Stephen Chow

Date of birth:1June 22, 962

Zodiac: Tiger

Place of birth: Hong Kong

Native place: Shanghai

Stephen Chow played a small role in most of his works before 1990. Although "Pioneer of Thunderbolt" won him the Golden Horse Award, he still didn't stand out in the film. In enter the dragon from 65438 to 0989, everyone focused on Jet Li who made fashion action movies. In Zhang Che's Brave Man, Stephen Chow was overwhelmed by a large group of stars around him. Stephen Chow didn't get "help" until 1990' s "A Comic Book Around the World". This "Houjiang Lake Film", with the main plot of teenagers obsessed with comics mistakenly entering the underworld and quitting the Jianghu after life and death, is an important turning point in the formation of Stephen Chow style. Several characteristics of the film are also familiar in Stephen Chow's later works. The characters in Stephen Chow's films are generally nobody. Although ordinary people have many bright spots, such as good nature, they also have many vulgar vices, such as lewdness, irresponsibility and lack of clear moral standards. For example, in a cartoon, the protagonist was originally a waiter who loved reading comics. Because he accidentally saved the mafia boss, he became a member of the underworld, so he could hook up with a female singer he dared not hook up with, go to a nightclub where he had no money to go, and "get involved" in the drug trafficking "cause" of the underworld. These characteristics are brought to the extreme in Duke of Lushan. From the plot, it is generally the villain who succeeds. After an hour and a half of jokes, these little people can beat their opponents and even win love. It turns out that all the humiliation and bitterness will turn into the joy of success in the finale. At the end of a cartoon, although the hero quits the Jianghu, the film describes the scenery and brotherhood of the underworld with a larger plot, and its effect is to emphasize the hero's "one step to heaven" after entering the underworld. The movie hero's "reaching the sky in one step" is often not achieved through hard work. The hero's success in Gambling Saint series lies in his special role, while in New Jingwumen, the hero has a strong right fist.

In addition, Stephen Chow's films are characterized by personal heroism. Although in the comedy films created by Stephen Chow in the 1990s, Ng Man Tat was the "first-class foil" as an assistant, the protagonist could solve the problem by himself without the help of the "green leaves".

Of course, the most important thing is that Stephen Chow's comedies are characterized by satire, including satire and ridicule on politics, culture, social customs, traditional humanities and even friendship and love, with a strong venting atmosphere. For example, in "Tang Bohu Points Chou-heung", which is controversial by domestic film critics, the heroine Chou-heung did not have the traditional style of "stunning four seats" when she appeared. Tang Bohu, played by Stephen Chow, didn't think she was beautiful at first, until Chou-heung was surrounded by a group of ugly women, and Tang Bohu couldn't stand the ugliness of ugly women, only to know that Chou-heung was a tall dwarf among dwarfs.

The above four characteristics can basically sum up the works of Stephen Chow 1990- 1994 in the first half of the year. Because these characteristics of his films are related to the feelings and needs of Hong Kong people in this period, and Stephen Chow's films are extremely rich in commercial elements (many of his works are in cooperation with Jing Wong, the "king of commercial films"), Stephen Chow has become the new favorite of the box office and has repeatedly broken box office records.

1994, his name appeared in the director column, so we can regard Stephen Chow's films after that as "Stephen Chow's works". Although the first and second episodes of A Chinese Odyssey 65438-0995 are directed by Liu Zhenwei, we can see the change of Stephen Chow's style. In the film, the audience can't see an inner Stephen Chow, and all the funny work is given to Luo Jiaying. They play a new concept of the Monkey King, who is obsessed with distant love, and finally give up human feelings and embark on the road of learning from others. There are several interesting changes in this film, which were not found in Stephen Chow's previous films.

First, the emotional crisis. In Stephen Chow's past films, there was no love. Although there is a plot to chase girls, it is for fun. Love is fast food and has no taste. But the love concentrated in Journey to the West is painful and heavy. At the end of the film, when the Monkey King, played by Stephen Chow, walks westbound with a golden hoop on his shoulder and a banana in his hand, we can't laugh.

Second, joke transfer. Stephen Chow gave up comedy in the film, and his jokes mainly focused on other roles such as Tang Priest, while Stephen Chow specialized in Lover. Zhang Daming and Luo Jiaying in Odyssey are funny, Gu Dezhao and Karen Mok in Gourmet are funny, and Stephen Chow focuses on something else. At the end of zero hair, Ling Lingfa and his wife, father-in-law and others designed to lure the enemy. When the truth came out, the emperor awarded the best performance award. Ling Lingfa, played by Stephen Chow, thought he would win the prize for his outstanding performance in the bait scheme, but the "Best Actor" was given to his father-in-law, and his wife also exposed his shortcomings such as grandiose performance. This passage is obviously a satire on what happened to Stephen Chow in reality. It is natural and reasonable to embed it in the film properly.

The Supreme Treasure in A Chinese Odyssey ended up lovelorn, agent provocateur only finished one task in the end, and the God of Food was bolder. At the beginning of the film, Stephen Chow was already a "little man who achieved success", greedy for money and profit, which was boring. Later, because of the appearance of Gu Dezhao, he fell into the streets. Until the end, in the "food contest", although he was a superb chef, he didn't win the championship. "Gourmet" is not a film that simply expounds that "what you gain is lost, and what you gain is lost". Compared with 1994' s Jiupin Sesame Officer, the Gourmet pays more attention to the analysis and reflection of human nature, although both of them have turned over a new leaf descriptions.

These characteristics are related to Stephen Chow's participation in film production. From the "nonsense" style of simple performance at first, it gradually turned to downplay the "nonsense" performance and the overall performance with stronger personal consciousness. In the finale of Gourmet, the bad guys were not solved by Stephen Chow, but handled by the immortals. Obviously, Stephen Chow is tired of past experience and wants to make his film a product with substance in speech. This awareness of innovation and change is very reflected in Master Gu Long's desire for innovation and change when he wrote martial arts novels, which is absolutely admirable, and this is also an important reason why I like Stephen Chow.

Master Xing flew back to the original work and began to try comedy with tears in his laughter. It is no longer completely limited by box office elements, and even begins to play in depth. Representative works: king of comedy and King of Thousands 2000.

King of a Thousand Kings 2000 is the second film of Stephen Chow 1999, and it is also the first collaboration between him and Wang Jing after The Amazing Star five years ago. Together, the two funniest people in Hong Kong are the summary of a comedy in the 1990s, and in fact it is. Stephen Chow doesn't have many parts in the film, but it's enough. By contrast, Nick Cheung was eclipsed, especially his smile, which was not used as a signboard. But similar to king of comedy, there are many vicissitudes and helplessness in it. If you are a movie fan, you should notice Stephen Chow's smile when watching everyone play at the end of king of comedy. There is a change of mentality here, and 10 years has catalyzed Stephen Chow's sense of comedy. As for the specific extent, explain it in his words: I used to say, shit! Or, you eat shit! Or shit on you! So now I want to try something new. I said, "Isn't this sentence enough?" "Is this sentence enough for 8 words?" Ha ha ha ha ha ha. -Zero zero nine

Chronology of Stephen Chow's Major Works:

1988

"Pioneer of Thunderbolt" debut, true performance

The state of inertia of the catcher and the best son-in-law

1989

The peak performance of supporting role of Dragon Fight

The Volunteer Army is not satisfactory.

"Rogue Chapo" and Wu Junru's performance sparked off a spark, the first transformation.

1990

Wang Fu Cheng Long and A Comic Book Crossing the World are the embryonic form of nonsense performance and the beginning of comedy talent.

Dragon and Phoenix Teahouse and Through the Storm are both mediocre, but they have been recognized by the audience.

Curry chili completely overshadowed Jacky Cheung's performance.

Inertia of a Xing thief and his brother hitting a ghost.

Gambling Saint won the top ten blockbuster movies of the year and began to partner with Ng Man Tat.

Invincible lucky star, the biggest person in the Jianghu has made a lot of money because of gambling saints, and Stephen Chow's performance is average.

The Gambler won the second place in the top ten blockbusters of the year, and Stephen Chow became famous in one fell swoop.

199 1

The new theme comedy film "The Prank Expert" has initially formed a tacit understanding with Jing Wong.

Descendants of the Dragon and New Jingwumen 199 1 are all nonsense performances.

Truant is a strong summer file, ranking first among the top ten blockbusters of the year.

Gong Li and Fang Jiwei are the heroines in The Gambler 2, and Stephen Chow is the box office guarantee.

Saint of Love plays opposite Teresa Mo, but there are too many protagonists and the "stars" are mediocre.

Guest appearance of "The Banquet of the Giants"

1992

"Cartoon Veyron" began to wonder how long Stephen Chow could last.

Family Fun is one of the most successful comedies in Hong Kong, ranking second among the top ten blockbuster movies of the year.

Truancy and Veyron 2 are called Waterloo.

Judge Death was the first of the top ten blockbuster movies of that year.

Duke of Lushan ranked third in the top ten blockbuster movies of the year.

"Lu 2 Dragon Shinto" ranked fifth in the top ten blockbuster movies of that year.

Su Qier, the top martial arts scholar, ranked fourth among the top ten blockbuster movies of the year.

This is the "Year of Stephen Chow", occupying the Hongkong market completely.

1993

Playing truant with Veyron 3: Year of the Rooster is the seventh of the top ten blockbuster movies this year. Some people say that this will be the last year of Stephen Chow.

"Tong Pak Hu Dian Qiu Xiang" won the first place in the top ten blockbusters of the year, and Stephen Chow countered.

Jigong suffered a fiasco.

1994

Inertia of the King of Destruction

Bao Qingtian, the White Face of Jiupin Sesame Officer, was selected as one of the top ten blockbusters of the year.

"Domestic Lingling Paint" sparked with Anita Yuen, and the nonsense performance was fully mature, and the cooperation with Luo Jiaying was highly recognized.

1995

The Journey to the West's second transformation (10 1 Back to the Moonlight Box) and The Journey to the West's ending story (The Fairy's Romantic Journey) both achieved acceptable results, both of which were selected into the top ten blockbusters of the year, sparking a spark with Karen Mok with nonsense+romanticism+imagination.

Night of the Soul continues to try to reform itself, but it is basically invisible and generally accepted by the audience.

Amazing Stars was the best box office movie in Stephen Chow that year, but it was a continuation of "Expert in Unique Skills", and Jing Wong was mixed in it, which was meaningless+computer special effects.

1996

The Meaningless Form of Repetition in agent provocateur

The Gourmet is average, but it has a good reputation in Hollywood. It is also the first film directed by Stephen Chow.

1997

1997 has no obvious advantage in comedy performance compared with Happy Family.

Counting dead grass's nonsense performance came to a dead end, which brought out Eric Kot's comedy talent.

1998

One stop tour is painful and meaningless, but it has made a lot of progress in directing techniques and retired to a supporting role.

1999

The third transformation of king of comedy went deep into the form of comedy performance, including screenwriter, director and acting.

"King of a Thousand Kings 2000" put aside nonsense, and the in-depth and meticulous comedy performance completely overshadowed the protagonist Nick Cheung.