Fortune Telling Collection - Zodiac Guide - I want to know some information about Myoung-guk Kim. Thank you, God help me.

I want to know some information about Myoung-guk Kim. Thank you, God help me.

Born on June 6th, 1983, Zigong, Sichuan, blood type AB, Gemini. I like movies, badminton and sleeping. In 2002 and 2003, he won the first prize in the third and fourth New Concept Composition Competition. In 2003, he was selected into the 2003 Forbes China Fortune Celebrity List, becoming the youngest person to enter the list. In 2002, he published a collection of essays, The Edge of Love and Pain. Published the novel Fantasy City in 2003; In 2003, he published the novel How many flowers fall in a dream, and in 2004, he published the series Island. Personal self-evaluation: pessimistic and optimistic, advocating free life, good human nature. Jing m Guo's resume Jing m Guo, born in 1983, won the first prize in the 3rd and 4th New Concept Composition Contest. Now he has published his personal works The Edge of Love and Pain, Left Hand Reflected in Right Hand and Fantasy City. Currently studying at the School of Film and Television Arts and Technology of Shanghai University. His character is half cheerful and half sad. He likes watching movies. Sleep and look up at the cloudy sky at a 45 degree angle. About the fantasy city, I think it is a castle in people's hearts and your dream. Reporter: You have created an ice empire in Fantasy City. Does it have a specific meaning? Jing M.Guo: I think it is a castle in people's hearts and your dream. When I grow up, I still have some innocence in my heart, and everyone's fantasy city is different. Reporter: "Fantasy City" reads like a Japanese comic book and a martial arts novel by Gu Long. Are you influenced by them? What do you think is the biggest feature of Fantasy City? Jing M.Guo: It should be something of Gu Long's martial arts and the influence of Japanese aesthetics. In western words, it is those magic novels. Reporter: Some people have commented that your fantasy city has some characteristics of online writing, which are simple, powerless and ethereal. This is a crumbling "castle in the air". What do you think of this view? Jing M. Guo: This is an imaginary story, so the sense of language and the framework of the plot are rather vague. But what I show in it is the feelings between people. In other words, it uses a mythical framework, but it shows people. I think it still has its own foundation, and this foundation is emotion. Reporter: I feel that the charm of Fantasy City lies in using simple fairy tales to express some ultimate problems, such as love, faith and value. In such an era of entertainment consumption, people avoid these "heavy" and "profound" problems, indulge in pleasure and cynicism, and a few people degenerate into walking dead consumers. Most people are still deeply hungry and even anxious. For human beings, this is a lingering fate. Although your novel (I think it is a fairy tale) has some characteristics of network language, it touches the center of human soul concisely and clearly, so it is different from contemporary writing, and it also distances itself from the so-called network writing. Jing M.Guo: Yes, I'm telling a complicated human story in the framework of myth. In fact, it is very complicated, more because I simplified human nature, which is different from simply handling things, but pushed some less prominent emotions in human nature to the extreme. Let all feelings become pure and clear, without secular intervention. Reporter: Cao Wenxuan said that Fantasy City can be regarded as a "grand narrative". What the author wrote was not the flies in the secular society and the people in the earthly world, but the city of dreams, the sacred battle, the king, the great plot and the pure realm. He used Shakespeare's grand melody from an early age and showed a light style. How to treat this evaluation? Jing M.Guo: I feel flattered and a little overwhelmed. Reporter: You said "Fantasy City makes me feel very tired". Why? Jing M.Guo: I was joking, but I was really tired. At the end of writing "Fantasy City", due to lack of time, the ending was not particularly well controlled, and it was a bit hasty. Reporter: This is your first novel. Looking back, how do you evaluate it? Are there any shortcomings? Jing M. Guo: First of all, it doesn't represent my style, nor is it my favorite writing style. But for me, this is the most special job. The most special thing is that this is my first novel, which has also brought me the greatest social recognition, and it is also my first attempt to write a novel with magical themes. It occupies a very special position in my literary creation. Of course, this is special and cannot be special forever. I hope I'm making progress. I'm not trapped in this fantasy city and I'll never get out. There are still many shortcomings. First of all, because I wrote a lot of reasoning in the middle part of this novel, using the first person is doomed to failure. Of course not failure. Because I seldom wrote first-person mystery novels before. Because if you use the first person in the novel, then many things are limited. I can't write anything except what I see. So this is a big taboo for writing mystery novels. Because I use the first person of "I" in short stories, I also use it in novels. The ending is also very hasty and the ending rhythm is too fast. Reporter: Some famous writers and critics generally refer to the writing of young authors as youth writing, and the subtext has the meaning of immaturity, humbleness and shallowness. What do you think of "youth writing"? Jing M.Guo: In the past 30 years, write 30 years old, and 40 years old write 40 years old. Now, seeing 17-year-old people write 17-year-old people suddenly feels very novel, so I regard it as a phenomenon. In fact, they pay more attention to those authors than their works, not to this text without this author. We should pay more attention to the text. If we think his writing is mature, then he is mature. If words are naive, then he is naive. We should not use a person's age and identity to define or infer whether his works are mature or naive. /kloc-writing at the age of 0/6 is not necessarily naive, and writing at the age of 60 is not necessarily mature. Youth writing is neither advocated nor opposed, and varies from person to person. Writing suits him very well, so he can write; If writing is not suitable for you, you don't have to give up your studies, but you must do it. I think it is best for individuals to make their own choices. Regarding emotions, I think my friends are my greatest support. Reporter: In the novel, emotion is everything. Do you believe in emotion? What do you think of each other's love? Is this an infinitely heavy burden for each other? Because many tragedies in the book are caused by too strong love for each other. Jing M.Guo: I believe in emotion, whether it is friendship, affection or love. I think emotion is the most precious thing in my life, and what I want to express is mostly about emotion. Reporter: In the fantasy city, it seems that the affection between brothers and sisters is particularly emphasized. Jing M.Guo: I think there should be. Maybe because we are only children, sometimes we have a purer feeling of family and a very holy imagination. Our generation has lived with their parents since childhood, lacking the affection between brothers and sisters. So what I hope to bring to you is such a kind of affection, a very strong feeling. Reporter: The affection between the hero and his brother in the book even goes beyond love and affection. Jing M.Guo: This is the result of pushing an emotion to the extreme as I said above. Reporter: In the postscript of the book, you talked about your friends in a very touching style. Is it because the only child has fewer brothers and sisters that he got it from his friends? Jing M.Guo: I've said enough about friends. What I wrote in the preface is all friends. I think my friends are my biggest support. I value friendship very much, and friendship is the most precious. Reporter: You say you have many friends, but you still feel lonely. Jing M.Guo: Yes. Because maybe I attach too much importance to friendship, worship friendship too much, and think it is too perfect. So many times a little separation will make me feel very sad. The more you care about one thing, the more sad you will be. Reporter: You said that your best friend is a little "third relationship". Can you explain it? Jing M.Guo: Everyone has different feelings. You have a special feeling for this man. It can't be simply classified as friendship. As I said when I was listening to a lecture in another school, I may be ordinary friends with two people, but my feelings for him (her) are different from those for him (her). We can't classify it as friendship or love or affection. The feelings in this world cannot be simply divided into these three kinds. As I told them, what do you have to do with my lectures here? Is it friendship? Is it love? Neither. I don't think the division should be so mechanical, and many times feelings are mixed together. Reporter: Yes, feelings are ever-changing, the taste of which is only experienced by the parties, and it is difficult to simply summarize it with a certain concept. It feels as if the generation born in the 1980 s naturally refused to be classified. Jing M. Guo: I think it's not that you refuse to classify, but that you can't classify. The children of this generation have so many distinctive things that it is difficult for you to find a place that is the same. Maybe you found someone who can represent this generation today, but maybe in a few days, you will find someone who lives in a completely different state from the person you found. Reporter: You said you like Peter Pan very much because he will never grow up. Now that you are grown up, do you still like it? Does maturity mean losing virginity? Is this fate? Jing M.Guo: I used to choose Peter Pan, but now I may not choose him. I think people have to grow up slowly and bear a lot of things. Reporter: The post-80s generation seems to have a "naive" hobby. They don't like to grow up, and even refuse to grow up. Jing M.Guo: I was, but I'm not now. I want to grow according to the trajectory of time and let nature take its course. Reporter: What do you think of the cynical attitude of some young people at present? Jing M.Guo: I'm a little cynical myself sometimes. I don't like to judge others, because I don't know others, I don't know what others think, and I have no right to speak. I can only say myself, I don't even know. Let me answer it with a sentence from the article I just wrote, "I am living the most seriously with the most cynical attitude."