Blood group of Kitano Takeshi constellation _ Kitano Takeshi constellation

Boring life, I don't want to die —— Kitano Takeshi's self-report. This is a book dictated by Japanese directors, interpreted by African brothers and written by French journalists. From Japanese to French, and then translated into Chinese, it is not known how much I feel "lost in translation".

I was attracted by the title of the book and the signboard "Kitano Takeshi", so I bought it in a hurry, but this book is not recommended for everyone to buy. This is not to say that Kitano Takeshi is boring. This is a very interesting person, but Kitano Takeshi's speech is concise and lively, and French journalists use a completely recorded way, with only a little extra information to introduce, which makes this book monotonous and unreadable, but it is quite useful for people who like Kitano Takeshi to know about Kitano Takeshi.

Most people, like me, probably know Kitano Takeshi from the * * directed by him, such as Fireworks, Summer of Jiro Chrysanthemum, Sakamoto City ... From 1989 to now, the number of actors directed by Kitano Takeshi 18 * * is more than double that of the above picture, and the number of * * actors has swept all the major *. But as far as the richness of life experience is concerned, he can stand the saying that "if you are bored, you don't want to die", not to mention that he has made every profession worship him.

In Japan, Kitano Takeshi's more widely known name is "Beat Generation", which was won by Kitano Takeshi on the comedy stage. In the early 1970s, Kitano Takeshi dropped out of Meiji University to work in bars and strip clubs in Asakusa (similar to Tianqiao in Beijing or the red light district in Paris) and began to learn to be a comedian. Finally, at the age of 26, he and his partner, Jiro, became famous in cross talk (similar to China's cross talk) with a "double beat" combination, a bit like Degang Guo and Yu Qian. I haven't seen the talent show of platoon martial arts. According to Kitano Takeshi, he was in a state of excitement and everything was forgiven on the stage. He will ridicule Obasan, gangsters and ZF, satirizing everything, and he is very energetic and rude.

Just like China's cross talk and storytelling craze in the late 1980s and early 1990s, the generalist craze gradually dissipated, but Kitano Takeshi successfully transformed into a TV host, planning and hosting many TV programs, such as news programs, funny variety shows, educational programs and reality shows ... He has almost no genre, and his creativity is unrestrained, so in the eyes of the Japanese, he is an interesting host, and Kitano Takeshi still hosts many programs. Therefore, when he became a big screen actor, played a ruthless killer, a ruthless tough guy, and even became a director like Kitano Takeshi, it was not until Kitano Takeshi won the Venice Film Festival Award in duang Surprise that he was recognized by his own people.

From the beginning of "Merry Christmas in the Battlefield" written by Oshima, Kitano Takeshi entered the world of * *. At the age of 34, he began to teach himself. Eight years later, he directed his first * * violent man, and then directed 3-4X 10 months, that summer, the quiet sea, and sexual rhapsody. Director Capricorn constantly denies himself, constantly challenges himself, and seeks his own expression in various styles, types and themes, so sometimes the audience thinks that he is really a genius, and sometimes the audience thinks that he has taken a shit, but surely Kitano Takeshi doesn't care much about this, he just wants to try another possibility. There is a director in our country who is in the same constellation as Kitano Takeshi. His works are of different types, but no one can deny his talent. Like Kitano Takeshi, he loves acting. His name is Jiang Wen.

"I shoot * * first of all to entertain myself ... I kind of regard every * * of mine as a toy and an object." "Actors, * * workers, great directors like Akira Kurosawa, or porn actors are all the same in the final analysis. Everyone undresses in their own way. Everyone let their feelings meet naked. " Therefore, Kitano Takeshi used the summer of Mujiro to spy on his father, used dolls to discuss love and death, used Zuotou City to discuss resurrection, and used double-sided Kitano Takeshi to discuss himself.

The concentration of life is like the collapse of a pair of breasts. We can't imagine their charm when they soar into the sky, but just like all breasts with cups will collapse, everyone's life will be concentrated and forgotten by themselves and others. All we can see is a ruthless chronicle and then lament his success. We envy his wealth, but we can never be him. After a hard childhood, a long walk-on career, and drunkenness after becoming famous ... it is hard for us to guess Kitano Takeshi's state when he experienced those important moments in his life. 1983, after he became famous, he gave his master some money and was deeply pleased. He bought wine and got drunk. A big fire broke out that night and burned him to death. 1986, because Gossip Weekly invaded his female friend, he took his own legion (disciple) to fight in a rage, and was later detained in criminal detention and banned from performing; 1994 lost himself, driving a motorcycle after drinking caused a serious car accident, resulting in facial nerve damage. Since then, he has been paralyzed. So far, he is not sure whether it was a suicide or an accident. ...

After all this, life has a completely open-minded attitude towards Kitano Takeshi, without affectation or affectation. He wears casual clothes and drives a Rolls Royce. He made no secret of being a rich man and his love for the opposite sex. "Is it because I am old, so I like women so much? I don't know. In short, I intend to continue to be a lecherous man, at least psychologically-physically, depending on whether I can always do it! That's another matter ... I think it's Dostoevsky. He said that when a man loses his libido, he loses everything. He has no creativity at all. " "I was born in a poor family. As a teenager, I am eager to experience life. I can't wait to "succeed" and climb into the upper class than anyone else. I want to be rich. After experiencing that kind of scarcity, I am eager to buy myself all kinds of things I want. I want to be famous, I want to seduce women, I want to be worshipped by women, I want to taste delicious food, I want to drive a beautiful car ... A few years later, when I have everything I want, I think,' So what? This is life? "It took so much effort to get here?" I was hit hard at that time. This is still the case today. I still don't understand. I don't know why I am alive. "

The individual's freedom lies in that he can try at will without violating the group rules, and the greater the individual's ability, the greater the rule boundary that can be challenged. Therefore, Kitano Takeshi goes his own way, which is very free and easy. There is no stopping, retiring or even getting old in his dictionary, so naturally there will be no boredom. All these make up Kitano Takeshi's face, which he said is not handsome, but it has a lot of connotations. Kitano Takeshi just looks at you quietly, and you don't know whether he will make you laugh or be violent to you in the next second. These also formed Kitano Takeshi's unique painting style, as free as a child and as evil as an adult.

Kafka said, "All human mistakes are nothing more than impatience, interrupting the step-by-step procedure too hastily and enclosing the specious things with specious bets." We always envy others and are always eager to pursue them. Even a mediocre person like me who has nothing to envy is often envied and says, "Wow, I really want to live like you." Be patient, my friend. We must first seriously think about what we want, and then work hard to make sure that only under the care of probability can we become the people we want to be.

Then, like Kitano Takeshi, we can calmly and nervously say, "Since I started my career in Asakusa, I really tasted the taste of rebellion. And since then, I have faithfully stayed on this line that runs counter to the desire for power. I have retained all my critical ability, and then decades later, among those friends I know who embrace the ideals of political and social reform, I am the only one who can freely let my personal views and opinions have an impact on the public. I continue to walk on a road that does not live up to the ideals of the year. "

the end