Where is the flying beauty of Han architecture and Han gardens?

Ancient artisans in China liked to use vivid animal images in their art. This is very different from Greece. Most sculptures in Greek architecture use plant leaves to form patterns. In ancient China, vivid animal images such as dragons, tigers, birds and snakes were used for carving. As for plant patterns, they gradually flourished after the Tang Dynasty.

In the Han Dynasty, not only dances, acrobatics and other arts were very developed, but also paintings and sculptures were very developed, showing a flying state. Patterns usually consist of clouds, lightning patterns and rolling dragons. Sculptures are usually gorgeous animals with flying wings. It fully reflected the vitality of the Han nationality at that time.

This flying beauty has also become an important feature of China's ancient architectural art.

In 2000, there were some articles describing the architecture at that time, describing the splendor of the city palace architecture at that time, which seemed to be just exaggeration and fantasy. Not exactly. The colorful physical materials and decorations of ancient buildings excavated from the catacombs now show that the description in Selected Works is based on reality and is not far from reality.

Now let's take a look at Selected Works of Wang Wenkao. This mural tells us that the interior of this palace is decorated not only with green lotus flowers and aquatic plants, but also with many images of flying animals: flying dragons, angry running animals, Hong Niao, winged phoenix, a deformed snake, a white deer with its neck sticking out, a rabbit lying there, an ape chased by rafters and a black ape.

There are not only animals here, but also people: a group of conference semifinals, kneeling in a dangerous place on the roof truss, with a sad and haggard face. Above, a fairy suddenly glanced at her and sounded like a ghost. After this description, the author draws the following conclusion: "The world of painting, the birth of category group, the wonder of sundries, the god of mountains and seas, the description of its shape, the help of painters and painters, the ever-changing, the gel of all things, the color of classes and the sense of music." This can be said to be the pioneer of Sheikh's Six Laws.

It is not only the interior decoration of the building, but also the overall image of the building. It also focuses on dynamic performance. China's unique "cornices" played this role. According to Lu Ling Guang Dian Fu, the buildings in China have spread their wings like pheasants, which shows that the buildings in tend to Yu Feixiang for a long time.