Huang Yi's detailed introduction

Huang Yi, whose real name is Huang Zuqiang, graduated from the Art Department of the Chinese University of Hong Kong. While studying, he specialized in Chinese painting and won the Weng Yuling Art Award. Later, he became the assistant curator of the Hong Kong Museum of Art, responsible for promoting local artistic and cultural exchanges between the East and the West. 1989, he resigned from a well-paid vocational school, lived in seclusion in the mountains outside the island, and devoted himself to creation. In 1990s, it swept Hong Kong and Taiwan with its unique martial arts works.

From the first work "Surprise", which discusses martial arts and Heaven, Huang Yi has become the Shen Zui of martial arts creation. Later, with the chaotic rivers and lakes in the early Ming Dynasty as the background, sex not only established its important position, but also built a touching and unique martial arts world, which swept countless martial arts readers. Immediately, he tried to inject new elements into the traditional martial arts through continuous innovation, and created "Searching for Qin", which integrates history, science fiction, war and strategy, and once again became a masterpiece of martial arts fans. The Biography of the Two Dragons of the Tang Dynasty, which is still serialized and has reached more than 20 volumes, has gone through the troubled times at the end of Sui Dynasty, explored the impermanence of heaven, the perfection of martial arts and the true nature of life, and constantly opened up territory for martial arts and for his own creation! Become the standard-bearer of martial arts novels in Hong Kong and Taiwan in the 1990s!

As Huang Yi described the works of his two favorite martial arts masters-Jin Yong and Sima Ling: "They both reached perfection and charm. Jin Yong's description of the characters is vivid and vivid; Sima Ling's description of human nature is incisive and straightforward, and philosophy can be seen everywhere. They have all created a world of martial arts that can justify itself and is flesh and blood! Huang's requirements and presentation of his own works also meet and prove this point.

Huang Yi's works give readers a sense of modernity. Bright words and lively rhythm make the plot contrast with the scene of the dynamic picture, and emerge in the reader's mind, making people feel as if they were there. But it is the philosophy and traditional culture with the most China characteristics that endow these novels with souls. He is knowledgeable and experienced, and has in-depth research on art, astronomy, history, metaphysics, astrology and the five elements. He has made in-depth research on Zhouyi, Buddhism and various thoughts, so that he can still keep up with the traditional spirit of China's martial arts when he manages innovative themes and characters.

Throughout Huang Yi's works, we can find that he is constantly exploring the possibility of burying martial arts literature. In the pursuit of Wushu, a basic element, he promoted it to the position of "Tao", which greatly expanded the possibility of Wushu. The acquisition of this kind of power must be achieved through the pursuit of martial arts, not only against the enemy, but also against ourselves, constantly testing our own maximum limits, and then gaining a glimpse of martial arts! Huang Yi thinks: "Anything technical can be sublimated to the realm of Tao, including skilled workers who know cows. It's just technological progress. As the saying goes, everything has a deeper level and is easy to be excavated. For him, martial arts is "a possibility for human beings to surpass their own fantasies, and it has eternal and moving beauty." If you stop at skills, it only belongs to the lower class. "

The exploration and breakthrough of the principle of martial arts in the novel is better than the gorgeous and mysterious moves and techniques. He even put forward the concept of "winning without recruiting" in another form; Beyond the momentum and spirit of sharp weapons and techniques, we can penetrate the space to explore the enemy's mind, confuse his mind and destroy his will, and it is above all flesh-and-blood confrontation. Huang Yi endowed the intangible spirit with concrete strength, which is undoubtedly a profound criticism and irony compared with today's world that values material over spirit.

The brilliance and authenticity of life is also the most frequently explored and deeply focused theme in his novels. Huang Yi is very popular in characterization, whether he is a hero as soon as he appears, or he tries to get up from a little beggar. No matter the protagonist, supporting role, upright person and villain, they all have their own values and attitudes, and they all face the same huge net woven by fate. Everyone is eager to break the shackles and live their own lives.

"History" is often the background element that makes many martial arts novels more vivid and exciting. In Huang Yi's works, readers are often amazed at his profound understanding and skillful use of historical, cultural and social background. He can be as detailed and vivid as recreating historical scenes, and at the same time, he can let the characters shuttle flexibly between rigid and fixed established historical facts. For him, "history is the supreme way to make martial arts novels true." If it is a chessboard, what the author has to do is how to put the chess on it and then play a wonderful game. However, this is of course a very personal opinion, and touching martial arts novels can appear in any form. But for me, martial arts novels divorced from history, especially novels, have lost their godsend combination with the culture and art of that era. This view is also fully reflected in his two works, Qin Xun Ji and Tang Legend, which have great historical beauty and tension. Of course, for many martial arts lovers' favorite fighting skills, Huang Yi's unique fighting aesthetics is outstanding and highly respected. He is very good at dealing with the interaction between the two sides of the war, forming a "qi machine traction" with spirit and momentum, and showing the subtlety of confrontation. After the fight, it was even more shocking and incisive. In addition, Huang Yi's description of "group warfare" is even more wonderful. The group battles described in other martial arts works have the disadvantages of disjointed division and fragmented fighting. But he can skillfully construct the atmosphere and momentum at both ends and the close interaction between the whole body. In his work "Broken Void", "Startled Goose"

The "Gong Dou" and "Blood Flower Street" in Rain Over Clouds are magnificent, piercing and touching team battles, which are very enjoyable!