What is Gu Long's life like? What kind of problems does his work illustrate?

In the history of China's martial arts novels, Gu Long's name is like a shining star. It shines brightly. Although Gu Long's life is short, it is fleeting like a meteor across the sky. But his works are as eye-catching as stars. Jin Yong and Gu Long are the best. Jin Fan and Gu Fan have been arguing endlessly. Jin Yong's internal strength is profound, and Gu Long's moves are strange. Jin Yong's works are extensive and profound. Gu Long's works are fantastic and romantic. Some people compare Jin Yong and Gu Long to Du Fu and Li Bai in the history of poetry. Du Fu is known as a "poet saint". His works are carefully prepared, profound and dignified. [The earth bears a heavy burden and covers everything] (Hu Yinglin comments) Li Bai is known as the "poetic fairy", and his whimsy flies from the sky. The aphorisms and quips are unbelievable. Jin Yong is a fu. Gu Long is like Li Bai. It can be described as a Gemini in the history of China's martial arts. So rich, so vivid, so profound punch line. Gu Long writes freely in the narrative of the novel anytime and anywhere, which can prove Gu Long's profound understanding of life and humanity and his profound experience of life. The bizarre plot of the novel is the development history of the characters in the novel, the relationship chain between the development of things and the relationship between characters in the novel, and an important element for readers to relish and the success of the novel. Famous novelists are skillful weavers of plots, and Gu Long is an excellent master of plot setting. Suspense setting and surprise are important features of the plot of Gu Long's novels. [Chu Liuxiang series] [Lu Xiaofeng series]. . : [Xiao Li Flying Knife Series] is full of suspense. This is a fog. People can't see clearly or guess. Gu Long seized the reader's curiosity with suspense. Gu Long reveals suspense and shows readers the uncertainty and causality of events. In the process of answering suspense, all kinds of characters and forces contain each other, causing conflicts, promoting the plot, and readers break through the fog. They walked out of the predicament and gained great aesthetic interest and reading pleasure. Gu Long is a master of story arrangement. Blood fragrance > The real killer turned out to be Chu Liuxiang's best friend 3? Who would have thought that Ling Yufeng, who was arrested by Shen Zhong, was actually a member of the murder group? Who would have thought that Xie Xiaoyu, a gentle, quiet and beautiful girl, turned out to be a monster? Who would have thought that the legend of the devil had such a complicated relationship? What a tragic ending? And trapped in a trap, really in a trap, fake in a trap, really in a trap, true and false in a trap. Unpredictable plot evolution and story ending are even more unexpected, unexpected and reasonable. This is the winning secret of Gu Long's novels. Most of the stories in Gu Long's novels have no historical background. Some people think it's "avoiding others". Some people think that this was caused by the atmosphere in Taiwan Province Province at that time. I firmly believe that this writing is Gu Long's free play. In Bai's story, Gu Long pays more attention to the development, conflict and instinctive state of human nature. When we are immersed in the story atmosphere created by Gu Long, climbing the strange peaks, trudging through twists and turns, feeling strange and experiencing fear, we can also feel the author's complaint about the injustice of the world and his cry for natural humanity. We even feel that the whole story is like a fable, showing the eternal meaning of life. The story of Gu Long's novels is bizarre. Besides, it looks good. Simple and intangible martial arts are different from those well-organized martial arts routines written by Liang Yusheng Jin Yong. The martial arts in Gu Long's works are nominal, mysterious, looming and ethereal. Xiao Li flies a knife. For example, Ximen Chuixue, the sword died, and Ding Peng's magic sword flew. In a flash, Lu Xiaofeng's fingers can hold any weapon in the world. Tao Te Ching says. [A loud voice is heard. Elephants are invisible. "Buddhism believes that all behavior is impermanent. All methods are empty. Everything is like a bubble of dreams. Gu long's "no tricks" coincides with the cultural connotation of oriental philosophy. This is a one-off decision. This is written by Gu Kun Lang. There is no contest between masters. There are no unnecessary routines. Victory or failure is just a trick. This trick. In order to pursue a lifetime, the brilliance of a moment condenses into eternity. Gu Long's martial arts pays attention to putting the heart first. The master will have a decisive battle. The temperament, mood, temper, clothing, posture and even muscle tremor, tightness, wind direction and surrounding environment of both sides will have an impact on the play of Wushu. There is no room for making any mistakes. Chu Liuxiang and Shi Guanyin War. Chu Liuxiang deliberately broke the mirror, which made Shi Guanyin feel dizzy and failed. The psychological changes of both sides have become the key to victory or defeat. A discouraged person loses confidence. Even if he is better at martial arts than the other team, he is bound to lose. Gu long believes that the highest realm of martial arts is [no one is without me]. I forgot everything. This is the transformation of martial arts, the peak of martial arts. This transformation of Wushu is actually a manifestation of Zen. Before the decisive battle, the master returned to practice his mind, and quiet inside was as quiet as a virgin. Actually, it's ready. This is a hidden murder. At this time, it is extremely quiet in motion. It is also very dynamic in silence. There is no difference between exercise and silence. Duality of Wushu. We read Jin Yong's novels. Martial arts are full of descriptions. Martial arts career seems to have experienced various realms of life. It is full, but in Gu Long's novels, the realm of martial arts is ethereal. It tends to be simple. However, in simplicity, it contains infinite vitality! The lonely and generous man Gu Long's male characters are mostly vagrants, such as Li Xunhuan, Chu Liuxiang, Lu Xiaofeng, Jiang Xiaoyu, Ichiro Xiao, Fu Hongxue, A Fei, Ma Rulong, Ying Bu, Hu Tiehua, Ding Peng and Wang Feng. They lost their lives, experienced hardships, were arrogant and lonely, and they were either not understood by the world, or framed by the wicked and suffered injustice. They are outcasts of secular society. In the eyes of the world, they are traitors. Despite their misfortune and tragic fate, they are born with pride and strong will. In the face of framing and discrimination, they hid their sufferings in their hearts, endured them silently and waited patiently for the opportunity. In the face of difficulties and strong enemies, they are indomitable and calm, and respond with great courage and superhuman wisdom. They are the strong men of life, the masters of fate, the warriors who resist the darkness and the heroes who call for justice. Because of injustice and lack of warmth, most of the protagonists in Gu Long's novels are unhappy, depressed and lonely, but not pessimistic. They still stick to their spiritual home. They are tolerant and selfless. Friendship. Morality. They treat their friends sincerely. What they promised their friends. Even if it is a knife and a mountain fire, they will not hesitate to practice their promises. They show the most beautiful and charming qualities of human nature. The heroines in Gu Long's works are gorgeous and beautiful. The characters in the book often sigh: [I have never seen such a beautiful woman in my life. "Shen Bijun. Su Rongrong. Linglin Ding Feng Siniang. Butterfly dance Beautiful woman. They are quiet, gentle, noble, lively, pure, kind, mysterious or provocative. In a word, the women in Gu Long's works are poetic and idealistic. They are like a ray of sunshine, bringing warmth to readers, like a sea, adding mystery to the story, like a beauty. Like a bunch of flowers, the fragrance is attractive. Beauty cherishes heroes. Beauty values heroes. They dare to love and hate. They are clear-minded, full of tenderness and delicate feelings. Even villains are scheming, evil and vicious, and only beautiful. We cannot hate them. Because when Gu Long describes their bad behavior, he often touches their emotional depths. They showed their helplessness and misery to readers, which aroused some sympathy from us. The most disgusting thing in Gu Long's works is even a gentleman like Liu Ruosong. They come from a noble family and have a gentle disposition. In fact, they are treacherous, insidious and vicious. They secretly engage in prostitution under the guise of benevolence, righteousness and morality. They pretend to be enthusiastic about helping others to hide their evil intentions. The appearance of such characters in the book is Gu Long's warning to the kind world and the exposure of social hypocrisy. Valuable life principles and innovations. [There was no new school before Gu Long. " He believes that the real new genre of martial arts novels should start with Gu Long. Liang Yusheng Jin Yong and others before Gu Long did not break away from the traditional routine. Although this view is absolute, it is not unreasonable. Compared with the old school of martial arts novels in the Republic of China, Liang Yusheng's Jin Yong works are also trying to innovate and change, especially Jin Yong. But their works still belong to the traditional form on the whole. Gu Long, on the other hand, pursues and expresses the familiar cultural atmosphere, literary style and aesthetic style. His creative purpose is to seek novelty, change and truth. He is not bound by any rules and regulations. He gives all-round [self-expression] from style, language, martial arts routines, characterization, artistic conception pursuit, aesthetic taste and other aspects. His novel text not only provides a new standard sample for the martial arts literature, but also provides readers with it. Gu Long has a very clear creative concept. He said: [Martial arts novels have indeed fallen into a fixed form. This form is too much to write. It has become a cliche and formula. "[If you want to change, you have to be innovative. You must break those old stereotypes and try to absorb them. -who stipulates how to write martial arts novels in order to be' authentic'! Martial arts novels, like other novels, are successful because they can attract people and inspire people. "Gu Long took the initiative, showed great enthusiasm and made great efforts. He visited writers of new martial arts novels all over the world. He is too persistent. He always seeks innovation, change and breakthrough. There are no two people outside Gu Long! Gu Long's success is by no means a fluke. Besides his talent and gift, his success is more important. It is this precious temperament of being uneasy about the status quo, being brave in exploration and striving for innovation. Poetic and ethereal language. Gu Long's achievement is to create a unique style. The most shining and core element of this style is language. Gu Long's novels have unique language features. Jin Yong's novels are elegant in language. Passion jumps, and the long and short sentences in Gu Long's novels are staggered, with distinct levels and lively rhythm. Read in one go, forceful and full of prose charm. Gu Long consciously introduced poetic elements in many paragraphs and scene descriptions. Even if the characters appear and fight, Gu Long also shows a poetic thinking, relying on images and emotional tension permeating between the lines. Yujing is not in the sky. It is. Boots are as old as scabbard. But his clothes are brand-new scabbard beating on the saddle. The spring breeze blows on his face. He feels very happy and comfortable. -& lt； Eternal sword > there is wind. The wind blew up Feng Wang's clothes. The cold wind is gloomy. It blows on him, but he doesn't feel cold. It's foggy. A misty white mist floated around Feng Wang, but it didn't hinder his sight. -& lt； The description of Blood Parrot has poetic melody, poetic charm, vivid pictures and ethereal artistic conception. It is no exaggeration to say that it is a prose poem. The flexible use of poetic language is the most attractive place in Gu Long's novels. In addition to poetic language and artistic conception, there are many wonderful and amazing quips in Gu Long's novels. These witticisms are extracted from the repeated chewing of life situations and tastes. They can be interpreted as life maxims. Everyone can read them. Weakness. Anyone can use it. No matter how tortuous and bizarre, you will find that it is not as complicated as you think. Since ancient times, anyone who wants to stand at the top of the mountain must first learn how to endure loneliness.