Who are the late Japanese cartoonists?

Yoshito Usui (real name: Yoshiyoshi Sumi,1958 April 21-September 2009 1 1), a Japanese male cartoonist, was born in Shizuoka City, Shizuoka Prefecture and lived as the mayor of Kasugabe, saitama. His representative is Crayon Shinchan, and Saitama Kasugabe is Crayon Shinchan. He is the father of Xiao Xin, and his crayon Xiao Xin is widely loved by the public.

2. Fujiko F. Buxiong

F. Fujiko Fujio (A.D.193365438+February1-A.D. 65438+1September 23, 996), a Japanese male cartoonist, was one of the representative cartoonists in primary school. His representative works include Q Taro, Doraemon, Little Superman Pamen, Superpower and Super Power. His real name is Hiroshi Fujimoto. He was born in Takaoka City, Toyama Prefecture and graduated from the Electrical Department of Gorkon Institute of Technology, Toyama Prefecture.

3. Kenichi Ishikawa

Kenichi Ishikawa, formerly known as Kenichi Ishikawa,1born in Japan on June 28th, 948, is a famous Japanese animation producer. He and Go Gai Na are good friends. Representative works include Trinity Man, War of nothingness, Warcraft Front, Extreme Weapons, etc.

4. Detian dinosaur

Japanese cartoonist and author of Four-Wheel-Drive Children.

On March 23rd, 2006, Japanese cartoonist Dinosaur Tokuda died of acute heart failure at the age of 47. Tokuda dinosaur, whose real name is Tokuda Zhao, is not only a cartoonist, but also a 3D illustrator. His wife, Duan Liyang Detian, is also a 3D illustrator. The funeral ceremony was held at noon on the 25th at Tsunami Church of Japanese Christian Church in Toyokamachi, Tsunami District, Yokohama City. Due to the author's death, this cartoon was not completed, and only two volumes were released as "the legacy of dinosaurs", which is a pity.

5. Kenji Long Island

Long Island Shinji, whose real name is Long Island Shinichi, 1937 was born in Tokyo.

1952, 15 years old, debuted in Japan with Billy III. Shinji Changdao started writing "The Cruel Story of the Cartoonist" at 196 1, which immediately caused a sensation after serialization. He described the lives of a group of enthusiastic young cartoonists with poetic brushstrokes, which was called by critics as the first time to show the image of young people wandering between ideal and reality in cartoons.