Fortune Telling Collection - Zodiac Analysis - Pisces writer
Pisces writer
Over the years, Mao Dun Literature Awards have been organized very hard, especially each award, which is very mysterious to ordinary readers. As far as any award is concerned, the taste and cost orientation of the Mao Prize jury are regular. Writers who won this honor: Jia Pingwa, Chi Zijian, Mai Jia and Zhou Daxin. Among them, Mr. Jia Pingwa's "Shaanxi Opera" has four words: popular expectations!
The winners of the 5th to 7th Mao Dun Literature Awards are as follows:
Seventh session: Jia Pingwa, Chi Zijian, Mai Jia and Zhou Daxin.
Sixth session: Xiong, author of Zhang; Jason, author of No Words; Xu Guixiang, author of Historical Sky; Liu Jianwei, author of Hero Age; Zong Pu, the author of East Ji Zang.
The fifth session: "Choice" Zhang Ping; "The dust settles" Alai; Wang Anyi's Song of Eternal Sorrow; Tea Man Trilogy Wang Xufeng
1. Uncover the constellation mystery of Mao Dun Literature Prize
Among the winners of the 5th to 7th Mao Dun Literature Awards, one of the most glamorous statistics is that Pisces is the constellation with the most award-winning writers. Among the 7th winners, two Pisces winners, Jia Pingwa and Chi Zijian, unexpectedly appeared.
Let's look at Mr. Mao Dun's constellation, Cancer. What happens when Pisces meets Cancer? Cancer and Pisces, both water signs, will have a feeling of love at first sight, attracting each other and blending their souls. They are a natural couple, romantic and affectionate. Literature is human studies, and literature is also fate. We can never make literature scientific, nor can we analyze many secrets behind literature. Now, in this literary prize named after Mr. Mao Dun, Pisces writers won the most prizes, and soon two Pisces writers appeared in the seventh Mao Dun Prize, which made the constellation secret of Mao Dun Literature Prize even more shocking and unbearable! We must uncover this strange phenomenon. Why do Pisces writers always win a literary prize named after Cancer writers?
Besides the analysis and annotation of constellations, are there any more mysterious reasons?
2. From the fifth session to the seventh session, there are the following interesting statistics:
1. Gender ratio of winners: male: female = 62%:38%.
2. Best award-winning age:
Male, 40-50 years old, accounting for 90%, which means that male writers aged 40-50 are more likely to win the Mao Dun Literature Prize;
Female, 40-50 years old, accounting for 60%, that is to say, female writers younger than 40 or older than 50 are not easy to win the Mao Dun Literature Prize;
3. The proportion of winners and Chinese Department education:
Chinese department graduates (including PLA degree in literature and art): non-Chinese department graduates = 1 1%: 89%.
Perhaps for the Chinese Department of a university, more than 89% of Mao Dun's literature prize winners were not trained by the Chinese Department, which is an embarrassing or regrettable thing.
4. The ratio of military writers to non-military writers:
Team writers: non-military writers = 3 1% :69%
5. The influence of film and television drama on winning the prize
The proportion of winning prizes after making a film and television drama is 39%, which means that 39% of the works are made into a film and television drama before winning prizes. It can be seen that film and television plays have a great influence on the choice of Mao Award.
These five figures are very interesting, but they also reflect some laws of literary creation. Although the ratio of male writers to female writers is still uneven, literary creation is not a parliamentary election, and it does not have to be 50%. However, women writers have a relatively wide range of subjects, getting rid of a single emotional subject and expanding to a broader and deeper level of life. In terms of subject matter, Zhang Jie is getting closer and closer to male writers, and Jason has become the only double champion in the history of Mao Prize, which shows that the overall artistic creation strength of female writers has reached a high level.
40-50 years old is the golden age for writers, especially novelists. In this most dynamic era, artistic creation skills and thinking have reached the peak of personal ability. Before the age of 40, the writer's artistic skills are constantly changing, constantly running in, pursuing his own style in the change, while his personal thinking is more active and keen. By the age of 40-50, the writer will be 40 years old. Writers with basic artistic ability have limited innate and creative ability, and their works will not increase. However, excellent writers will have a creative tendency, especially novels. After the age of 50, people's physical function began to decline. For the extremely tired way of novel creation, the number of works by many writers is decreasing, even for Mao Prize winners over 50, their works reach their peak at the age of 40-50.
The number of Mao Prize writers trained by Chinese Department is really awkward, but it is normal. Novels, especially novels, are the most complicated literary and artistic system, not only language and thinking, but also great wars and understanding of life, and of course their innate nature. These have little to do with stylized Chinese education in universities.
The military environment is conducive to the development of creation, with distinctive styles, and writers tend to mature faster. Instead of military writers, in their own artistic exploration, there are many failed tests, many creative strays and too many unpredictable futures.
The influence of film and television dramas on the Mao Award has gradually increased, which is a new symbol of the Mao Award. How much influence does film and television play have on the evaluation of solemn art? It can be seen from the coordinates of Mao Dun Literature Award that it is 39%, which is not small. It is necessary to write another article on cultural analysis.
All along, Mao Awards are serious literary awards and extremely professional jury awards. I hope that starting from this session, the Mao Award will be closer to readers and more intimate.
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