The Poetic Styles of Li Bai and Du Fu

In the study of ancient poetry, we can feel the conciseness, implication and profound artistic conception of the language of ancient poetry, analyze its interest, and gain a deeper understanding of history and culture, absorb the nutrition of ancient poetry and explore its true meaning.

At the same time, it can also improve their own quality and cultivate their sentiments.

Therefore, the exploration of ancient poetry in this paper, taking Li Bai, the poet immortal, and Du Fu, the poet sage, as examples, allows everyone to truly appreciate the artistic beauty of ancient poetry through their poems, so as to study and discuss them together.

Keywords Li Bai; Du fu; Poetry exploration

1. Li Bai's romanticism

Li Bai was a famous poet in China in the Tang Dynasty. His personality and artistic personality are often described as romantic, naive, bold, elegant and conscious.

Li Bai's outstanding performance in thought and behavior is self-immortality, and Ren Xia's eagerness and sincerity in making friends.

Li Bai expressed his love for great rivers and mountains, yearning for a beautiful fairy world, contempt for the secular, contempt for the strong and pursuit of freedom in a romantic way.

Although the political ideal and behavior he pursues are unrealistic, it is natural and frank in his poems and has his special temperament. His natural frankness is manifested in his poetic art, and he is not bound by tradition, so that his true feelings can be naturally revealed. Just like "Look at my talent, how can I be like Lu" in Book Huai Xian Nan Ling Zanzheng, he compares himself to a great sage.

1. 1 Li Bai's uninhibited.

The greatest feature of Li Bai's poems and songs is "Hao".

His boldness can be manifested in two aspects. One is that he is so confident that he is a little arrogant, because he has the capital to show his lofty, such as "Oh, how can I bow and scrape to those high-ranking officials who will never be seen with an honest face?"

On the other hand, Li Bai's poems and songs are magnificent and broad in artistic conception.

In the description of mountains and rivers, "Difficult Road to Shu" wrote: "Alas, the road to play is dangerous! It's hard to reach the top of the sky ... ",using neat seven words and nine sentences, and turning rhyme four times at the same time, there are various techniques.

Another example is the sentence "Since God has given talents, let them be employed!"! , spin a thousand silver, all come back! " Passionate and unrestrained. This is a manifestation of self-confidence, a strong affirmation of self and life, and even He was deeply impressed by Li Bai's atmosphere.

In the book "Communication with Friends in the Mountains", he wrote: "Two people drink flowers in the mountains, one cup after another.

I was so drunk that I wanted to sleep. The Ming Dynasty intentionally held the piano. "This naked emotion is boldly revealed, which constitutes the characteristics of pride and indulgence, and also shows the poet's tenacious vitality.

1.2 Li Bai's Yali

One of Li Bai's elegant and handsome expressions is that his language is natural and simple, and what he recites blurts out without carving, which is also the concrete expression of his language of "clear water produces hibiscus and natural carving".

He believes that the highest state of artistic beauty is "innocence". When eulogizing the mountains and rivers and beautiful natural scenery of the motherland, he did not carve and conceal his true feelings, and his poetic style was unrestrained, elegant and fresh.

He advocates respecting the poet's creative personality, believes in the poet's creative vitality, and always embodies his true and simple life in nature and frankness, such as "an impenetrable shadow, and now the sun and the moon reflect a platform of gold and silver", "Also, wearing rainbow clothes and riding the wind, all the queens of the clouds come one by one", and another example: "The white rabbit is fiddling with drugs in autumn, and who is Chang 'e alone with? "People don't see in Gu Yue now, but they took the ancients in this month.

The ancients said, if people are running water, they look at the bright moon.

I only hope that the song is opposite to the wine, and the moonlight shines on the golden urn, showing the author's broad-minded and elegant personality.

2. Du Fu's realism

Du Fu's eyes are extremely cold. He always touches the softest heart relentlessly through people's scarred skins, but Du Fu's heart is extremely hot, and there are sympathy for the people and condemnation and accusations against the rulers between the lines of his poems.

Du Fu's poems, like expensive and cold lenses, always faithfully record all kinds of social conditions and truly describe the experiences of the little people at the bottom of society.

2. 1 Du Fu's Depression and Frustration

"Depressed" refers to his serious theme, deep feelings and profound ideological content, "frustrated" refers to his profound poetic style, and "depressed and frustrated" is used to describe the dominant style of Du Fu's poetry creation.

The "melancholy" in Du Fu's poems is a mixture of sentimentality and thinking, and his emotions cannot be erupted and vented, but can only be infiltrated by poetry.

The gloomy and sad colors and sad emotions in Du Fu's poems are a manifestation of Du Fu's "gloomy and frustrated" poetic style.

He cared about the country and the people all his life, interwoven his patriotic thoughts with his loyalty to the monarch, regarded the emperor as the embodiment of the country, pinned all his hopes for the success or failure of the country on him, and was blindly loyal to the emperor. From his early ambition until his death, he still remembers: "The blood of the war is still there, and the army has been moving to this day." As written in the "Southern Expedition", "Sick people go south and your heart looks north", the poet died.

As he described in "I Touch My White Hair". It has grown too thin to hold a hairpin anymore. "In" Dream of Spring ",the war keeps going, and letters from home can't come back. In the end, whether the war is won or lost, it is the common people who suffer.

Poetry is a true portrayal of history, just like the eyes and ears of poets, and Du Fu's poems are a bridge of history.

His "gloomy and frustrated" poems degenerated into sad characters, which reflected his love for the country and people, made moderns more successful in the prosperous Tang Dynasty, and left a praiseworthy poem for future generations.

2.2 Du Fu's praise and nostalgia for history

Du Fu paid more attention to "WTO entry" than realism.

He experienced great changes in the Tang Dynasty, and his turbulent life caused wounds to his body and mind that were difficult to heal. He recorded the scene of the times changing from prosperity to decline, reflected the injustice of society and the tragic hardships of life, and played a role in expressing feelings or remonstrating politics.

As described in "Military Vehicle Shop", "Go to the blue sea, look along the coast and see all the forgotten old bones. The new ghost is wailing there now, and the old one is loudest in the stormy dark sky. " The theme of this poem is to bid farewell to soldiers, and feelings are added to the narrative. In narrative, Zhang Yi changes orderly, echoes before and after, and is rigorous and meticulous. The words in the poem are mixed, the rhyme is even, the tone is cadence, and the feelings are low and ups and downs.

Du Fu has a great ambition of "obeying the monarch first, then making the vulgar pure". He sympathized with the people and was even willing to make self-sacrifice to save their suffering.

The hardships of life in the turmoil have made Du Fu worry about whether his wife and children can live a happy life. He is sad and painful for his children to starve or even die.

For example, the Northern Expedition, Shu Huai and other poems all express the poet's deep affection for flesh and blood.

summary

On the basis of inheriting the excellent traditions of predecessors, Li Bai further developed the artistic features of China's ancient poems and formed his own unique poetic style, especially the romantic expression, which made his poems full of strong subjective colors of self-expression.

For example, Li Bai wrote in "Send Du Fu to Dune City", "What am I doing here? I'm lying in the city of sand dunes.

There are ancient trees on the edge of the city, and autumn sounds ring day and night.

Lu wine is not drunk, so sing a song for nothing.

If you think a gentleman, you will be sent to the south. "

Li Bai began to ask, "What am I doing here?" And answered "lie high beside the sand dune", and Du Fu began to ask "What are you thinking, old friend?" In To Li Bai at the End of the Sky. One talks about himself first, and the other asks him first. Li Bai's strong self-expression color can be seen.

Du Fu's legendary life experience is different from Li Bai's. Du Fu was born in a scholarly family and was a loyal disciple of Confucianism. He was educated at home on earth, a father and son, without Li Bai's transcendental immortal spirit. He really lived in the land of the Tang Dynasty and loved it deeply.

Li Bai's "thinking of a gentleman is gentle and courteous, and sending him to the south" and Du Fu's "tears of ancient times are better than tears of Qutang" are more obvious. One is handsome and fast, the other is thick and sincere, and the nature is different.

If Li Bai's life is like wine and spirits, wandering between heaven and earth with a strong attitude, then Du Fu's life is like water, and all kinds of water are everywhere. Du Fu's life is really as good as water, which is the arrangement of fate.

His calmness and depression are as cold as the wind from Siberia, and his sharpness never disdains to hide, but it is because of its existence that people believe that spring is not far away, and there is hope hidden under the ice.

References:

[1] Stanley Ho. Romantic features of Li Bai's poems [J]. Cultural and educational materials, 20 10( 14).

[2] Ma Zhuohao. On the artistic features of Li Bai's poems [J]. Young writers, 20 14(03).

[3] Wu Tianhu. On the artistic features of Du Fu's poems [J]. Curriculum education research, 20 12( 15).

[4] Zhang Guoyun. Du Fu's analysis of Li Bai's poems [J]. College degree, 20 10( 17).

Li Bai and Du Fu's Poetic Style II

In the summary of Tang poetry, it is said that "Kaiyuan and Tianbao have the elegance of Li Han forest and the depression of Du Gongbu".

Hu Yinglin also said something similar in his poem: "Du Li are sincere opponents, Ling Du is gloomy and vigorous, and Taibai is luxurious and elegant." In short, no matter how people evaluate and compare the poetic style, they can't get rid of Li's "elegant" and Du's "depressed" artistic creation styles.

In the words of Mr. Fang Rixi, "elegance" means: "Laozi and Zhuangzi's thought embodies artistic interest, showing the artistic realm of chic and carefree, and elegance is important in leisure, with a supernatural look." However, Mr. Wu Benxing believes that elegance is the overall impression of the three-dimensional sense and sense of action that painters and photographers can't draw.

Because of Li Bai's bold personality, the main characteristics of his poems are bold, chic and leisurely.

Poets are good at writing freely, and their poems often present a lively and elegant state.

"I was drunk and went to sleep, and the Ming Dynasty intended to hold the piano" ("Lonely Man Drinking in the Mountain") is a true portrayal of his frank personality.

Obviously, his free expression of "three calls for help, no points to give" is not the same as Du Fu's "two sentences for three years, one song for two tears".

Li Bai showed his distinctive uniqueness with strong subjective color and romantic sentiment. He is always confident when expressing his ideals: "I was born useful, spin a thousand pieces of silver and come back!" " "One day, I will ride the wind and waves, sail straight up and cross the deep sea"; When expressing anger, it is even more wild: "A gust of wind blows down the mountain in three days"; When I miss my friends, I will say, "The wind blows my heart and hangs Xianyang tree in the west"; When politics is not satisfied, he can't control his inner anger. He would shout, "The road is as wide as the blue sky, but there is no way out before my eyes!" " "The above poems all show a spirit and character of being wild and proud of Cangzhou.

Du Fu's poems pay more attention to the rise and fall of the country and the nation. The poet was deeply influenced by the Confucian thought of "saving the world by saving time", so his poems reflected the sufferings of the people and the darkness of reality. The so-called "burning with sunflower" and "worrying about Li Yuan in poor years" are the core reflections of his thought.

When he witnessed the fall of Chang 'an and the destruction of the city, he wrote Hope in Spring in an impassioned style, thus expressing the poet's anxiety about the country. However, when he heard the good news that northern Jiangsu was accepted, he was particularly happy and wrote his "first quick poem in life"-"The banks of the Yellow River were recovered by the imperial army".

All the poems reveal the poet's surprise when he first heard the news.

When Li Bai criticized the Anshi Rebellion, he cried sadly: "Bones turn into hills, what is the crime of a man?" It shows his heroic subjective color and romantic sentiment, which is in strong contrast with Du Fu's calmness.

Li Bai's poetry images jump rapidly, his feelings are expressed abnormally, and his exaggeration is incomparable to Du Fu and his contemporaries.

In Into the Wine, the poet said, "You didn't see the lovely hair in the bright mirror in the high hall. Although it was silky black in the morning, it turned into snow at night! Oh, let a man with spirit take risks where he likes, and never point his golden cup at the moon empty! " This poem evokes the images of moss and snow from the word "sadness". Facing the eternal nature, the poet expressed his inner sadness. Life is so short and the years are so hasty.

However, this emotion and this sigh soon turned into a drunken poem: "Oh, let a spiritual man venture to his favorite place and never point his golden cup at the moon!" " .

It can be seen that Li Bai's emotional changes are unusual, and the great leap in image is an important factor in the formation of his elegant style.

In his "Uncle Yun, a farewell book from Xuanzhou Xielou", the poet mainly adopted a leaping structure, which made people feel aloof and left a lot of blanks for readers to fill, thus making people understand Li Bai's elegant style.

Du Fu is different from Li Bai, and his life experience and "difficult" background of the times have created the main aspects of his personality and the main style of his creation.

Although his poems are ordinary, their feelings are extremely deep. For example, Ascending the Mountain, once known as the "pioneering work", expresses its sad and complicated feelings by describing the boundless autumn colors, the endless Yangtze River and the poet's lonely images, and shows the poet's broad mind and deep worries.

The poets of "Fallen leaves are like waterfalls, I see a long river running" express their sadness at the attack by describing autumn scenery on the riverside.

His poems are "profound in content, profound in artistic conception, profound in feelings, profound in expression, euphemistic and implicit".

National crisis, social unrest, people's difficulties and personal experiences constitute the main contents of his poems.

One of the Three Poems of Qiangzhai describes the poet's return after a long separation. Although the space is not long, the emotion is clear and powerful, and people have to sigh deeply when reading it. "the world floats in chaos, and the living follow the accident." Who can not "sigh" for the joy of this close escape? Of course, I can also imagine the excitement of "dreaming with candles at night".

It can be said that the poet was lucky at that time, but what kind of feelings should he place on Qian Qian people who had left their homes at that time? This is a question worth pondering.

Du Fu's deep sympathy for the people and anger against the rulers are deeply expressed in his poems.

"If you are poor, you will worry about Li Yuan, and if you sigh, your intestines will be hot." He cares more about the people than himself. "There are tens of millions of spacious buildings, and the poor in the world are happy, and the wind and rain do not move. Alas, when I suddenly saw this house, my family froze to death alone. " He would rather be frozen by himself, be warmed by all the people in the world, and criticize the ruler more deeply and angrily. "The poet wrote the sharp contradiction in the dark society in a gloomy style.

Through deep observation of social reality, Du Fu wrote a lot of poems to express his concern about the current situation, interwoven his feelings of worrying about the country and the people with his own ambition but inability to serve the country, and showed his concern about the future of the country and the destiny of the people. With the help of the description of the scenery, he euphemistically and implicitly expressed his enthusiasm for worrying about the country and the people, making it easy for readers to see the pain and sadness hidden in the poem.

"Where the petals have been like tears, the lonely bird has sung pathos", "Jiangshan is waiting, and the flowers and willows are more selfless", "Qinchuan suddenly broke, and it is impossible to ask for it. Looking down and angry, how can you distinguish Cangzhou? " These poems are permeated with the feelings of "although the country is divided, the mountains and rivers will last forever, and the vegetation will be spring", and the feelings of worrying about the country and the people are vividly on the paper.

In my opinion, Mr. Wu Benxing's overall impression of Li Bai's elegant sense of subject and action is beyond the reach of painters and photographers.

As for what is the sense of movement and three-dimensional sense of poetry, Mr. Wu thinks that "sunset and loneliness, autumn water and the sky are the same color" can be used as its standard answer.

The flowing and concrete pictures in Li Bai's poems give people a feeling of being unconstrained and unconstrained, which makes readers feel as if they are in it, keeping pace with the poet and in a beautiful state of floating and emerging.

Early Interpretation of Baidicheng is a work in which Li Bai was pardoned halfway after being demoted to Yelang. It shows the poet's relaxed and happy mood. I think the poet's joy at that time was comparable to Du Fu's "Wandering in the chaos, surviving by luck" and "The news is far away from here!" The north has been recovered! At first, I couldn't stop tears from flowing on my coat. "

The only difference is that the former has a strong self-subjective emotion, while the latter has a strong sense of hardship.

In short, the elegance of Li Bai, a poet, makes us memorable, and the depression of Du Fu, a poet, worries us. They complement each other and represent the strongest sound of Tang poetry. It is really worthy of what Han Yu said in "Zhang Ji": "Du Li's article is there, and the flames are endless."

Similarities and differences in poetic style and aesthetic pursuit between Li Bai and Du Fu 3

Li Bai and Du Fu were known as the great Gemini in the prosperous Tang Dynasty. Their poems are admired and praised by later generations, leaving many immortal poems, which represent the highest achievement of literature in the prosperous Tang Dynasty.

Both Li's and Du's poems reflect their patriotic feelings, their deep concern for people's sufferings, and their lament for their own destiny and future.

This paper analyzes the similarities and differences between Li Bai and Du Fu in their poetic style and aesthetic pursuit from their times, origins, family background, thoughts and personalities.

Keywords: Li Bai, Du Fu; Poetic style; Aesthetic pursuit; similarities and differences

Li Bai and Du Fu lived in a time when the Tang Dynasty turned from prosperity to decline. Their poetry works are very typical of the characteristics of the times at that time. The weather in the early Tang Dynasty and the tragedy of the national crisis later flowed in their works, showing touching artistic charm.

Of course, Li and Du were born in different families and influenced by different thoughts, personality differences and other factors, resulting in different poetic artistic styles and aesthetic pursuits.

Comparison of poetic styles

First of all, the formation of their poetic style was influenced by their family background to some extent.

Li Bai was eager to learn since he was a child, which can be described as a well-read book: "At the age of five, he carried six families, and at the age of ten, he looked at a hundred families. He has heard a lot since Xuanyuan.

Long horizontal classics, tireless production ("Pei Chang History Book Shang An").

This makes Li Bai have a strong positive spirit, full of self-confidence, eager to display his talents and achieve something.

He likes to wander between mountains and rivers since he was a teenager, which makes many of his poems free and unrestrained and full of romanticism.

"Singing loudly takes drunkenness as comfort, and dancing in the sunset is proud ("Nanling children don't go to Beijing ")." After drinking heavily, people are far behind.

Du Fu was born in an official family, so he regarded being an official and writing poems as his career.

He has been wandering from place to place all his life and suffered from human sufferings, so he knows the sufferings of ordinary people very well and has humanitarian care.

There is a deep worry in his poems, "Thinking about unemployment and dying for Philip Burkart."

If the bed is thin, D will accuse you of throwing yourself into the garden, and your training is full of compassion and far-reaching influence.

Moreover, Du Fu has traveled to many areas and mountains and rivers, but most of the time he was displaced in the rough, so compared with Li Bai's freedom, Du Fu's poems often show his grandeur, and his rich life experience makes him more profound and stable. He uses delicate and smooth brushstrokes and inner feelings to express his lofty sentiments. "Especially since ancient times, it is advisable to talk about Wan Li" ("Song of Wang Zai's Painting Landscape").

Very memorable.

Li Bai and Du Fu are very similar, both influenced by minority culture and Taoist culture. Among their excellent poems, there are many works that show the cultural life of ethnic minorities and Taoist culture.

Li Bai has a wide range of friends, and many of his friends are descendants of ethnic minorities or friends of ethnic origin. Coupled with the influence of family education, times and geographical living environment, Li Bai was influenced by rich and colorful national culture since childhood.

This makes Li Bai full of chivalry, justice and courage, and his poems are also heroic and masculine.

He wrote in the History of Shang Anpeichang: "Once, I swam in Chu with Wu Zhibiao, a friend of Shu Zhong, and the guide died in Dongting, and Bai Tan was sad ... I slept with him and never stopped, so I was buried in eastern Hubei."

His chilling chivalry is vividly reflected.

Re-read Watching Hu People Play the Flute. "The conference semifinals in di, half of them are Qin Sheng.

In October, Wu, plum blossoms fall into the pavilion ","take off your hat and smile at you ".

Drinking for the monarch and singing for the monarch (Fufeng Shihao Song), Li Bai's profound cultural heritage and absorption and integration of various ethnic cultures are subtly manifested, forming his unique poetic style.

As a representative poet with far-reaching influence on later generations, Du Fu has been constantly creating and changing while absorbing the essence of various ethnic cultures.

Du Fu was influenced by Confucian culture since he was a child, so he formed an inclusive form in his cultural system.

He advocated that all ethnic groups get along well with each other, and opposed the belligerence, which broke through the narrowness of Confucianism.

Many of his poems reflect the broad mind of national equality and opposition to war.

"To Helan" laments the sorrow in troubled times, "Five Poems in Akita" writes "Night Smell Five" after listening to Chinese music, and Du Fu's love for minority cultures, all of which well show the poet's style and ideas.

Taoist culture was particularly respected in the prosperous Tang Dynasty, and the poems of Li Bai and Du Fu were deeply influenced by it.

They all read a hundred schools, three graves and five classics, including Confucian classics and, of course, a large number of Taoist classics.

These classic Taoist thoughts silently influenced Du Li's works.

Many of their poems show their pursuit of freedom and ideals, as well as their detachment and resistance to feudal ethics.

In addition, Li Bai and Du Fu's poems also absorbed many creative themes and materials from the Taoist classic culture, enriched their creative techniques and made Du Li's poems more vivid, imaginative and energetic.

Li Bai's "Climbing Mount Tianmu in a Dream" contains a lot of Taoist cultural elements, and myths and legends and special scenic spots give people a feeling of being in a fairyland.

There are countless similar works in Li Bai's poems. For example, "Bai Di Jin Jing Yun Qi, Zuo Shilian Yun Zuo Tai" ("Xiyue Yuntai Songs Send Dan Qiu Zi"), we can all see the shadow of Taoist culture in Li Bai's poems, and the fresh, natural and elegant poetic style infects people's hearts.

Du Fu's poems reflect his feelings of patriotism and love for the people, his love for natural landscapes, his infinite pursuit of seclusion, and the role of Taoist culture in him.

"Cover my heart again, make friends with birds and flowers" ("A trip to the second temple of Daolin in Yuelu Mountain"), which shows his infinite love for nature.

Comparison of aesthetic pursuit

One of Li Bai and Du Fu was honored as a "poetic immortal" and the other as a "poetic saint". Their poems have similarities and differences in poetic style and aesthetic pursuit.

First of all, Li Bai.

Why do Li Bai's poems and songs have such great charm that they can spread for thousands of years and last forever? It is very important that the aesthetic ideas in his poems are attractive to later generations.

Li Bai's harsh living environment, characteristics of the times, thoughts and other factors not only influenced the formation of his character and poetic style, but also influenced his pursuit of poetic aesthetics subtly.

Li Bai's poems and songs show us the feelings of self-confidence, boldness, optimism, love for home and service to the country, and lofty political aspirations, which are outstanding manifestations of the weather in the prosperous Tang Dynasty.

The poet's pursuit of lofty goals is a kind of personality beauty and the core of Li Bai's aesthetic pursuit.

Li Bai's grand ideal of saving the world is expressed in the poem "Dai Shoushan answers the biography of Meng Shaofu", which says, "If you are rich, you will help the world, and if you are poor, you will be immune to it."

Li Bai also often expresses his personality by chanting swords, which also reflects his ambition of being unwilling to be mediocre: "Caressing swords and whistling at night, aiming at advancing by leaps and bounds" (the second part of "Giving Zhang").

When analyzing the style of poetry, I know that Li Bai was influenced by Confucianism and Taoism since childhood. These two philosophical thoughts are deeply imprinted in Li Bai's poetic aesthetic creation, which makes his poems contain magnificent beauty and unconventional beauty.

Li Bai's poems and songs often contain magical legends, rich metaphors, bold imagination and magical things falling from the sky, which makes people feel like immortals.

His profound cultural accumulation and broad mind also make his poems fascinating.

One of the classic works "Difficult Road to Shu". The exquisite description of Shu Dao in the whole poem fully shows its heroism, singularity and arduousness. He combined historical stories and myths and legends in his poems to show the magnificent and wonderful strange beauty of people.

Perhaps because of the many places he has traveled, or perhaps because of his own experience, Li Bai pays great attention to showing ever-changing aesthetic thoughts when writing poems.

He is good at using rhetorical devices to make strange images flow in his own words. "Until, holding up my cup, I asked the moon and brought my shadow to make the three of us" ("Drinking the Moon Alone"), "The Yellow River fell into the East China Sea and Wan Li wrote it in my heart" ("To Pei XIV") are all quite interesting imaginations.

Moreover, the emotional expressions in "I don't see how the water of the Yellow River moves out of the sky and into the ocean, and never comes back" ("Into the wine") and "Difficult to get through the road" all pour like running water.

Let's talk about Du Fu again. Because Du Fu has experienced social unrest and hardships in life, his poems often reflect a profound and profound aesthetic thought with far-reaching significance.

Chen Tingzhuo wrote in the first volume of Bai Yuzhai's Ci: "The so-called depressed people mean that the text is ahead, and God is outside the image ... They want to be exposed and repeatedly lingering, but they are not allowed to hit the nail on the head.

Not only has a high physique, but also has a strong temperament. "

Is it not the gloomy beauty of Du Fu's poems? "Apes whimper in the high wind in the wide sky, birds return to their nests in the white sands of clear lake" (Up the Mountain) and "Spring flows through the dark wall, and the grass falls in autumn" (Sunset) all show their beauty.

Taoist and Confucian thoughts also have a certain influence on Du Fu's aesthetic pursuit.

In the pursuit of aesthetics, Confucianism emphasizes "goodness and beauty", while Taoism emphasizes "true beauty" of natural attributes, which is "implicit beauty" from a philosophical point of view.

Undoubtedly, this aesthetic thought exists in Du Fu's poetry creation.

The outstanding aesthetic thoughts in Du Fu's poems still have ups and downs.

After reading his poems, it is not difficult to find that the twists and turns like mountain roads, such as the mighty running of the Yellow River, run through his lines.

His "Three Officials" and "Three Farewells" use a variety of writing skills.

He often uses the "suspense method" in Historical Records, and doesn't write who and why at the beginning.

After writing, it will be revealed at the end, forming a trend of ups and downs, which makes the poetic language full of tension and impressive.

Wang Shu, my nephew and Er Dao are all representative works.

Li Bai's and Du Fu's poems are unique in artistic style and aesthetic pursuit. Their works are as dazzling as the stars in the sky.

Their artistic achievements in poetry have also had a far-reaching impact on later generations, which is a very valuable cultural heritage in China and has made great contributions to the further development of poetry.

References:

[1] Li Bai Research Association of China, Li Bai Research Association of Maanshan and Li Bai Research Association of China. Huangshan Bookstore.

[2] Hu Kexian: "An Introduction to Du Fu's Poetics" Anhui University Press.

[3] Xu Xiping: "Du Li's poetics and national culture" National Publishing House.

[4] Luo Yi: "A Comparative Study of Li Bai and Du Fu's Poetry Art" Chongqing Jiangjin Radio and TV University.

[5] Li: "The Aesthetic Features of Du Fu's Poems", "On the North", 1996.

[6] Li: "Aesthetic Features of Li Bai's Poetry", "Academic Exchange", 1996, the third issue.

[7] Pan Baiqi: "On the Aesthetic Characteristics of Li Bai's Poems" and "Li Bai Studies in China (1990)-Chronicle of the Second Annual Meeting of China Li Bai Society".