Brothers and sisters. Help find some information about the singers of music, including how the songs were recognized at that time. If it is good, I will get extra points.

I remember being captured by Wong Kar-wai for the first time in Chongqing Forest. If you ask me, after watching the movie, close your eyes, who or what specific thing first comes to your mind, I will definitely tell you that the character is naturally Faye Wong, and the specific thing is "California Dream" by the American band The papas and The mamas.

If you ask me again, what's your favorite shot? I will definitely tell you that it is a combination of the two. In other words, the scene of Faye Wong's hand shaking in the music of "California Dream" is so fucking classic.

Faye Wong, a mysterious and casual woman like a cat, is free and easy, open and transparent. Ask the men and women around you more than once, who is your favorite female image? Except for a few people who say that they are Wu Teng O Lan and Gillian, most normal people choose Faye Wong in a unified way. I took pains to ask the same question to my female sisters around me. Except for a few annies, most of them are Faye Wong. So, I came to a conclusion that Faye Wong is an extremely rare woman that men like women to appreciate.

What makes men overcome their infatuation with big breasts and fat buttocks, and what makes women overcome their jealousy of the same sex? I have to admit that as human beings, we all have similar aesthetic concepts. Gender, class, status and rights are not gaps. They are rooted in the O house where we were born and directly melt into our blood through the umbilical cord.

Honesty and sincerity are always the most attractive characteristics of personality. This also explains why Fan Bingbing and Gillian are so disgusting. A person who can't wait for the whole world knows her Leng Yan (as it is), and a person who can't wait for the whole world thinks she is plain and pure (she doesn't want to kiss all day, but she is very enthusiastic and skilled about cgx, and she even took a fucking photo as a souvenir. You think you are traveling.

Faye Wong will always be the inspiration in Wong Kar-wai's films!

Just like the film arrangement in 2046, whenever Faye Wong appeared, the camera would change its ambiguous way and shine like a god. Wong Kar-wai seems to think so. Therefore, when Faye Wong appeared, the famous song "Holy Goddess" in the opera "Norma" was once played in the soundtrack, which was very appropriate. Yes, Faye Wong is not the goddess in our hearts.

In 2046, Tony Leung Chiu Wai had an action that was obviously different from other feelings, that is, he was deliberately doing something for a woman. Naturally, this person is Faye Wong. From sending a letter, or writing down that extremely stream of consciousness 2046: a memory train bound for the future time, a train warmed by hugging each other, more is to express an emotional confusion and uncertainty. When Tony Leung Chiu Wai learned from Faye Wong's father that she was getting married, it was hard to guess how broken Tony Leung Chiu Wai's expression was ~ ~

The appearance of Kimura Takuya in 2046, interspersed with the adagio of the Norwegian secret garden, was ethereal and sad. The euphemistic and sad violin seems to test the softest part of your heart, weaken your strongest nerve endings and then make your memory moldy. When the music starts, you seem to remember the inscription "All my memories are wet" at the beginning of the movie.

Wandering thousands of miles, at the end of Wong Kar-wai's "fallen angels", there is also a song that touched me, only you who flew the picket. Under the wide-angle lens, Takeshi Kaneshiro and Michelle monique Rice on the locomotive gradually disappeared in "All I need is your love", "All I need for another day is only you I once knew" and "The plain picture is full of color because of this song ~ ~

Wong Kar-wai once said after cutting "2046": I have everything here. Looking closely, Wong Kar-wai's music world also presents a door to an emotional maze. Love is both worry and happiness. When you get lost in your feelings, you enter the music world of Wong Kar-wai. Maybe there is no answer, maybe it's just the whispers of people who have had similar experiences. No cliche, no tears, just tell you calmly: feelings are like this!

Wong Kar-wai, an internationally renowned director, assembled eight superstars from China, Hongkong and Japan to star in this masterpiece, which took five years to elaborate. The film music was first created by Shigeru Umebayashi, a Japanese composer of In the Mood for Love and House of Flying Daggers, and Pierre Roban, a great director of the German film score master Fassbinda, together creating a fantasy music world spanning the 1960s and the future. It also includes classic songs from 1960s, including Siboni by Connie Francis, Christmas Song by Najinko and Swing Music by dean martin. Also included are the famous opera Norma by Italian opera composer Bei Lini and the famous song Holy Goddess.

In Wong Kar-wai's films, music is always a magical element, which matches charming images and romantic stories. Whether it is original music or the old songs he carefully "borrowed", every character and scene has the most unique movement, which combines into a charming and dizzy emotional atmosphere. "2046" is a masterpiece that Wong Kar-wai spent five years shooting in "In the Mood for Love". He once said after the premiere of Cannes Film Festival, "This film is the summary of all my past films". The soundtrack album is also a strong lineup, and the soundtrack and song selection have been carefully selected. In the soundtrack of this film, Shigeru Umebayashi, the original composer of In the Mood for Love, was invited to compose some original music for the film. Peer Raben, a composer who worked with rainer werner fassbinder for a long time in movie master, contributed two pieces of music especially internationally. Wong Kar-wai also selected the music of famous music creators, including Pries Preisner and Secret Garden. Unexpectedly, all composers' music finally merged into a unique, harmonious, romantic and profound "Wong Kar-wai style", which is amazing.

After In the Mood for Love, fats waller Nat King Cole's songs were quoted by Wong Kar-wai. A Christmas Song is full of appeal and plays a key role in the plot. Dean martin's "Swing" exudes a charming nostalgic style. In addition, the famous song Holy Goddess in the opera Norma and the classic Latin folk song Siboni seem to have sprinkled a layer of shining magic gold powder on the film.